British Muslim Fictions

Through interviews with leading writers (including Ahdaf Soueif and Hanif Kureishi), this book analyzes the writing and opinions of novelists of Muslim heritage based in the UK. Discussion centres on writers' work, literary techniques, and influences, and on their views of such issues as the hijab, the war on terror and the Rushdie Affair.

This book is the sequel to Britain Through Muslim Eyes and examines contemporary novelistic representations of and by Muslims in Britain. It builds on studies of the five senses and ‘sensuous geographies’ of postcolonial Britain, and charts the development since 1988 of a fascinating and important body of fiction by Muslim-identified authors. It is a selective literary history, exploring case-study novelistic representations of and by Muslims in Britain to allow in-depth critical analysis through the lens of sensory criticism. It argues that, for authors of Muslim heritage in Britain, writing the senses is often a double-edged act of protest. Some of the key authors excoriate a suppression or cover-up of non-heteronormativity and women’s rights that sometimes occurs in Muslim communities. Yet their protest is especially directed at secular culture’s ocularcentrism and at successive British governments’ efforts to surveil, control, and suppress Muslim bodies.

Storying Relationships explores the sexual lives of young British Muslims in their own words and through their own stories. It finds engaging and surprising stories in a variety of settings: when young people are chatting with their friends; conversing more formally within families and communities; scribbling in their diaries; and writing blogs, poems and books to share or publish. These stories challenge stereotypes about Muslims, who are frequently portrayed as unhappy in love and sexually different. The young people who emerge in this book, contradicting racist and Islamophobic stereotypes, are assertive and creative, finding and making their own ways in matters of the body and the heart. Their stories – about single life, meeting and dating, pressure and expectations, sex, love, marriage and dreams – are at once specific to the young British Muslims who tell them, and resonant reflections of human experience.

What did Britain look like to the Muslims who visited and lived in the country in increasing numbers from the late eighteenth century onwards? This book is a literary history of representations of Muslims in Britain from the late eighteenth century to the eve of Salman Rushdie's publication of The Satanic Verses (1988).

Scientific Essay from the year 2017 in the subject Literature - Canada, , course: Englische Literatur, language: English, abstract: In the past four decades the literary reflection of Muslim life in East and West has been characterized by the West with skewed perceptions of Islam and Muslim existence. The events of 9/11 and its aftermath have worsened the traditional negative and stereotyped perception and treatment of Islam. The consequence from this was a negative treatment of Muslim existence by Western and Muslim writers alike. Many novelists disposing of a Muslim background were and (still) are trapped in the negative notion of 'the clash of civilizations' which is so often embedded in many novels be it in the presentation of the characters or simply a negative portrayal of the Muslim world. In contrast to many migrant writers with a British background who are labelled in terms such as 'Postcolonial', 'Migrant Writing', 'British Muslim Fiction', 'Muslim Narrative Writing' or 'Muslim Writing' American and Canadian based Muslim writers face a harder position since they are (historically, culturally and literarily speaking) not that deeply established as their British counterparts. This is partly due to the fewer number of writers and the shorter period of their literary presentation and a (logical) shorter literary tradition resulting from this. Open questions emerging from this here are if critics and readers alike see Islamic English literature as being literature written by Americans or Canadians or if it is basically Muslim or Islamic? It goes without saying that fiction is not only a reflection of reality but also a mode of tearing down the above mentioned stereotypes of Muslim existence as such. It is interestingly speaking matters of identity which function as key elements of 'Muslim Writing' in Britain, America and Canada a clear indication for the fact that treatment and representations of Muslims have not only been neglected so far but also offer a wide field of possibilities.

'Hard headed, well informed and intellectually coherent ... it turns conventional wisdom on its head. It deserves to promote a public debate on this subject which has been needed for more than 20 years' Peter Oborne Britain has often found groups within its borders whom it does not trust, whom it feels have a belief, culture, practice or agenda which runs contrary to those of the majority. From Catholics to Jews, miners to trade unionists , Marxists to liberals and even homosexuals, all have at times been viewed, described and treated as 'the enemy within'. Muslims are the latest in a long line of 'others' to be given this label. How did this state of affairs come to pass? What are the lessons and challenges for the future - and how will the tale of Muslim Britain develop? Sayeeda Warsi draws on her own unique position in British life, as the child of Pakistani immigrants, an outsider, who became an insider, the UK's first Muslim Cabinet minister, to explore questions of cultural difference, terrorism, surveillance, social justice, religious freedom, integration and the meaning of 'British values'. Uncompromising and outspoken, filled with arguments, real-life experience, necessary truths and possible ways forward for Muslims, politicians and the rest of us, this is a timely and urgent book. 'This thoughtful and passionate book offers hope amid the gloom' David Anderson QC, Independent Reviewer of Terrorism Legislation 'A vital book at a critical time' Helena Kennedy QC

Selected as Emma Watson's Jan/Feb 2019 pick for her feminist book club, Our Shared Shelf A Guardian Best Book of the Year Shortlisted for London's Big Read From established literary heavyweights to emerging spoken word artists, the writers in this ground-breaking collection blow away the narrow image of the 'Muslim Woman'. Hear from users of Islamic Tinder, a disenchanted Maulana working as a TV chat show host and a plastic surgeon blackmailed by MI6. Follow the career of an actress with Middle-Eastern heritage whose dreams of playing a ghostbuster spiral into repeat castings as a jihadi bride. Among stories of honour killings and ill-fated love in besieged locations, we also find heart-warming connections and powerful challenges to the status quo. From Algiers to Brighton, these stories transcend time and place revealing just how varied the search for belonging can be. Alongside renowned authors such as Kamila Shamsie, Ahdaf Soueif and Leila Aboulela are emerging voices, published here for the first time.

A RADIO 4 BOOK OF THE WEEK and a powerful and deeply personal exploration of a divided country - and a hopeful vision for change. 'This is not another book about the relationship between Muslims and non-Muslims. It is THE book. . . . Absolutely not to be missed.' - Matthew d'Ancona Sarfraz Manzoor grew up in a working-class Pakistani Muslim family in Luton - where he was raised to believe that they were different, they had an alien culture and they would never accept him. They were white people. In today's deeply divided Britain we are often told they are different, they have a different culture and values and they will never accept this country. This time they are Muslims. Weaving together history, reportage and memoir, Sarfraz Manzoor journeys around Britain in search of the roots of this division - from the fear that Islam promotes violence, to the suspicion that Muslims wish to live segregated lives, to the belief that Islam is fundamentally misogynistic. THEY is also Manzoor's search for a more positive future. We hear stories from Islamic history of a faith more tolerant and progressive than commonly assumed, and stories of hope from across the country which show how we might bridge the chasm of mutual mistrust. THEY is at once fiercely urgent, resolutely hopeful and profoundly personal. It is the story of modern, Muslim Britain as it has never been told.