Broadsides

Bringing together diverse scholars to represent the full historical breadth of the early modern period, and a wide range of disciplines (literature, women's studies, folklore, ethnomusicology, art history, media studies, the history of science, and history), Ballads and Broadsides in Britain, 1500-1800 offers an unprecedented perspective on the development and cultural practice of popular print in early modern Britain. Fifteen essays explore major issues raised by the broadside genre in the early modern period: the different methods by which contemporaries of the sixteenth through nineteenth centuries collected and "appreciated" such early modern popular forms; the preoccupation in the early modern period with news and especially monsters; the concomitant fascination with and representation of crime and the criminal subject; the technology and formal features of early modern broadside print together with its bearing on gender, class, and authority/authorship; and, finally, the nationalizing and internationalizing of popular culture through crossings against (and sometimes with) cultural Others in ballads and broadsides of the time.

This book explores the form, function and meaning of crime and execution broadsides printed in nineteenth-century Britain. By presenting a detailed discourse analysis of 650 broadsides printed across Britain between the years 1800-1850, this book provides a unique and alternative interpretation as to their narratives of crime. This criminological interpretation is based upon the social theories of Emile Durkheim, who recognised the higher utility of crime and punishment as being one of social integration and the preservation of moral boundaries. The central aim of this book is to show that broadsides relating to crime and punishment served as a form of moral communication for the masses and that they are examples of how the working class once attempted to bolster a sense of stability and community, during the transitional years of the early nineteenth century, by effectively representing both a consolidation and celebration of their core values and beliefs.

The engrossing story of two prominent American radicals

Reprint of the original, first published in 1867.

A mix of nature facts and reflection from the author of A Book of Bees--further proof that "the real masterwork that Sue Hubbell has created is her life" (New York Times Book Review). Covers everything from blackflies and gypsy moths to silverfish and ladybugs (the one insect for which "bug-hating" humans have an inordinate fondness). Line drawings.

'Summer Nights, Walking' is a sequence of nightscapes photographed along the eastern edge of the Rocky Mountains in Colorado. Though much of the area has been urbanized, Robert Adams focuses on the continuing natural presence found in the shape of the land.

Broadsides contain some of the most fascinating material relating to life in early America. These single sheets of paper, usually printed on one side only, make it possible to view colonial society from a different vantage point than that usually afforded by the materials of military, political, and diplomatic history. Subject matter of these pieces of ephemera ranges from advertisements to the edifying warnings of criminals' confessions; official proclamations, instructions for school masters, comments on important contemporary events, information for immigrants, ballads and elegies--all found a convenient vehicle in the broadside during its heyday in the eighteenth century. -- Introduction,