Bringing Mulligan Home

A son's quest to find the members of his father's Marine company leads to a deeper understanding of the devastating Pacific battles of WWII--and the haunted men who came home from them.

Sergeant Steve Maharidge returned from World War II an angry man. The only evidence that he'd served in the Marines was a photograph of himself and a buddy tacked to the basement wall. On one terrifyingly memorable occasion his teenage son, Dale, witnessed Steve screaming at the photograph: “They said I killed him! But I didn't kill him! It wasn't my fault!” After Steve died, Dale Maharidge began a twelve-year quest to face down his father's wartime ghosts. He found more than two dozen members of Love Company, the Marine unit in which his father had served. Many of them, now in their eighties, finally began talking about the war. They'd never spoken so openly and emotionally, even to their families. Through them, Maharidge brilliantly re-creates Love Company's battles and the war that followed them home. In addition, Maharidge traveled to Okinawa to experience where the man in his father's picture died and meet the families connected to his father's wartime souvenirs. The survivors Dale met on both sides of the Pacific Ocean demonstrate that wars do not end when the guns go quiet—the scars and demons remain for decades. Bringing Mulligan Home is a story of fathers and sons, war and postwar, silence and cries in the dark. Most of all it is a tribute to soldiers of all wars—past and present—and the secret burdens they, and their families, must often bear.

Sergeant Steve Maharidge returned from World War II an angry man. The only evidence that he'd served in the Marines was a photograph of himself and a buddy tacked to the basement wall. On one terrifyingly memorable occasion his teenage son, Dale, witnessed Steve screaming at the photograph: “They said I killed him! But I didn't kill him! It wasn't my fault!” After Steve died, Dale Maharidge began a twelve-year quest to face down his father's wartime ghosts. He found more than two dozen members of Love Company, the Marine unit in which his father had served. Many of them, now in their eighties, finally began talking about the war. They'd never spoken so openly and emotionally, even to their families. Through them, Maharidge brilliantly re-creates Love Company's battles and the war that followed them home. In addition, Maharidge traveled to Okinawa to experience where the man in his father's picture died and meet the families connected to his father's wartime souvenirs. The survivors Dale met on both sides of the Pacific Ocean demonstrate that wars do not end when the guns go quiet—the scars and demons remain for decades. Bringing Mulligan Home is a story of fathers and sons, war and postwar, silence and cries in the dark. Most of all it is a tribute to soldiers of all wars—past and present—and the secret burdens they, and their families, must often bear.

Two award-winning journalists offer a “cogent, well-sourced and ambitious analysis of the slow decline of cannabis prohibition in the United States” (Kirkus Reviews). In November 2012, voters in Colorado and Washington passed landmark measures to legalize the production and sale of cannabis for social use—a first in the United States and the world. Once vilified as a “gateway drug,” cannabis is now legal for medical use in eighteen states and Washington, DC. Yet the federal government refuses to acknowledge these broader societal shifts. 49.5 percent of all drug-related arrests involve the sale, manufacture, or possession of cannabis. In the first book to explore the new landscape of cannabis in the United States, investigative journalists Alyson Martin and Nushin Rashidian demonstrate how recent cultural and legal developments tie into cannabis’s complex history and thorny politics. Reporting from nearly every state with a medical cannabis law, Martin and Rashidian interview patients, growers, doctors, entrepreneurs, politicians, activists, and regulators. A New Leaf moves from the federal cannabis farm at the University of Mississippi to the headquarters of the ACLU to Oregon’s World Famous Cannabis Café. The result is a lucid account of how cannabis legalization is changing the lives of millions of Americans and easing the burden of the “war on drugs” both domestically and internationally.

Winner of the Pulitzer Prize for Nonfiction in 1990 In And Their Children After Them, the writer/photographer team Dale Maharidge and Michael Williamson return to the land and families captured in James Agee and Walker Evans’s inimitable Let Us Now Praise Famous Men, extending the project of conscience and chronicling the traumatic decline of King Cotton. With this continuation of Agee and Evans’s project, Maharidge and Williamson not only uncover some surprising historical secrets relating to the families and to Agee himself, but also effectively lay to rest Agee’s fear that his work, from lack of reverence or resilience, would be but another offense to the humanity of its subjects. Williamson’s ninety-part photo essay includes updates alongside Evans’s classic originals. Maharidge and Williamson’s work in And Their Children After Them was honored with the Pulitzer Prize for nonfiction when it was first published in 1990.

The second edition of this leading introduction to the origins of the First World War. Updated to take account of the latest debates around the war's origins and outbreak, this is an essential classroom text which significantly revises our understanding of diplomacy, political culture, and economic history from 1870 to 1914.

"A piece that takes us on an extraordinary journey ... The energy and the vividness of the writing never lets up." The Independent An unexpected meeting at an airport leads to an intense, passionate, head-over-heels relationship. Before long they begin to settle down, buy a house, juggle careers, have kids – theirs is an ordinary family. But then their world starts to unravel and things take a disturbing turn. A tragic, violent look at parenthood and trauma, Denis Kelly's stirring monologue play premiered at The Royal Court Theatre in 2018 starring Carey Mulligan. Published for the first time in Methuen Drama's Modern Classics series, this edition features a new introduction by David Pattie.

A modern classic that no child should miss. Since it was first published in 1939, Mike Mulligan and His Steam Shovel has delighted generations of children. Mike and his trusty steam shovel, Mary Anne, dig deep canals for boats to travel through, cut mountain passes for trains, and hollow out cellars for city skyscrapers -- the very symbol of industrial America. But with progress come new machines, and soon the inseparable duo are out of work. Mike believes that Mary Anne can dig as much in a day as one hundred men can dig in a week, and the two have one last chance to prove it and save Mary Anne from the scrap heap. What happens next in the small town of Popperville is a testament to their friendship, and to old-fashioned hard work and ingenuity.