Brass Keys To Murder

U.S. Navy Lieutenant Steve Craig is in one hell of a mess. Being accused of murder is bad enough, but the local police are convinced he’s killed his own father. Alfred Hitchcock couldn’t have conceived a more diabolical plot for Cary Grant . . . and now, for Steve Craig, the plot is about to get down and dirty. Steve’s safe from the cops as long as he stays aboard his Navy ship—but the word safe isn’t in his vocabulary. He slips off the vessel and vanishes into the seamy underside of the city, determined to find out who took his father’s life . . . even if it means risking his own. He follows a trail of smoke and mirrors and sudden violence to the Brass Keys to Murder. With them, Steve will seek to unlock the terrible truth behind his father’s death . . . and an astonishing secret that will change his life—and that of the woman he loves—forever. Ron knew well the life at sea and the world surrounding it. Not only was he the son of a naval officer, he traveled back and forth across the Pacific, plied the China coast in a working schooner and commanded an expedition aboard a four-masted ship to the Caribbean. He walked the waterfronts of countless ports, sharing stories with the colorful—and often shady—characters inhabiting them. Originally published in April 1935 under the pen name Michael Keith, Brass Keys to Murder is a direct result of those adventures.

Take a touch of Charles Lindbergh, mix in a dash of Evel Knievel, throw in one man-killing cat—and you’ve got a recipe for a rip-roaring adventure featuring the high-flying, hard-living Smoke Burnham. There’s not a dare Smoke won’t take, and there’s not a wager he won’t make. Now he’s betting his life that he can fly his plane, Super Comet—with his pet cheetah Patty coming along for the ride—across the mountains and jungles of South America to a prize-winning payday. All he has to do is out-race the competition, out-maneuver a saboteur, and make out with his girl—who’s determined to bring him down to earth. One thing you can count on—in the air, in a fight, or in his girlfriend’s arms—he’s a man who likes to turn up the heat. Because where there’s Smoke, there’s fire. In 1931, as a student at George Washington University, Hubbard founded the college Glider Club and within a few months a respected columnist said “he is recognized as one of the outstanding glider pilots in the country.” Later he wrote as the aviation correspondent for the prestigious flying magazine Sportsman Pilot. His combined writing and flying expertise comprised the perfect recipe to give stories like Man-Killers of the Air their authentic flavor. “Great adventure to keep you on the edge of your seat.” —Gather.com

Sheriff Kyle of Deadeye, Nevada, is headed east to the nation’s capital. Like Dennis Weaver in the television series McCloud, Kyle’s about to discover that the law can be even wilder in the big city than in the Wild West. It’s a fact that hits home when he’s the one accused . . . of murder. Kyle’s come to the city to give a report to his senator on the misdeeds of Nevada’s filthy rich copper kings. But before he has a chance, he’s knocked unconscious, later coming to alongside his senator—now dead, with Kyle’s knife imbedded in the corpse. Welcome to Washington D.C., where corruption, intrigue and murder are all in a day’s work. Kyle’s got no alibi, no memory, and apparently doesn’t have a prayer . . . unless he can find a way to outwit, outfox and outmaneuver the masters of deception and double-crosses. Much like Kyle, L. Ron Hubbard was born and bred on the western frontier and made his way east to explore and experience life in Washington, D.C. But unlike the sheriff, Hubbard enjoyed his time in the capital, where he went to college at Georgetown. He came to know the ins and outs of the city as well as he knew the arroyos and canyons of the west, giving him the kind of insights he needed to write stories like Killers Law. Also includes the mysteries They Killed Him Dead, in which a respected homicide detective solves a murder several times over, only to be proved wrong again and again, to the amusement of his fellow cops; Mad Dog Murder, the story of a patrol officer who dreams of joining the homicide squad, and finds that the ticket to advancement—and romance—may be a Pekinese dog; and The Blow Torch Murders, in which every criminal in town is eager to turn himself in . . . and the reason is a real killer. "...some of the most carefully and beautifully crafted trade paperbacks of our time." —Mystery Scene

Running off to join the French Foreign Legion used to be every boy’s dream of action and adventure. But for Lieutenant Bill Reilly—half Irish, half American, and like Peter O’Toole in Lawrence of Arabia, a Westerner at war in the desert—the dream has turned into a nightmare. And it all begins with the gruesome delivery of a severed hand. . . . The dead, gnarled fingers hold a message from the Berber chief Abd el-Ulad. He challenges the courage of the Legion soldiers and says he holds an American woman captive—who, if Reilly doesn’t come to her rescue, is next up for dismemberment. Reilly abandons his post guarding the trains and goes after her. But it’s all a trick. In his absence, the railroad falls victim to a terrorist attack. But who set the trap and engineered the sabotage? Reilly is caught in a triangle of treachery as the French, Spanish and native Berbers vie for control. His fate—as well as that of the American woman—rests on his ability to escape a spider’s web of double- and triple-crosses and uncover the truth in a desert of deception. Hubbard’s knowledge of the Berber raiders as well as of the Arab culture was comprehensive. As a young man he traveled extensively, following and studying numerous nomadic cultures and tribes. Combining those insights with his experience operating everything from machine guns to field telephones in the Montana National Guard and Marine Corps Reserves, Hubbard brought unique authenticity to his tales of the Foreign Legion. His stories were so exceptional, he was sought after by the premier writers’ magazines of the time to write how-to articles—two of which appeared the same month that Hostage to Death was published. * An International Book Awards Finalists

It is one of the greatest conflicts—and a pivotal turning point—in history…the Chinese civil war. On one side stands Chiang Kai-shek and the Nationalists. On the other, Mao Zedong and the Communists. And their forces are about to meet in a decisive battle…the outcome of which is in the hands of one American pilot, John Hampton, a man who, like Bogart in Casablanca, couldn’t care less… He’s a mercenary, flying for the highest bidder, his only loyalty to himself and to cold hard cash. He has nothing to believe in, and nothing to lose. But just as this is a critical moment in history, so, too, is it about to become a defining moment in Hampton’s life. What is the extraordinary experience that has the power to penetrate Hampton’s armor of cynicism and touch his heart? What is it that makes him see that there are things, other than money, that are worth fighting—and maybe even dying—for? The surprising answers spur him to undertake the ultimate mission in Red Death Over China. Hubbard experienced China in the 1930s in a way few Westerners did. Traveling from the ports of the China Sea to Beijing to the Great Wall and onto the hills of Southern Manchuria, he came to know the land and its people—soldiers, spies, outlaws and monks—as well as any American could. It is that background that shines through in stories like Red Death Over China. Also includes the flying adventures The Crate Killer, in which a test pilot uses up his nine lives parachuting nine times from crumbling planes, only to discover that his tenth flight presents the biggest challenge of all; and Wings Over Ethiopia, the story of a pilot captured and accused of being a spy by both sides in a war—and his only means of escape is through the lens of a camera. "Highly recommended for aviation action/adventure pulp fiction."—Midwest Book Review

Boldly go to worlds where no one has gone before. Explore exotic new worlds and fantastic tales that appeared in the pages of the most popular pulp fiction magazines of the 1930s and 1940s. The Collection includes: Publishers Weekly Listen Up Award Winner: The Great Secret, If I Were You, The Crossroads, A Matter of Matter, When Shadows Fall, Danger in the Dark, Greed, The Tramp, Beyond All Weapons and The Professor Was a Thief.

A charming rogue cut from the same cloth as Robert Mitchum, American engineer Dan Courtney is learning fast that it takes more than a little charm to lay the groundwork for a railroad. Particularly when the plan is to build it across some of the roughest and most dangerous territory on earth. Courtney’s been hired to survey the land that would link up the Uganda Railway to the Anglo-Egyptian railroad. Running through desert, jungle and mountains, this is one line—and story—with more twists and turns than the New York City subway system. Diamond smugglers. A fearsome native tribe. A beautiful young American woman . . . and a man determined to kill her. Put them all together and you’ve got a world where All Frontiers Are Jealous. It’s up to Courtney to tame those frontiers—take on the tribe, save the woman, and save the future of the railroad . . . before his blood ends up on the tracks. L. Ron Hubbard based this story on the real-life history of the countless harrowing attempts in the late 19th and early 20th century to link up the two railroads. An experienced civil engineer and surveyor himself, Hubbard had worked in rough and dangerous terrain as part of the West Indies Mineralogical Expedition. All Frontiers Are Jealous may be a work of fiction, but as far as Hubbard was concerned, in his own life, the adventure couldn’t have been more real. “Terrific from beginning to end.” —Midwest Book Review