Buffy The Vampire Slayer Myth Metaphor And Morality

Collected essays covering each episode of the television series Buffy the Vampire Slayer.

Twenty-three essays by young professional philosophers examine crucial ethical and metaphysical aspects of the Buffyverse (the world of Buffy). Though the show already attracted much scholarly attention, this is the first book to fully disinter the intellectual issues. Designed by Whedon as a multilevel story with most of its meanings deeply buried in heaps of heavy irony, Buffy the Vampire Slayer has replaced The X-Files as the show that explains to Americans the nature of the powerful forces of evil continually threatening to surge into our world of everyday decency and overwhelm it. In the tradition of the classic horror films Buffy the Vampire Slayer addresses ethical issues that have long fascinated audiences. This book draws out the ethical and metaphysical lessons from a pop-culture phenomenon.

Hugely enjoyable, long awaited book by top world authority on "Buffy the Vampire Slayer". Buffy is still on screens and on DVD in home television libraries of a wide array of TV watchers and fans. This is also the student text for TV and cultural studies at colleges and universities where Buffy is widely taught. Rhonda Wilcox is a world authority on "Buffy the Vampire Slayer", who has been writing and lecturing about the show since its arrival on our screens. This book is the distillation of this remarkable body of work and thought, a celebration of the series that she proposes is an aesthetic test case for television. Buffy is enduring as art, she argues, by exploring its own possibilities for long-term construction as well as producing individual episodes that are powerful in their own right. She examines therefore the larger patterns that extend through many episodes: the hero myth, the imagery of light, naming symbolism, Spike, sex and redemption, Buffy Summers compared and contrasted with Harry Potter. She then moves in to focus on individual episodes, such as the "Buffy musical Once More, with Feeling", the largely silent Hush and the dream episode "Restless" (T.S. Eliot comes to television). She also examines Buffy's ways of making meaning - from literary narrative and symbolism to visual imagery and sound. Combining great intelligence and wit, written for the wide Buffy readership, this is the worthy companion to the show that has claimed and kept the minds and hearts of watchers worldwide.

This book presents serious academic scholarship on Buffy the Vampire Slayer. It differs from other works because it uses Buffy as a primary text and not as a secondary instrument to explore other concepts. In doing so, it demonstrates that popular culture studies should be approached with the same serious attention that is paid to classic philosophy and other long-established fields. Essays assemble the Buffy canon and explore how Buffy treats Shakespeare, comics, power, sisterhood, apocalyptic revisionism, folklore, feminism, redemption, patriarchy, identity and education. Instructors considering this book for use in a course may request an examination copy here.

The increasing frequency of moralist critiques of television shows is an acknowledgment of television's growing role in the shaping of a culture's moral values. Yet many moralist critiques misconstrue the full moral message of a show due to a restrictive focus on sex, violence, and profanity. Televised Morality explores the nature of moral discourse on television by using "Buffy the Vampire Slayer" as a case study. "Buffy the Vampire Slayer" has simultaneously been heralded as one of the most morally sophisticated shows on television and one of the most morally corrupt. The program offers a fascinating look into the divergent issues involved in the moral evaluation of television today. Stevenson argues that analysis of this show's moral vision, its methods of moral reasoning, and its narrative function reveal the complexity of moral discourse on television and provides a good model for the moral critique of other television shows.

Stone-Cold Killer One night while on patrol, the Slayer and her friends are outnumbered and receive aid from a totally unexpected source: Buffy's old flame, Pike. He and Buffy had a complex relationship back in Los Angeles, when the Chosen One was first called. Now, Pike has arrived in Sunnydale, on the run from a stone demon with a grudge. Faced with this blast from the past, Buffy finds herself caught between her history with Pike...and her future with Angel. But there's little time to contemplate this situation as vamp activity rises and Giles, in particular, becomes the target of mysterious, brutal attacks. Buffy suspects a deeper connection between old friends and new enemies. With the help of her friends, Buffy unmasks the evil entities -- and discovers that even a Watcher can be watched....

This book combines the academic and practical aspects of teaching by exploring the ways in which Buffy the Vampire Slayer is taught, internationally, through both interdisciplinary and discipline-based approaches. Essays describe how Buffy can be used to explain--and encourage further discussion of--television's narrative complexity, archetypal characters, morality, feminism, identity, ethics, non-verbal communication, film production, media and culture, censorship, and Shakespeare, among other topics.

Buffy's former flame Riley Finn is up to his neck in vampires in an Arizona-Mexico border town. Surprisingly, he turns to Angel for advice, while his wife calls the Slayer for help. Romantic bloodlines are about to converge in a town that is not what it seems. Original.