Brothers And Others In Arms

Based on their gripping stories, the author unveils the inner workings of military life, exploring the territory surrounding the thin line between brothers in arms and brothers in bed."--BOOK JACKET.

'Meticulously researched debut' - Publishers Weekly 'An excellent source for anyone interested in the region.' - New York Journal of Books 'Brothers in Arms sheds a clear and indispensable, if troubling, light on a religious war that is far from over. ' Michael F. Scheuer, former head of the CIA's Bin Laden unit and professor of security studies, Georgetown University 'Camille Tawil delivers a carefully reported assessment of al Qaeda and its affiliated Arab jihadist groups.' Peter Bergen, author of Holy War, Inc. Since 2001 America's War on Terror has achieved what Osama bin Laden could not: the unification of the jihad under al-Qa'ida's banner. Although today al-Qa'ida is seen as the epitome of jihad, when it first emerged other militant Islamists rejected its vision of a holy war against the West. Investigative journalist Camille Tawil charts the history of conflict and complicity between al-Qa'ida and its brothers in arms from the late 1980s to the present day. Drawing on a network of contacts in Egyptian Islamic Jihad, Algeria's Armed Islamic Group, and the Libyan Islamic Fighting Group, he shows how the failure of their separate national struggles brought them increasingly under the influence of Osama bin Laden and his global agenda. From prison cells in Morocco to the caves of Tora Bora, Tawil gives us unique access to the key players behind the jihadist movement and the evolution of its violent ideology. Born in 1965, Camille Tawil is a Lebanese writer and investigative journalist. He has covered Islamic militant groups for al-Hayat Arabic daily in London since the early 1990s.

Reviews of the Knopf edition: "A wonderful book—fresh and intelligent. Broyles's eye for Vietnam, then and now, is unerring." —Peter Jennings "[A] superbly written, often moving story of Broyles' journey back to the killing ground in Vietnam where he once served as a Marine lieutenant. A cool, clear meditation that stings the heart." —Kirkus Reviews "A first-rate piece of work, infused with an ideal American common decency and common sense." —Kurt Vonnegut "Exceptional and memorable." —Gay Talese

Zionism was not only a political and ideological program but also a sexual one. The liberation of Jews and creation of a new nation were closely intertwined with a longing for the redemption and normalization of the Jewish male body. That body had to be rescued from anti-Semitic, scientific-medical discourse associating it with disease, madness, degeneracy, sexual perversity, and femininityeven with homosexuality. The Zionist movement was intent on transforming the very nature of European Jewish masculinity as it had existed in the diaspora. Zionist/Israeli films expressed this desire through visual and narrative tropes, enforcing the image of the hypermasculine, colonialist-explorer and militaristic nation-builder, an image dependent on the homophobic repudiation of the "feminine" within men. The creation of a new heterosexual Jewish man was further intertwined with attitudes on the breeding of children, bodily hygiene, racial improvement, and Orientalist perspectiveswhich associated the East, and especially Eastern bodies, with unsanitary practices, plagues, disease, and sexual perversity. By stigmatizing Israels Eastern populations as agents of death and degeneration, Zionism created internal biologized enemies, against whom the Zionist society had to defend itself. In the name of securing the life and reproduction of the new Ashkenazi Jewry, Israeli society discriminated against both its internal enemies, the Palestinians, and its own citizens, the Mizrahim (Oriental Jews). Yosefs critique of the construction of masculinities and queerness in Israeli cinema and culture also serves as a model for the investigation of the role of male sexuality within national culture in general.

The renowned historian and author of Normandy ’44 recounts the operations and personal experiences of the legendary Sherwood Rangers during WWII. One of the last cavalry units to ride horses into battle, the Sherwood Rangers were transformed into a “mechanized cavalry” of tanks in 1942. After winning acclaim in the North African campaign, they spearheaded one of the D-Day landings in Normandy and became the first British troops to cross into Germany. Their courage, skill and tenacity contributed mightily to the surrender of Germany in 1945. Inspired by Stephen Ambrose’s Band of Brothers, historian James Holland profiles this extraordinary group of citizen soldiers. Informed by never-before-seen documents, letters, photographs, and other artifacts from Sherwood Rangers’ families, Holland offers a uniquely intimate portrait of the war at ground level. Brothers in Arms introduces heroes such as Commanding Officer Stanley Christopherson, squadron commander John Semken, Sergeant George Dring, and others who helped their regiment earn the most battle honors of any in British army history. Weaving their exploits into the larger narrative of D-Day to V-E Day, Holland offers fresh analysis and perspective on the endgame of WWII in Europe.

A vivid, character-driven narration of the time before, during, and after Kennedy's death, centered on the Kennedys and the Castros, two opposed sets of brothers who collectively authored one of modern history's most gripping chapters.

Muslim Arab Sudanese in Cairo have played a fundamental role in Egyptian history and society during many centuries of close relations between Egypt and Sudan. Although the government and official press describes them as "brothers" in a united Nile Valley, recent political developments in Egypt have underscored the precarious legal status of Sudanese in Cairo. Neither citizens nor foreigners, they are in an uncertain position, created in part through an unusual ethnic discourse which does not draw principally on obvious characteristics of difference. This rich ethnographic study shows instead that Sudanese ethnic identity is created from deeply held social values, especially those concerning gender and propriety, shared by Sudanese and Egyptian communities. The resulting ethnic identity is ambiguous and flexible, allowing Sudanese to voice their frustrations and make claims for their own uniqueness while acknowledging the identity that they share with the dominant Egyptian community.