Bungalow Modernity

Despite its cozy image, the bungalow in literature and film is haunted by violence even while fostering possibilities for personal transformation, utopian social vision and even comedy. Originating in Bengal and adapted as housing for colonialist ventures worldwide, the homes were sold in mail-order kits during the "bungalow mania" of the early 20th century and enjoyed a revival at century's end. The bungalow as fictional setting stages ongoing contradictions of modernity--home and homelessness, property and dispossession, self and other--prompting a rethinking of our images of house and home. Drawing on the work of writers, architects and film directors, including Katherine Mansfield, E. M. Forster, Amitav Ghosh, Frank Lloyd Wright, Willa Cather, Buster Keaton and Walter Mosley, this study offers new readings of the transcultural bungalow.

‘Suburban Space, the Novel and Australian Modernity’ investigates the interaction between suburbs and suburbia in a century-long series of Australian novels. It puts the often trenchantly anti-suburban rhetoric of fiction in dialogue with its evocative and imaginative rendering of suburban place and time. ‘Suburban Space, the Novel and Australian Modernity’ rethinks existing cultural debates about suburbia – in Australia and elsewhere – by putting novelistic representations of ‘suburbs’ (suburban interiors, homes, streets, forms and lives over time) in dialogue with the often negative idea of ‘suburbia’ in fiction as an amnesic and conformist cultural wasteland. ‘Suburban space, the novel and Australian modernity’ shows, in other words, how Australian novels dramatize the collision between the sensory terrain of the remembered suburb and the cultural critique of suburbia. It is through such contradictions that novels create resonant mental maps of place and time. Australian novels are a prism through which suburbs – as sites of everyday colonization, defined by successive waves of urban development – are able to be glimpsed sidelong.

The Routledge Companion to Modernity, Space and Gender reframes the discussion of modernity, space and gender by examining how "modernity" has been defined in various cultural contexts of the twentieth and twenty-first centuries, how this definition has been expressed spatially and architecturally, and what effect this has had on women in their everyday lives. In doing so, this volume presents theories and methods for understanding space and gender as they relate to the development of cities, urban space and individual building types (such as housing, work spaces or commercial spaces) in both the creation of and resistance to social transformations and modern global capitalism. The book contains a diverse range of case studies from the US, Europe, the UK, and Asian countries such as China and India, which bring together a multiplicity of approaches to a continuing and common issue and reinforces the need for alternatives to the existing theoretical canon.

Now synonymous with the single storey home, when the bungalow was introduced to Britain in the late 1860s it had more elaborate connotations. Appropriated by colonial officials in Bengal, this humble dwelling was transformed upon its arrival on the Kent coastline into a new type of holiday home, complete with veranda and servant quarters. These first Western examples became very popular amongst the upper middle-class and the elderly,and crucially also attracted artistic inhabitants, setting the tone for the bungalow as a Bohemian escape well into the twentieth century. Focusing on the British bungalow up to the Second World War, Kathryn Ferry here explores its social, cultural and architectural development, revealing what the very earliest versions looked like and why at the peak of their popularity bungalows were so ubiquitous.

Design History Beyond the Canon subverts hierarchies of taste which have dominated traditional narratives of design history. The book explores a diverse selection of objects, spaces and media, ranging from high design to mass-produced and mass-marketed objects, as well as counter-cultural and sub-cultural material. The authors' research highlights the often marginalised role of gender and racial identity in the production and consumption of design, the politics which underpins design practice and the role of designed objects as pathways of nostalgia and cultural memory. While focused primarily on North American examples from the early 20th century onwards, this collection also features essays examining European and Soviet design history, as well as the influence of Asia and Africa on Western design practice. The book is organised in three thematic sections: Consumers, Intermediaries and Designers. The first section analyses a range of designed objects and spaces through the experiences and perspectives of users. The second section considers intermediaries from both technology and cultural industries, as well as the hidden labour within the design process itself. The final section focuses on designers from multiple design disciplines including high fashion, industrial design, interior design, graphic design and design history pedagogy. The essays in all three sections utilise different research methods and a wide range of theoretical approaches, including feminist theory, critical race theory, spatial theory, material culture studies, science and technology studies and art history. Design History Beyond the Canon brings together the most recent research which stretches beyond the traditional canon and looks to interdisciplinary methodologies to better understand the practice and consumption of design.

This original study brings critical social theory to bear on the ideas of architectural and design education at the Bauhaus - tracing the spread and influence of these ideas worldwide. Written for those in the fields of architectural and design education, architectural history and critical pedagogy, it is also for teachers and students in German art and cultural history.

"This book is a detailed study of the architecture of Valentine Gunasekara (1931-2017). It provides an innovative lens to understand the formation of a Ceylonese middle-class, which was inspired by the post-independence desire for modernity. Their experiments, values and dynamic social history are the framework for this research. Although neglected by his peers and marginalized by the prevalent discourse on vernacular regionalism, Gunasekara's work poses important questions regarding the utopian ideals of the modernist project and its successes and its failures in Asia. More significantly, his work reveals the European and American influences that shaped the first generation of Ceylonese architects and their efforts at adapting new materials and technologies to a very different climate and culture. This book documents a wide range of Gunasekara's projects including residential, religious and commercial buildings arguing that they represented a nascent cosmopolitanism from below that proved to be quite antithetical to regionalist trends in architecture. This e-book is a re-publication of an earlier edition published by Stamford Lake in 2007"--

This book ‘deconstructs’ a single recently constructed house located in Seattle, WA, in an attempt to recover its backstory. The information is presented along four vectors – atoms, labors, sources and ingredients. Though remarkably detailed, the A House Deconstructed contends that a huge proportion of what we ‘know’ about the house is unknowable, not because our epistemological instruments aren’t strong enough or calibrated precisely enough, but because things themselves are indeterminate, uncertain. This begs the question about agency. If we are to critique our profession and even improve some of its claims about Sustainability, then we must develop a more robust understanding of the building industry and the sourcing and making of materials. We must even develop a stronger awareness of the history of atoms and how architecture brings that history into a remarkable focus.