Burmese Silver Art Masterpieces Illuminating Buddhist Hindu And Mythological Stories Of Purpose And Wisdom

Burmese master silversmiths produced a magnificent body of work from the mid-19th to the early 20th centuries – the Burmese Silver Age. This aesthetic and functional work is characterized by a unique decorative style and superb technical artistry. Many of the artefacts are embellished with mysterious visual narratives drawn from ancient religious and mythological sources, communicating spiritual beliefs and values that resonate to this day. Burmese silverwork is a distinct and little-known genre of silver art. This book tackles this obscurity by illuminating and describing for the first time 100 Burmese silver artefacts in a stunning photographic gallery. This silverwork – from the Noble Silver Collection – represents some of the rarest and finest quality work from the Burmese Silver Age. The centrepiece gallery of silverwork masterpieces is bookended by two well-illustrated and informative chapters that provide readers with deeper insights into Burmese silverwork: a robust frame of reference chapter summarises the 2,000-year history and cultural tradition of Burmese silverwork; and a chapter following the gallery deciphers the complex and allegorical iconography of the decoration, which gives the reader a deeper appreciation of its religious and cultural meaning and origin. This book captures the great, almost mystical, allure of Burmese silverwork – from the sublime artistry of the decoration, to the extraordinary skill of the silversmith and the profound meaning and importance of the visual narratives. In doing so, Burmese Silver Art takes its place as a definitive reference work for any art historian, collector, expert, student, or general reader interested in this hitherto-overlooked body of noble art.

The Gospel of Buddha According to Old Records told by Paul Carus. Modeled on the New Testament and tells the story of Buddha through parables. It was an important tool in introducing Buddhism to the west and is used as a teaching tool by some Asian sects. Reproduction of 1894 Edition.

Thai silver and nielloware display exquisite craftsmanship and design to rival better-known genres of silver from Asia. However, there has to date been little written about this fascinating subject. Examining the history and scope of specified Thai silver and nielloware production dating from the early 19th century to the present, as well as the various forms and designs utilised, this book provides a single reference source on the subject matter for both newcomers and seasoned collectors alike. The book focuses on the various artefacts broadly termed "utensils" and "vessels", produced for utilitarian purposes, that can still be found for sale in the domestic marketplace, while rarer artefacts, collectibles and commemorative items made for the royal court are also discussed: such items were typically of the highest quality made by top artisans. The author considers the role of religious and devotional silver objects in Thailand, as these too have become popular collectibles. Although dating of Asian silverware generally remains problematic, the author provides dating indicators and the first published compilation of Chinese and other marks on silverware found in Thailand. Paul Bromberg, the author, is the serving editor of the Journal of the Siam Society and a contributing editor to Arts of Asia magazine. Originally a Sinologist, he has been living in Asia since 1985, and has been resident in Bangkok since 1997. 400 photographs

Fighting for Virtue investigates how Thailand's judges were tasked by the late King Bhumibol Adulyadej (Rama IX) in 2006 with helping to solve the country's intractable political problems—and what happened next. Across the last decade of Rama IX's rule, Duncan McCargo examines the world of Thai judges: how they were recruited, trained, and promoted, and how they were socialized into a conservative world view that emphasized the proximity between the judiciary and the monarchy. McCargo delves into three pivotal freedom of expression cases that illuminate Thai legal and cultural understandings of sedition and treason, before examining the ways in which accusations of disloyalty made against controversial former prime minister Thaksin Shinawatra came to occupy a central place in the political life of a deeply polarized nation. The author navigates the highly contentious role of the Constitutional Court as a key player in overseeing and regulating Thailand's political order before concluding with reflections on the significance of the Bhumibol era of "judicialization" in Thailand. In the end, posits McCargo, under a new king, who appears far less reluctant to assert his own power and authority, the Thai courts may now assume somewhat less significance as a tool of the monarchical network.

Dunhuang Although Internationally Known Is Infrequently Visited. The Mogao Shrine At Dunhuang Is A Cluster Of 492 Caves, Containing 45,000 Square Metres Of Frescoes And 2,415 Stucco Statues. These Caves Were Created, Renovated And Maintained Continually With Devotion And Care From The 4Th Upto The 14Th Century. In This Volume We Have Provided An English Translation Of Selected Writings Of Prof. Duan Wenjie, Director Of The Dunhuang Academy Who Has Given A Chronological Study Of The Contents Inside The Mogao Caves With Several Decades Of Research Of The Dunhuang Academy Under His Command. Prof. Tan Chung, The Editor, Has Furnished An Illuminating Introduction, While Dr. Kapila Vatsyayan, The Driving Spirit Behind This Volume, Has Made Succinct Comments In Her Foreword . A Valuable Information On All The Mogao Caves Has Been Added. Colour And Black And White Photographs And Fine Sketches By Vineet Kumar Supplement The Text. The Indira Gandhi National Centre For The Arts Is Committed To Exploring All Dimensions Of Art. It Feels Privileged To Place Before Art Historians And Art Lovers Of The English-Speaking World First-Hand Information About His Unique Art Gallery Going Back To One-And-A-Half Millennia.

A comprehensive guidebook to the places in India made sacred by the Buddha’s presence. Beginning with an inspiring account of Buddhist pilgrimage, the author then covers sixteen places in detail. With maps and colour photos, an essential companion for pilgrim and traveler.

This book celebrates in words and images the traditional metal crafts practised for over a thousand years by the creators of religious Buddhist statues in Nepal. The skills of these artisans are nurtured with deep respect for tradition, regarding religion, iconography and technology. Wax modellers, mould makers, casters, fire-gilders and chasers are among the specialists of the Newar ethnic group, whose work is characterised to this day by a melding of age-old technology, great skill, religious observance and contemplation. There are numerous books and exhibition catalogues dedicated to Buddhist art and iconography but little was available about the craft of the artists who turn the religious imagery into metal casts. This book fills this gap, with a thoroughly documented and historical account of the development of this "archaic" technology. The well-informed text and comprehensive photographic coverage constitute the only up-to-date account and full documentation of an art that is 1300 years old but dying out: the "ritual" production of Buddhist statues in the lost wax casting technique. The author, Dr. Alex Furger, is an archaeologist who has studied ancient metallurgy and metalworking techniques over the past four decades. He spent twenty-five years at the head of the Roman site of Augusta Raurica and lives in Basel (Switzerland). He is the author of over 130 articles in scientific journals and twelve books in the field of culture history. The fieldwork for this book led him repeatedly to Nepal, where he met and interviewed dozens of craftsmen in their workshops. This book is addressed to readers interested in culture history, travellers to Asia, collectors of statues of Buddha, (avocational) metalworkers, historians of technology, Buddhists, ethnologists, archaeologists, art historians, scholars of Asia and to libraries and museums.

Examination of a series of 54 miniature paintings from the MAS museum in Antwerp which reveal a meditation process related to Sarvavid Vairocana, the All-knowing Buddha.