By Sorrow S River

In this tale of high-spirited and terrifying adventure, set against the background of the West that Larry McMurtry has made his own, By Sorrow’s River is an epic in its own right with the return of the formidable, young Tasmin Berrybender. At the heart of this third volume of his Western saga remains the beautiful and determined Tasmin Berrybender, now married to the “Sin Killer” and mother to their young son, Monty. By Sorrow’s River continues the Berrybender party’s trail across the endless Great Plains of the West toward Santa Fe, where they intend, those who are lucky enough to survive the journey, to spend the winter. They meet up with a vast array of characters from the history of the West: Kit Carson, the famous scout; Le Partezon, the fearsome Sioux war chief; two aristocratic Frenchmen, whose eccentric aim is to cross the Great Plains by hot air balloon; a party of slavers; a band of raiding Pawnee; and many other astonishing characters who prove, once again, that the rolling, grassy plains are not, in fact, nearly as empty of life as they look. Most of what is there is dangerous and hostile, even when faced with Tasmin’s remarkable, frosty sangfroid. She is one of the strongest and most interesting of Larry McMurtry’s characters, and she stands at the center of this powerful and ambitious novel of the West.

At the heart of this third volume of his new Western saga remains the beautiful and determined Tasmin Berrybender, now married to the "Sin Killer" and mother to their young son, Monty. "By Sorrow's River" continues the Berrybender party's trail across the Great Plains of the West towards Santa Fe.

A TIME 100 Must-Read Book of 2021 A New York Times Best Science Fiction and Fantasy Book of 2021 The Stonewall Book Award winner of 2022 Named a Best Book of 2021 by NPR, The New York Public Library, Publishers Weekly and more! A triumphant, genre-bending breakout novel from one of the boldest new voices in contemporary fiction. Vern—seven months pregnant and desperate to escape the strict religious compound where she was raised—flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world. But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes. To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future—outside the woods. Finding the truth will mean uncovering the secrets of the compound she fled but also the violent history in America that produced it. Rivers Solomon’s Sorrowland is a genre-bending work of Gothic fiction. Here, monsters aren’t just individuals, but entire nations. It is a searing, seminal book that marks the arrival of a bold, unignorable voice in American fiction.

In one of the most unique and powerfully realized debut novels of the decade, Craig Holden creates a page-turning drama that is both emotionally shattering and harrowingly plausible. When a fatally burned victim is brought into the Morgantown General Hospital emergency room, a young doctor's life is changed irrevocably. For Dr. Adrian Lancaster, the arrival of "John Doe" is only the first of a bizarre and bloody series of events that will force him to relive his violent past and put him on the run. On the road and underground, accused and accuser, Lancaster's only hope for survival lies in facing the terrifying truth.

The Dutch, through the directors of the West India Company, purchased Manhattan Island in 1625. They had come to the New World as traders, not expecting to assume responsibility as the sovereign possessor of a conquered New Netherland. They did not intend to make war on the native peoples around Manhattan Island, but they did; they did not intend to help destroy native cultures, but they did; they intended to be overseas the tolerant, pluralistic, and antimilitaristic people they thought themselves to be—and in so many respects were—at home, but they were not. For the Dutch intruders, establishing a settled presence away from the homeland meant the destabilization of the adventurers' values and self-regard. They found that the initially peaceful encounters with the indigenous people soon took on the alarming overtones of an insurgency as the influx of the Dutch led to a complete upheaval and eventual disintegration of the social and political worlds of the natives. How are the Dutch to be judged? Donna Merwick, in The Shame and the Sorrow, asks this question. She points to a betrayal both of their own values and of the native peoples. She also directs us to the self-delusion of hegemonic control. Her work belongs alongside the best of today's postcolonial studies in the description of cross-cultural violence and subtle questioning of the nature of writing its history.

A woman dresses like a man and goes to war in this lyrical novel of love, ambition, deceit, courage and tragedy.