C S Lewis Poetry And The Great War 1914 1918

The life and work of C.S. Lewis after his conversion in 1931 is well-known and his reputation shows no signs of diminishing. His earlier years have not been so well studied, particularly between the ages of 16 and 22 when he studied privately and at Oxford, served in the British army, was wounded in France, entered into his affair with Janie Moore, and wrote and published his first book of poems. To correct and augment the limited accounts of this period, Lewis’s life is presented with the general and specific background which makes it more meaningful, particularly as it throws light on his character. The romantic myth of him as a ‘soldier-poet’ is dispelled, largely through an extensive review of the poems in ‘Spirits in Bondage’ and the self-centered life that produced them. A valuable comparison—not to the advantage of Lewis—is drawn with two undoubted soldier-poets, Robert Graves and Siegfried Sassoon. The purpose is not to disparage or belittle Lewis but to show what had to be overcome in his limited and unpleasant early moral character in order to produce the devoted Christian of later years.

This book presents a realistic account of the early years of C.S. Lewis as revealed in “Spirits in Bondage” and its surrounding events. It calls for a reappraisal of Lewis himself, not as a “soldier-poet” but as a young, ruthless and ambitious would-be academic, using others—his father, his university, his mistress—to further his own ends.

A Morning After War fills a critical gap in C. S. Lewis biographies with unprecedented detail by tracing Lewis's wartime service, relationships, and earliest publications. Probing war's traumatic destruction upon Lewis's romantic expectations of tranquil life, this book surpasses literary analyses of Lewis's work by asserting a comprehensive definition of war literature. Equally, scholars and students of World War I, war literature, trauma studies, and C. S. Lewis will find this work an invaluable reassessment of central assumptions in their fields. Not least, here finally is the young C. S. Lewis preceding his usual and often idolized personas.

Sehnsucht: The C. S. Lewis Journal, established by the Arizona C. S. Lewis Society in 2007, is the only peer-reviewed journal devoted to the study of C. S. Lewis and his writings published anywhere in the world. It exists to promote literary, theological, historical, biographical, philosophical, bibliographical and cultural interest (broadly defined) in Lewis and his writings. The journal includes articles, review essays, book reviews, film reviews and play reviews, bibliographical material, poetry, interviews, editorials, and announcements of Lewis-related conferences, events and publications. Its readership is aimed at academic scholars from a wide variety of disciplines, as well as learned non-scholars and Lewis enthusiasts. At this time, Sehnsucht is published once a year.

This collection featuring nearly 50 memorable poems from some of the best writers of the time: Rupert Brooke, Siegried Sasson, Wilfred Owen, Ivan Gurney, Isaac Rosenberg, Richard Aldington, Edward Thomas, and many more. Vividly expressing the ravages of war fought on the front lines, their poems are some of the most powerful and poignant works of the twentieth century.

C.S. Lewis is best known as the creator of the fanciful world of Narnia and writer of literary criticism and Christian apologetics. This book examines Lewis's early writings, under the pseudonym Clive Hamilton, analyzing the influence of his formative poetic aspirations upon his later prose. By looking at early diaries and letters, and the inclusion of four of Lewis's previously unpublished narrative poems and eleven previously unpublished short poems, this text explains the man through his writing.

Hailed by Plato as the “Tenth Muse” of ancient Greek poetry, Sappho is inarguably antiquity’s greatest lyric poet. Born over 2,600 years ago on the Greek island of Lesbos, and writing amorously of women and men alike, she is the namesake lesbian. What’s left of her writing, and what we know of her, is fragmentary. Shrouded in mystery, she is nonetheless repeatedly translated and discussed – no, appropriated – by all. Sappho has most recently undergone a variety of treatments by agenda-driven scholars and so-called poet-translators with little or no knowledge of Greek. Classicist-translator Jeffrey Duban debunks the postmodernist scholarship by which Sappho is interpreted today and offers translations reflecting the charm and elegant simplicity of the originals. Duban provides a reader-friendly overview of Sappho’s times and themes, exploring her eroticism and Greek homosexuality overall. He introduces us to Sappho’s highly cultured island home, to its lyre-accompanied musical legends, and to the fabled beauty of Lesbian women. Not least, he emphasizes the proximity of Lesbos to Troy, making the translation and enjoyment of Homer’s Iliad and Odyssey a further focus. More than anything else, argues Duban, it is free verse and its rampant legacy – and no two persons more than Walt Whitman and Ezra Pound – that bear responsibility for the ruin of today’s classics in translation, to say nothing of poetry in the twentieth century. Beyond matters of reflection for classicists, Duban provides a far-ranging beginner’s guide to classical literature, with forays into Spenser and Milton, and into the colonial impulse of Virgil, Spenser, and the West at large.