Brother Moon

Great-Grandpa Liman lives in a small house by the sea. There are no lights -- just stars as far as the eye can see. Brother Moon is a powerful story lovingly told by a great-grandfather to his great-grandson. Beneath the dark sky of the Northern Territory, Hippy-Boy is captivated when Great-Grandpa Liman tells him the mysterious story of his brother and how it guides his connection to Country. Great-Grandpa is a masterful storyteller and, as the tale unfolds, he finally reveals his brother is the moon -- a wonder of the universe. Hippy-Boy learns how his greatgrandfather uses the phases of the moon when he goes hunting and fishing, and why it is important for us all to have an understanding of the natural world. Liman (Harry Morgan), the author's grandfather, was a respected Wadjigany man -- a leader amongst his people and the community. Liman was born at Manjimamany in the Northern Territory in 1916. He was a canoe maker, hunter, community mediator, and a family man who lived off the land and travelled the seas. Liman spoke Batjamalh, his first language, and other languages from the Daly River area.

In Brother Sun, Sister Moon, award-winning author Katherine Paterson re-imagines a hymn of praise originally written by Saint Francis of Assisi in 1224. Illuminated with the exquisite illustrations of cut-paper artist Pamela Dalton, this picture book offers a stunningly beautiful tribute to nature.

Shortlisted for the 2020 NSW Premier’s Literary Awards Indigenous Writers' Prize Age range 3 to 10 Alfred’s War is a powerful story that unmasks the lack of recognition given to Australian Indigenous servicemen who returned from the WWI battlelines. Alfred was just a young man when he was injured and shipped home from France. Neither honoured as a returned soldier or offered government support afforded to non-Indigenous servicemen, Alfred took up a solitary life walking the back roads – billy tied to his swag, finding work where he could. Alfred was a forgotten soldier. Although he had fought bravely in the Great War, as an Aboriginal man he wasn’t classed as a citizen of his own country. Yet Alfred always remembered his friends in the trenches and the mateship they had shared. Sometimes he could still hear the never-ending gunfire in his head and the whispers of diggers praying. Every year on ANZAC Day, Alfred walked to the nearest town, where he would quietly stand behind the people gathered and pay homage to his fallen mates. Rachel Bin Salleh’s poignant narrative opens our hearts to the sacrifice and contribution that Indigenous people have made to Australia’s war efforts, the true extent of which is only now being revealed. ‘Every year sees a swell of new stories about ANZAC Day and Alfred’s War is my pick of 2018’s crop…It’s a poignant story, one rooted in truth, and a damning critique of Australian history. Rachel Bin Salleh skilfully renders some tough subjects accessible for young readers, without ever ignoring the reality of Alfred’s situation. The beautiful images from first-time illustrator Samantha Fry also help to soften the sharper edges of this tale.’ — Bronte Coates, Readings ‘Poignant and confronting, revealing and decisive, this beautifully rendered story provides a fundamental link for children of any creed and background to appreciate the sacrifices and contributions made by indigenous people in the shaping of our Australian history.’ — The Boomerang Books Blog 'a beautifully illustrated book...poignant and subtle, its emotional power heightened by its restraint...There is a delicate, dreamlike-quality to the watercolour illustrations by Samantha Fry, an indigenous artist from Darwin.' — Rosemary Neill, The Weekend Australian ‘In the lead-up to Anzac Day (April 25), our TV screens and news outlets will be covering dawn services and marches so it is crucial children have some understanding of the day’s significance….Alfred’s War is particularly poignant due to its Indigenous lens and a story not often told.’ — Laura Jones, South Sydney Herald ‘The beautifully presented picture book tells younger readers the story of Alfred… Rachel Bin Salleh's sparse words give a dignity to the injustices raised by her story… this book adds a new story to the pantheon of tales children read, allowing them to think about the way some people were treated in the past, while encouraging them to mull over how things could and should have been different.’ — Fran Knight, ReadPlus

The Heart of Myth: Wisdom Stories From Endangered People by Dave Alber is a global anthology of myths from the living polytheistic traditions of six continents. The Heart of Myth unpacks the spirituality of the myths of each region in a local context, then traces connections and archetypes between regions so that world myth may be understood as both a communicative vocabulary and a grand cultural continuity. Dave Alber’s The Heart of Myth: • reveals the universal language of mythology, • explains the spiritual function of myth as expressed in collective archetypes, • tells about the ecological and sustainable vision of indigenous people, • describes the lives of living polytheistic communities, most of them endangered people from six geographic regions (North America, Central and South America, Arctic, Asia, Africa, and Oceana), • tells stories of myth, legend, and folklore from around the globe (American Mythology, Central American Mythology, South American Mythology, Arctic Mythology, Asian Mythology, African Mythology, and Oceanic Mythology) In the tradition of Joseph Campbell’s The Power of Myth and Edith Hamilton’s Mythology, Dave Alber’s The Heart of Myth: Wisdom Stories From Endangered People tells stories from the mythic world. David tells stories of Native American Mythology, Central American Mythology, South American Mythology, Arctic Mythology, Asian Mythology, African Mythology, and Oceanic Mythology. From Native America Dave Alber’s The Heart of Myth relates the myths of the Crow, Onodowaga, Zuni, Cree, and Chemehuevis. From the Arctic it covers the myths of the Chuckchi, Igloolik Inuit Eskimo myths, Inuit, and Buriyat. From Central and South America, David Alber tells myths from the Circum-Caribbean People of the Orinoco River Valley, Bororo, Yekuana, Aymara, Mapuche. From Africa Dave tells myths of San, Ogoni, Dinka, Masai, and Karanga. From Asia The Heart of Myth tells the myths of the Tharu, Kashmiri, Akha, Ainu, Karen, and Agta. From Australia and the Pacific Islands, The Heart of Myth speaks myths from Wurundjeri, Torres Strait Islanders, Hawaiian, Maori, and Samoan peoples. Samples from The Heart of Myth are at davealber.com.

This work, in 6 volumes, is a compendium of traditional cosmologies worldwide. The material includes the global mythology of creation and destruction, but also comprises information drawn from other areas of traditional knowledge, ritual, iconography, shamanism, costume, and dance. Relying on original sources, universal points of agreement are identified, often on counter-intuitive ideas. These suggest a single template, a blueprint for a universal mythology of origins with local variations. Volume 5 documents a large number of traditions concerning unusual and often undesirable properties and activities of the sun and moon. To name just a few examples, prominent beliefs were that the moon was originally brighter than the sun and that the earth once succumbed to the heat caused by the sun's former proximity, its greater strength, its failure to move or the appearance of multiple luminaries.

The evolution of science through the ages has often been marred by people's misconceptions. From pre-historic times, when myths played a major role in people's lives, to present-day debates concerning the environment, people have sought ways to explain the world around them and have often come up with incorrect answers. Science has grown through the correction of these misconceptions. This unique reference source can be used by students, teachers, and other interested researchers to explore this growth as it pertains to both the field of science and the process of scientific experimentation. Readers will discover how misunderstandings led to further experimentation and eventually to scientific facts. These false paths to scientific knowledge are not treated as deliberate misconduct, but rather as a lack of knowledge and a misunderstanding of the science and technology involved, both of which were sooner or later corrected by men and women of science. Krebs explores the conception and development of scientific thought in five different fields: Medicine and Health; Life Science; Chemistry and Physics; Astrology, Astronomy, and Cosmology; and Conservation, Ecology, and Environmentalism. Within each of these categories, he explores more specific areas, such as the circulatory system, geology, and inner planets. This arrangement provides easy access for the researcher interested in a particular area of science as well as those looking for general information, illuminating how our modern understanding of science is based on much of the developments in our ancient past.

In The Columbia Anthology of Chinese Folk and Popular Literature, two of the world's leading sinologists, Victor H. Mair and Mark Bender, capture the breadth of China's oral-based literary heritage. This collection presents works drawn from the large body of oral literature of many of China's recognized ethnic groups--including the Han, Yi, Miao, Tu, Daur, Tibetan, Uyghur, and Kazak--and the selections include a variety of genres. Chapters cover folk stories, songs, rituals, and drama, as well as epic traditions and professional storytelling, and feature both familiar and little-known texts, from the story of the woman warrior Hua Mulan to the love stories of urban storytellers in the Yangtze delta, the shaman rituals of the Manchu, and a trickster tale of the Daur people from the forests of the northeast. The Cannibal Grandmother of the Yi and other strange creatures and characters unsettle accepted notions of Chinese fable and literary form. Readers are introduced to antiphonal songs of the Zhuang and the Dong, who live among the fantastic limestone hills of the Guangxi Zhuang Autonomous Region; work and matchmaking songs of the mountain-dwelling She of Fujian province; and saltwater songs of the Cantonese-speaking boat people of Hong Kong. The editors feature the Mongolian epic poems of Geser Khan and Jangar; the sad tale of the Qeo family girl, from the Tu people of Gansu and Qinghai provinces; and local plays known as "rice sprouts" from Hebei province. These fascinating juxtapositions invite comparisons among cultures, styles, and genres, and expert translations preserve the individual character of each thrillingly imaginative work.

Theatre has a funny way of getting to the heart of who we are now and – particularly in the case of Connections – who we are going to be. Drawing together the work of nine leading playwrights, National Theatre Connections 2018 features work by some of the most exciting contemporary playwrights. Gathered together in one volume, the plays offer young performers an engaging selection of material to perform, read or study. From friends building bridges and siblings breaking down walls; girls making their voice heard and boys searching for home; and not forgetting a band of unlikely action heroes taking control of the weather. The anthology contains nine play scripts along with imaginative production notes and exercises, as well as a short introduction to the writing process for the tenth Connections play [ BLANK ] by Alice Birch. National Theatre Connections is an annual festival which brings new plays for young people to schools and youth theatres across the UK and Ireland. Commissioning exciting work from leading playwrights, the festival exposes actors aged 13-19 to the world of professional theatre-making, giving them full control of a theatrical production - from costume and set design to stage management and marketing campaigns. NT Connections have published over 150 original plays and regularly works with 500 theatre companies and 10,000 young people each year.