Burden Of Dreams

Focusing on schools, festivals, commemorative ceremonies, and monuments, Catherine Wanner shows how Soviet-created narratives have been recast to reflect a post-Soviet Ukrainocentric perspective. In the process, we see how new histories are understood and acted upon. This reveals regional cleavages and the resilience of cultural differences produced by the Soviet regime. For some people, the system they criticized yesterday is the one they long for today.

"Julien is captivated by a beautiful young woman, and his yearning for freedom from his protective mother turns into tragedy. This poetic and haunting novel won the Governor General's Award for French Fiction in 1992."

Werner Herzog is one of our most revered contemporary filmmakers, a visionary director who ceaselessly tests the boundaries of art. Fitzcarraldo, his lavish 1982 film about a would-be rubber baron who pulls a steamship over a hill to access a rich rubber territory, was hailed by critics around the globe and won Herzog the 1982 Outstanding Director Prize at Cannes. The text of Conquest of the Useless emerged as if out of an Amazonian fever dream: the crew's camp in the heart of the jungle was attacked and burned to the ground; the production clashed with a border war; two planes crashed during filming; and Herzog had to unravel the logistics of moving a 320-ton steamship over a hill without the use of special effects. More than just a journal or diary of the shooting of Fitzcarraldo, Conquest of the Useless is a work of art unto itself, which charts the inner landscapes born of the delirium of the jungle and offers an extraordinary glimpse into the mind of a genius during the making of one of his greatest achievements.

A sweeping epic of two families—one Dutch, one English—from the time when New Amsterdam was a raw and rowdy settlement, to the triumph of the Revolution, when New York became a new nation’s city of dreams. In 1661, Lucas Turner, a barber surgeon, and his sister, Sally, an apothecary, stagger off a small wooden ship after eleven weeks at sea. Bound to each other by blood and necessity, they aim to make a fresh start in the rough and rowdy Dutch settlement of Nieuw Amsterdam; but soon lust, betrayal, and murder will make them mortal enemies. In their struggle to survive in the New World, Lucas and Sally make choices that will burden their descendants with a legacy of secrets and retribution, and create a heritage that sets cousin against cousin, physician against surgeon, and, ultimately, patriot against Tory. In what will be the greatest city in the New World, the fortunes of these two families are inextricably entwined by blood and fire in an unforgettable American saga of pride and ambition, love and hate, and the becoming of the dream that is New York City.

The Burden of Choice examines how recommendations for products, media, news, romantic partners, and even cosmetic surgery operations are produced and experienced online. Fundamentally concerned with how the recommendation has come to serve as a form of control that frames a contemporary American as heteronormative, white, and well off, this book asserts that the industries that use these automated recommendations tend to ignore and obscure all other identities in the service of making the type of affluence they are selling appear commonplace. Focusing on the period from the mid-1990s to approximately 2010 (while this technology was still novel), Jonathan Cohn argues that automated recommendations and algorithms are far from natural, neutral, or benevolent. Instead, they shape and are shaped by changing conceptions of gender, sexuality, race, and class. With its cultural studies and humanities-driven methodologies focused on close readings, historical research, and qualitative analysis, The Burden of Choice models a promising avenue for the study of algorithms and culture.