Britain In Fragments

Between the independence of the colonies and the start of the Jacksonian age, American readers consumed an enormous number of literary texts called "fragments."American Fragments argues that this archive of deliberately unfinished writing reimagined the place of marginalized individuals in a country that was itself still unfinished.

The latest book in the long-running Britain at the Polls series provides an indispensable account of the fascinating 2017 British general election. It explains why the Conservatives lost their parliamentary majority and how Theresa May returned at the head of a minority government. Leading experts analyse the Conservatives' record in government, May's fateful decision to call an early election, Labour's shift to the left under Jeremy Corbyn, the Liberal Democrats' ongoing problems, the collapse in UKIP's vote share, the SNP's diminished appeal in Scotland, and the role of gender and electoral integrity in the 2017 campaign. The book also addresses broader questions about the future of British politics against the backdrop of the 2016 Brexit referendum and ongoing austerity. Its coverage and accessible style make it of interest to general readers, students of British politics and professional political scientists.

This book takes a radical approach to the study of traditional songs. Folk song scholarship was originally obsessed with notions of completeness and narrative coherence; even now long narratives hold a privileged place in most folk song canons. Yet field notebooks and recordings (and, increasingly, publications) overwhelmingly suggest that apparently 'broken' and drastically shortened versions are not perceived as incomplete by those who sing them. Dealing with a wide range of traditions and languages, this study turns the focus on these 'dog-ends' of oral tradition, and looks closely at how very short texts convey meaning in performance by working the audience's knowledge of a highly allusive idiom. What emerges is the tenacity of meaning in the connotative and metaphorical language of traditional song, and the extraordinary adaptability of songs in different cultural contexts. Such pieces have a strong metonymic force: they should not be seen as residual 'last leaves' of a once-complete tradition, but as dynamic elements in the process of oral transmission. Not all song fragments remain in their natural environment, and this book also explores relocations and dislocations as songs are adapted to new contexts: a ballad of love and death is used to count pins in lace-making, song-snippets trail subversive meanings in the novels of Charles Dickens. Because they are variable and elusive to dating, songs have had little attention from the literary establishment: the authors show both how certain critical approaches can be fruitfully applied to song texts, and how concepts from studies in oral traditions prefigure aspects of contemporary critical theory. Like the songs themselves, this book crosses and recrosses the perceived divide between the literary and the oral. Coverage includes English, Welsh, Breton, American, and Finnish songs.

The destruction and deposition of metalwork is a widely recognised phenomenon across Bronze Age Europe. Weapons were decommissioned and thrown into rivers; axes were fragmented and piled in hoards; and ornaments were crushed, contorted and placed in certain landscapes. Interpretation of this material is often considered in terms of whether such acts should be considered ritual offerings, or functional acts for storing, scrapping and recycling the metal. This book approaches this debate from a fresh perspective, by focusing on how the metalwork was destroyed and deposited as a means to understand the reasons behind the process. To achieve this, this study draws on experimental archaeology, as well as developing a framework for assessing what can be considered deliberate destruction. Understanding these processes not only helps us to recognise how destruction happened, but also gives us insights into the individuals involved in these practices. Through an examination of metalwork from south-west Britain, it is possible to observe the complexities involved at a localised level in the acts of destruction and deposition, as well as how they were linked to people and places. This case study is used to consider the social role of destruction and deposition more broadly in the Bronze Age, highlighting how it transformed over time and space.

Livy's 142-volume history of Rome is one of the high points of ancient historical writing; but three-quarters of that history is lost, known only from indirect sources such as epitomes and quotations. D. S. Levene's Livy: The Fragments and Periochae provides a text, translation, and commentary on all of the surviving 'para-Livian' material from antiquity. This includes the various epitomes and 'fragments' (quotations from or references to the lost books), but it also covers citations from the surviving books and all testimonia to Livy's life, work, and readership between his death in A.D. 17 and the end of classical antiquity (approximately A.D. 650). This collection of material provides the fullest account ever developed of the reputation of Livy in antiquity and the way he was used and read by later writers. Through it, Levene explores an important but under-studied aspect of the intellectual life of the Roman world. This first volume contains the fragments, citations, and testimonia, which together comprise every reference to Livy in ancient sources. It offers a completely reedited text of these, along with a full literary, textual, and historical commentary. The volumes's introduction provides a comprehensive synoptic study of the contexts in which Livy was read and quoted.

The anatomy of Britain on the edge of Brexit, by Orwell Prize winning journalist Since Britain’s 2016 referendum on EU membership, the nation has been profoundly split: one side fantasizing that the referendum will never be acted upon, the other entrenched in questionable assumptions about reclaimed sovereignty and independence. Underlying the cleavage are primal myths, deeper histories, and political folk-legends. James Meek, “the George Orwell of our times,” goes in search of the stories and consequences arising out of a nation’s alienation from itself. In Dreams of Leaving and Remaining, Meek meets farmers and fishermen intent on exiting the EU despite the loss of protections they will incur. He reports on a Cadbury’s factory shut down and moved to Poland in the name of free market economics, exploring the impact on the local community left behind. He charts how the NHS is coping with the twin burdens of austerity and an aging population. Dreams of Leaving and Remaining is urgent reporting from one of Britain’s finest journalists. James Meek asks what we can recover from the debris of an old nation as we head towards new horizons, and what we must leave behind. There are no easy answers, and what he creates instead is a masterly portrait of an anxious, troubled nation.

This volume of The Cambridge History of the Book in Britain presents an overview of the century-and-a-half between the death of Chaucer in 1400 and the incorporation of the Stationers' Company in 1557. The profound changes during that time in social, political and religious conditions are reflected in the dissemination and reception of the written word. The manuscript culture of Chaucer's day was replaced by an ambience in which printed books would become the norm. The emphasis in this collection of essays is on the demand and use of books. Patterns of ownership are identified as well as patterns of where, why and how books were written, printed, bound, acquired, read and passed from hand to hand. The book trade receives special attention, with emphasis on the large part played by imports and on links with printers in other countries, which were decisive for the development of printing and publishing in Britain.