Cadillac Jukebox

A Louisiana farmer is jailed for the murder, 30 years earlier, of a black civil rights leader. The farmer claims he is innocent and asks Dave Robicheaux, the sheriff's deputy, to help him prove it. Not easy, as it suits a lot of people to have the case closed.

Everyone knew that Aaron Crown shot Louisiana's most famous civil rights attorney 28 years ago; it just took that long to assemble a jury that would convict him. But Detective Dave Robicheaux--the character popularized by Burke in eight previous novels including the bestsellers "Dixie City Jam" and "Burning Angel"--knows that, somehow, he must find out the truth about Aaron Crown: a truth that too many people want hidden. Copyright © Libri GmbH. All rights reserved.

When he created the character Dave Robicheaux, author James Lee Burke lent the New Orleans homicide detective a few of his own characteristics: a daughter named Alafair, a lifetime struggle with alcohol, his Roman Catholic faith, and his love for fishing and the outdoors. On the other hand, Robicheaux is portrayed as a veteran of the Vietnam war, something Burke never experienced firsthand. Yet the demons Burke has known allow him to write convincingly about demons he never knew. Thus Burke has created a realistic, complex and compelling protagonist for his crime fiction series. That depth is one element that elevates Burke’s writing above the status of genre fiction. This book explores how James Lee Burke, through the first person narrative of detective Dave Robicheaux, probes the world of law and order, crime and disorder, and one man’s internal conflicts with modern moral issues. The first chapter reveals the similarities and differences between real life creator and fictional protagonist. Next, chapters arranged by theme explore the roles of women, Robicheaux’s paternal side as revealed through his adopted daughter, the paternal influences in the detective’s own life, and the contrasting personality of his half-brother, Jimmie. The next chapters probe the roots of the detective’s moral dilemmas: his battle with alcohol, the Vietnam war’s lingering trauma, and religion. Next the author explores Burke’s use of the supernatural, sense of place, and music to deepen his stories. Final chapters delve into Robicheaux’s moral quandaries as a law enforcement officer, the character’s contrast to his reckless and funny partner, Clete, and how Burke reveals truths about life through Robicheaux. An interview with Burke is included.

Mysteries and detective stories are among the most popular of books but the writers of such genre fiction suffer from a perception that their work is to be taken less seriously than so-called literary fiction. The novels of James Lee Burke, one of the most distinguished writers of crime novels, challenge that notion, as do the 12 essays in this collection. This work examines Burke as a writer who has expanded the mystery-detective genre with an astonishing diversity of themes, imaginative language and descriptions, and unforgettable characters. He seems unbounded by limitations of genre. An interview with Burke is included.

Since the early 1970s southern fiction has been increasingly attentive to social issues, including the continuing struggles for racial justice and gender equality, the loss of a sense of social community, and the decline of a coherent regional identity. The essays in The World Is Our Home focus on writers who have explicitly addressed social and cultural issues in their fiction and drama, including Dorothy Allison, Horton Foote, Ernest J. Gaines, Jill McCorkle, Walker Percy, Lee Smith, William Styron, Alice Walker, and many others. The contributors provide valuable insights into the transformation of southern culture over the past thirty years and probe the social and cultural divisions that persist. The collection makes an important case for the centrality of social critique in contemporary southern fiction.

This carefully annotated bibliography lists sources of criticism for thirty-nine Southern male authors, each of whom has published at least one significant book of fiction between 1970 and 1994.

The second book in the Writer's Compass series from professional writing instructor Elizabeth Lyon offers both aspiring and established authors the fundamentals of writing and selling a great novel or short story. In addition to the basics of characterization, plot, pacing, and theme, A Writer's Guide to Fiction also features a plan for revising fiction, a guide to marketing, samples of cover and query letters, and methods of honing the writing craft.

Four American mystery writers have contributed new dimensions to the mystery form. Tony Hillerman's Navajos and their customs, Amanda Cross's (Carolyn Heilbrun's) academics and their feminist credentials (or lack thereof), James Lee Burke's Southern Louisiana Cajuns and his own fiercely moral take on Southern gothic fiction, and Walter Mosley's urban blacks and their culture have challenged the conventional mystery's focus. Using feminist and black critical theory, mythic and historical patterns, and literary genre theory, Samuel Coale examines these writers' works and investigates the compromises that each is forced to make when working within a recognizably popular literary form.