Brixton Rock

"Pacey; witty; his characters are real and recognisable" LINTON KWESI JOHNSON "Alex Wheatle writes from a place of honesty and passion with the full knowledge and understanding that change can only happen through words and actions" STEVE McQUEEN, director of Small Axe South London in the 1980s. Brenton Brown is a 16-year-old mixed-heritage boy who has lived in a children's home all his life. He has never met his mother and is haunted by her loss. The best thing happens: Brenton is reunited with his mother, Cynthia. And then the worst: he falls in love with his beautiful half-sister, Juliet. At the same time, Brenton meets his nemesis in the shape of Terry Flynn, a killer who scars him for life. Brenton must seek revenge. All this leads to an explosive climax as Brenton struggles to hold on to his sanity. Brixton Rock is the powerfully explosive debut of one of the UK's finest writers, with pitch-perfect descriptions of South London street life.

In this breathtaking memoir, acclaimed author Alex Wheatle details how reggae music became his salvation through a childhood marred by abuse, imprisonment, and police brutality. —Selected for the In the Margins Book Awards 2024 Top Ten Title List and 2024 Nonfiction Recommendation List "In this inspiring, often harrowing narrative, the author chronicles how, shortly after he turned 3, he was abandoned by his parents and placed in the care of the government. That led to a childhood of physical and sexual abuse on top of the racism and police brutality he experienced growing up in Brixton, England, in the 1970s and ’80s . . . As dark as his early memories are, Wheatle describes his reggae memories with glimmers of hope and appreciation . . . A striking tribute to reggae’s ability to protect a fragile soul when seemingly everything else had failed him." —Kirkus Reviews, Starred Review Abandoned as a baby to the British foster care system, Alex Wheatle grew up without any knowledge of his Jamaican parentage or family history. Preoccupied with his own roots, Alex grew inexorably drawn to reggae music, which became his primary solace through years of physical and mental abuse in a children’s home. Although riven by loneliness and depression, Alex found joy and empathy among his reggae heroes: Dennis Brown, Bob Marley, Marcia Griffiths, the Mighty Diamonds, Sister Nancy, Gregory Isaacs, Barrington Levy, King Yellowman, and so many others. These were friends and mentors who understood the enormous challenges facing a young Black man, gave purpose to despair, provided a sense of belonging when Alex had no one, and who educated him in ways no school ever could. From the abuse he suffered in foster care, to the challenges he faced on the streets of South London as a young man and his eventual imprisonment for participating in the legendary 1981 Brixton uprising against racial injustice, reggae music always provided a lifeline to Alex. Alex’s life story was portrayed in Oscar Award–winning director Steve McQueen’s 2020 Small Axe. In Sufferah, he vividly tells his own story, putting the reader in his shoes through the many challenges of his younger years, answering the question: how on earth did he make it? By his example we are reminded that words can be our sustenance, and music can be our heartbeat.

In 1982, aged twenty-three, Simon Parkes paid 1 for a virtually derelict building in Brixton. Over the next fifteen years he turned it into Britain's most iconic music venue. And now he's telling his story: full of fond - and wild - reminiscences of the famous musicians who played at the venue, including Robert Plant and Jimmy Page, Lou Reed, The Ramones, New Order, the Beastie Boys and The Smiths. This is about one man's burning desire for success against the odds, his passion for live music and the excitement of those wilderness years, a far cry from the corporate world that controls the scene today. From rock-star debauchery and mixing it up with Brixton gangsters to putting on the first legal raves in the UK and countless backroom business deals, this is the story of how to succeed in business with no experience and fulfil your teenage fantasies.

From the Teddy Boys of the post-war decade to the heroin chic of “Cool Britannia,” the many subcultures of Britain's teenagers have often been at the forefront of social change. Youth Culture and the Post-War British Novel is the first book to chart that history through the work of some of the most influential contemporary British writers. In this vivid work of cultural history, Stephen Ross explores: · The manic teenage vision of Absolute Beginners · The Angry Young Men of Saturday Night and Sunday Morning · Skinheads and Burgess's A Clockwork Orange · Irony and authenticity in the 1980s – from Amis to Kureishi · Heroin chic, disaffection and Trainspotting Examining the cultural contexts of some of the most important and popular post-1945 British novels, the book covers such themes as crises of masculinity, multiculturalism and inter-generational conflict, and in doing so casts new light on British writing today.

From Evelyn Waugh to P. G. Wodehouse and Lawrence Durrell, a sweeping celebration of literature set in and inspired by the suburbs of London. The London suburbs have, for more than two hundred and fifty years, fired the creative literary imagination: whether this is Samuel Johnson hiding away in bucolic preindustrial Streatham, Italo Svevo cheering on Charlton Athletic Football Club down at The Valley, or Angela Carter hymning the joyful “wrongness” of living south-of-the-river in Brixton. From Richmond to Rainham, Cockfosters to Croydon, this sweeping literary tour of the thirty-two London Boroughs describes how writers, from the seventeenth century on, have responded to and fictionally reimagined London’s suburbs. It introduces us to the great suburban novels, such as Hanif Kureishi’s Bromley-set The Buddha of Suburbia, Lawrence Durrell’s The Black Book, and Zadie Smith’s NW. It also reveals the lesser-known short stories, diaries, poems, local guides, travelogues, memoirs, and biographies, which together show how these communities have long been closely observed, keenly remembered, and brilliantly imagined.

How did social, cultural and political events in Britain during the 2000s shape contemporary British fiction? The means of publishing, buying and reading fiction changed dramatically between 2000 and 2010. This volume explores how the socio-political and economic turns of the decade, bookended by the beginning of a millennium and an economic crisis, transformed the act of writing and reading. Through consideration of, among other things, the treatment of neuroscience, violence, the historical and youth subcultures in recent fiction, the essays in this collection explore the complex and still powerful relation between the novel and the world in which it is written, published and read. This major literary assessment of the fiction of the 2000s covers the work of newer voices such as Monica Ali, Mark Haddon, Tom McCarthy, David Peace and Zadie Smith as well as those more established, such as Salman Rushdie, Hilary Mantel and Ian McEwan making it an essential contribution to reading, defining and understanding the decade.

"Post-World War II mass migration to Great Britain altered its demographic composition more markedly than in any other period in its history, resulting in a modern multicultural nation state shaped by the ethnic diversity of its citizenry. Populations from African, Caribbean, and South Asian locations arriving in Britain post-war brought diasporic sensibilities and literary heritages that have profoundly transformed British national culture, leading to a more complex and inclusive sense of its past. The Companion to British Black and Asian Literature (1945-2010) examines the creative impact of this rich infusion upon English literature against the backdrop of the seismic social and economic changes triggered by colonialism and migration, multiculturalism, and contemporary globalization"--

The first in-depth study of David Bowie's music videos across a sustained period takes on interweaving storyworlds of an iconic career. Remarkable for their capacity to conjure elaborate imagery, Bowie's videos provide fascinating exemplars of the artistry and remediation of music video. When their construction is examined across several years, they appear as time-travelling vessels, transporting kooky characters and strange story-world components across time and space. By charting Bowie's creative and collaborative process across five distinct phases, David Bowie and the Art of Music Video shows how he played a vital role in establishing music video as an artform. Filling a gap in the existing literature, this book shines a light on the significant contributions of directors such as Mick Rock, Stanley Dorfman and David Mallet, each of whom taught Bowie much about how to use the form. By examining Bowie's collaborative process, his use of surrealist strategies and his integration of avant-garde art with popular music and media, the book provides a history of music video in relation to the broader fields of audiovisual media, visual music and art.