Burning Vision

Miners, people of Hiroshima, and others labour under the false sun of uranium. Cast of 5 women and 12 men.

In 1600, the Catholic Inquisition condemned the philosopher and cosmologist Giordano Bruno for heresy, and he was then burned alive in the Campo de’ Fiori in Rome. Historians, scientists, and philosophical scholars have traditionally held that Bruno’s theological beliefs led to his execution, denying any link between his study of the nature of the universe and his trial. But in Burned Alive, Alberto A. Martínez draws on new evidence to claim that Bruno’s cosmological beliefs—that the stars are suns surrounded by planetary worlds like our own, and that the Earth moves because it has a soul—were indeed the primary factor in his condemnation. Linking Bruno’s trial to later confrontations between the Inquisition and Galileo in 1616 and 1633, Martínez shows how some of the same Inquisitors who judged Bruno challenged Galileo. In particular, one clergyman who authored the most critical reports used by the Inquisition to condemn Galileo in 1633 immediately thereafter wrote an unpublished manuscript in which he denounced Galileo and other followers of Copernicus for their beliefs about the universe: that many worlds exist and that the Earth moves because it has a soul. Challenging the accepted history of astronomy to reveal Bruno as a true innovator whose contributions to the science predate those of Galileo, this book shows that is was cosmology, not theology, that led Bruno to his death.

A Native American poet explores aspects of language, American Indian culture, and the land.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

Christine Buci-Glucksmann’s The Madness of Vision is one of the most influential studies in phenomenological aesthetics of the baroque. Integrating the work of Merleau-Ponty with Lacanian psychoanalysis, Renaissance studies in optics, and twentieth-century mathematics, the author asserts the materiality of the body and world in her aesthetic theory. All vision is embodied vision, with the body and the emotions continually at play on the visual field. Thus vision, once considered a clear, uniform, and totalizing way of understanding the material world, actually dazzles and distorts the perception of reality. In each of the nine essays that form The Madness of Vision Buci-Glucksmann develops her theoretical argument via a study of a major painting, sculpture, or influential visual image—Arabic script, Bettini’s “The Eye of Cardinal Colonna,” Bernini’s Saint Teresa and his 1661 fireworks display to celebrate the birth of the French dauphin, Caravaggio’s Judith Beheading Holofernes, the Paris arcades, and Arnulf Rainer’s self-portrait, among others—and deftly crosses historical, national, and artistic boundaries to address Gracián’s El Criticón; Monteverdi’s opera Orfeo; the poetry of Hafiz, John Donne, and Baudelaire; as well as baroque architecture and Anselm Kiefer’s Holocaust paintings. In doing so, Buci-Glucksmann makes the case for the pervasive influence of the baroque throughout history and the continuing importance of the baroque in contemporary arts.

The dark story of the shocking resurgence of white supremacist and nationalist groups, and their path to political power Six years ago, Vegas Tenold embedded himself among the members of three of America's most ideologically extreme white nationalist groups-the KKK, the National Socialist Movement, and the Traditionalist Workers Party. At the time, these groups were part of a disorganized counterculture that felt far from the mainstream. But since then, all that has changed. Racially-motivated violence has been on open display at rallies in Charlottesville, Berkeley, Pikesville, Phoenix, and Boston. Membership in white nationalist organizations is rising, and national politicians, including the president, are validating their perceived grievances. Everything You Love Will Burn offers a terrifying, sobering inside look at these newly empowered movements, from their conventions to backroom meetings with Republican operatives. Tenold introduces us to neo-Nazis in Brooklyn; a millennial Klanswoman in Tennessee; and a rising star in the movement, nicknamed the "Little Fü by the Southern Poverty Law Center, who understands political power and is organizing a grand coalition of far-right groups to bring them into the mainstream. Everything You Love Will Burn takes readers to the dark, paranoid underbelly of America, a world in which the white race is under threat and the enemy is everywhere.

“ONE OF THE BEST BOOKS I'VE READ IN RECENT YEARS. THOUGHT PROVOKING, IMAGINATIVE AND PACKS A HELL OF AN EMOTIONAL PUNCH.” —Adrian Tchaikovsky, author of Children of Time From one of the most imaginative writers of her generation comes an extraordinary vision of the future… Ven was once a holy man, a keeper of ancient archives. It was his duty to interpret archaic texts, sorting useful knowledge from the heretical ideas of the Burning Age—a time of excess and climate disaster. For in Ven's world, such material must be closely guarded so that the ills that led to that cataclysmic era can never be repeated. But when the revolutionary Brotherhood approaches Ven, pressuring him to translate stolen writings that threaten everything he once held dear, his life will be turned upside down. Torn between friendship and faith, Ven must decide how far he's willing to go to save this new world—and how much he is willing to lose. “A riveting tale of subterfuge and deadly self-indulgence” (Publishers Weekly, starred review) from award-winning author Claire North, Notes from the Burning Age puts dystopian fiction in a whole new light. Also by Claire North: The First Fifteen Lives of Harry August Touch The Sudden Appearance of Hope The End of the Day 84K The Gameshouse The Pursuit of William Abbey

The Burning Wheel (1916) is a collection of poems by English author Aldous Huxley. Published when the poet was only twenty-two, The Burning Wheel captures the mind of an artist at its earliest fertile stage, enthralled with a world either blooming with change or wilting with all-out war. Although Huxley is known foremost as a novelist, his poetry exhibits a mastery of language and an uncommon sense of the music inherent to words. “The Burning Wheel” opens the collection with a kaleidoscopic vision of life and creation, illuminating the poet’s debt to the French Symbolists. “Weary of its own turning,” the burning wheel slows for a moment’s rest. This wheel, both machine and pure, wild flame, is the poet compelled to create, the mind that “[w]akes from the sleep of its quiet brightness / And burns with a darkening passion and pain.” In “Quotidian Vision,” Huxley returns to earth to remark: “There is a sadness in the street / And sullenly the folk I meet / Droop their heads as they walk along.” In these simple, rhyming couplets, the poet channels the verse and vision of William Blake to see, despite the “mist of cold and muffling grey,” a “dead world move for him once more / With beauty for its living core.” The Burning Wheel is a compelling collection from an artist whose poetry is no less remarkable for having gone mostly unnoticed. With a beautifully designed cover and professionally typeset manuscript, this edition of Aldous Huxley’s The Burning Wheel is a classic of English literature reimagined for modern readers.