Bring Me My Machine Gun

Award-winning journalist Alec Russell was in South Africa to witness the fall of apartheid and the remarkable reconciliation of Nelson Mandela's rule; and returned in 2007-2008 to see Mandela's successor, Thabo Mbeki, fritter away the country's reputation. South Africa is now perched on a precipice, as it prepares to elect Jacob Zuma as president—signaling a potential slide back to the bad old days of post-colonial African leadership, and disaster for a country that was once the beacon of the continent. Drawing on his long relationships with all the key senior figures including Mandela, Mbeki, Desmond Tutu, and Zuma, and a host of South Africans he has known over the years—including former activists turned billionaires and reactionary Boers—Alec Russell's Bring Me My Machine Gun is a beautifully told and expertly researched account of South Africa's great tragedy: the tragedy of hope unfulfilled.

This incisive, deeply informed book introduces post-apartheid South Africa to an international audience. South Africa has a history of racism and white supremacy. This crushing historical burden continues to resonate today. Under President Jacob Zuma, South Africa is treading water. Nevertheless, despite calls to undermine the 1994 political settlement characterized by human rights guarantees and the rule of law, distinguished diplomat John Campbell argues that the country’s future is bright and that its democratic institutions will weather its current lackluster governance. The book opens with an overview to orient readers to South Africa’s historical inheritance. A look back at the presidential inaugurations of Nelson Mandela and Jacob Zuma and Mandela’s funeral illustrates some of the ways South Africa has indeed changed since 1994. Reviewing current demographic trends, Campbell highlights the persistent consequences of apartheid. He goes on to consider education, health, and current political developments, including land reform, with an eye on how South Africa’s democracy is responding to associated thorny challenges. The book ends with an assessment of why prospects are currently poor for closer South African ties with the West. Campbell concludes, though, that South Africa’s democracy has been surprisingly adaptable, and that despite intractable problems, the black majority are no longer strangers in their own country.

Award-winning journalist Alec Russell was in South Africa to witness the fall of apartheid and the remarkable reconciliation of Nelson Mandela's rule; and returned in 2007-2008 to see Mandela's successor, Thabo Mbeki, fritter away the country's reputation. South Africa is now perched on a precipice, as it prepares to elect Jacob Zuma as president -- signaling a potential slide back to the bad old days of post-colonial African leadership, and disaster for a country that was once the beacon of the continent. Drawing on his long relationships with all the key senior figures including Mandela, Mbeki, Desmond Tutu, and Zuma, and a host of South Africans he has known over the years -- including former activists turned billionaires and reactionary Boers -- Alec Russell's Bring Me My Machine Gun is a beautifully told and expertly researched account of South Africa's great tragedy: the tragedy of hope unfulfilled.

Two decades after its conception, this humoristic cartoon series is still South Africa’s best reminder to laugh at itself as a society. Hilarious and iconic, the family of Madam, Eve, Thandi, and Mother Anderson are dysfunctional, chaotic, and an unfailingly satirical reflection of everyday life. Highlighting classic cartoons from the past 20 years, this annual collection is the ultimate collector's item.

Insists on the importance of embodiment and movement to the creation of Black sociality Linking African diasporic performance, disability studies, and movement studies, Falling, Floating, Flickering approaches disability transnationally by centering Black, African, and diasporic experiences. By eschewing capital’s weighted calculus of which bodies hold value, this book centers alternate morphologies and movement practices that have previously been dismissed as abnormal or unrecognizable. To move beyond binaries of ability, Hershini Bhana Young traverses multiple geohistories and cultural forms stretching from the United States and the Mediterranean to Sierra Leone, Nigeria, and South Africa, as well as independent and experimental film, novels, sculptures, images, dance, performances, and anecdotes. In doing so, she argues for the importance of differential embodiment and movement to the creation and survival of Black sociality, and refutes stereotypic notions of Africa as less progressive than the West in recognizing the rights of disabled people. Ultimately, this book foregrounds the engagement of diasporic Africans, who are still reeling from the violence of colonialism, slavery, poverty, and war, as they gesture toward a liberatory Black sociality by falling, floating, and flickering.

'With remarkable courage, insight and access, Mark Shaw takes the reader into the darkest corners of South Africa's ganglands.' – Mandy Wiener The assassination of police investigator Charl Kinnear in Cape Town in 2020 was yet one more in a spate of murders related to the so-called 'guns to gangs' saga, in which state weapons are sold to South Africa's criminal underworld. It began in 2007 when Colonel Christiaan Prinsloo and his cronies began selling thousands of decommissioned police weapons to gang lords. Prinsloo's motive: to fund his son's university fees. The sale of weapons to criminals, which the police service has tried to downplay, has resulted in a killing spree of unprecedented proportions. Cape Town is now one of the most violent places on earth, and in 2019 the army was called in to patrol gang-infested areas. Give us more Guns, based on hundreds of interviews with police, experts and the gangsters themselves, tells the story of this callous crime for the first time. Mark Shaw explores how the guns get into the hands of South Africa's crime bosses and describes the bloodshed that ensues. He also uncovers accounts of rampant corruption within the police and in the state's gun-licensing system, probing the government failure that has been instrumental in arming the country's gangsters.

The world's most acclaimed travel writer journeys through western Africa from Cape Town to the Congo.