Californio Portraits

First published in 1981, Harry W. Crosby’s Last of the Californios captured the history of the mountain people of Baja California during a critical moment of transition, when the 1974 completion of the transpeninsular highway increased the Californios’ contact with the outside world and profoundly affected their traditional way of life. This updated and expanded version of that now-classic work incorporates the fruits of further investigation into the Californios’ lives and history, by Crosby and others. The result is the most thorough and extensive account of the people of Baja California from the time of the peninsula’s occupation by the Spaniards in the seventeenth century to the present. Californio Portraits combines history and sociology to provide an in-depth view of a culture that has managed to survive dramatic changes. Having ridden hundreds of miles by mule to visit with various Californio families and gain their confidence, Crosby provides an unparalleled view of their unique lifestyle. Beginning with the story of the first Californios—the eighteenth-century presidio soldiers who accompanied Jesuit missionaries, followed by miners and independent ranchers—Crosby provides personal accounts of their modern-day descendants and the ways they build their homes, prepare their food, find their water, and tan their cowhides. Augmenting his previous work with significant new sources, material, and photographs, he draws a richly textured portrait of a people unlike any other—families cultivating skills from an earlier century, living in semi-isolation for decades and, even after completion of the transpeninsular highway, reachable only by mule and horseback. Combining a revised and updated text with a new foreword, introduction, and updated bibliography, Californio Portraits offers the clearest and most detailed portrait possible of a fascinating, unique, and inaccessible people and culture.

First published in 1981, Harry W. Crosby’s Last of the Californios captured the history of the mountain people of Baja California during a critical moment of transition, when the 1974 completion of the transpeninsular highway increased the Californios’ contact with the outside world and profoundly affected their traditional way of life. This updated and expanded version of that now-classic work incorporates the fruits of further investigation into the Californios’ lives and history, by Crosby and others. The result is the most thorough and extensive account of the people of Baja California from the time of the peninsula’s occupation by the Spaniards in the seventeenth century to the present. Californio Portraits combines history and sociology to provide an in-depth view of a culture that has managed to survive dramatic changes. Having ridden hundreds of miles by mule to visit with various Californio families and gain their confidence, Crosby provides an unparalleled view of their unique lifestyle. Beginning with the story of the first Californios—the eighteenth-century presidio soldiers who accompanied Jesuit missionaries, followed by miners and independent ranchers—Crosby provides personal accounts of their modern-day descendants and the ways they build their homes, prepare their food, find their water, and tan their cowhides. Augmenting his previous work with significant new sources, material, and photographs, he draws a richly textured portrait of a people unlike any other—families cultivating skills from an earlier century, living in semi-isolation for decades and, even after completion of the transpeninsular highway, reachable only by mule and horseback. Combining a revised and updated text with a new foreword, introduction, and updated bibliography, Californio Portraits offers the clearest and most detailed portrait possible of a fascinating, unique, and inaccessible people and culture.

This comprehensive survey systematically explores the dynamic historic and contemporary interface between Mexico and the United States along the shared 1,954-mile international land boundary. Now fully updated and revised, the book provides an overview of the history of the region and traces the economic cycles and social movements from the 1880s through the second decade of the twenty-first century. The border region shares characteristics of both nations while maintaining an internal social and economic coherence that transcends its divisive international boundary. The authors conclude with an in-depth analysis of key contemporary issues. These include industrial development and manufacturing, bilateral trade, the United States-Mexico-Canada Agreement, rapid urbanization, border culture, population and migration issues, environmental crisis and climate change, Native Americans, cooperation and conflict at the border, drug trafficking and violence, the border wall and security, populist national leaders and the border, and the Covid-19 pandemic at the border. They also place the border in its global context, examining it as a region caught between the developed and developing world and highlighting the continued importance of borders in a rapidly globalizing world. Richly illustrated with photographs, maps, charts, and up-to-date statistical tables, this book is an invaluable resource for all those interested in borderlands and U.S.-Mexican relations.

From their creation in the maw of mollusks to lustrous objects of infatuation and conflict, a revealing look at pearls’ dark history. This book is a beautifully illustrated account of pearls through millennia, from fossils to contemporary jewelry. Pearls are the most human of gems, both miraculous and familiar. Uniquely organic in origin, they are as intimate as our bodies, created through the same process as we grow bones and teeth. They have long been described as an animal’s sacrifice, but until recently their retrieval often entailed the sacrifices of enslaved and indentured divers and laborers. While the shimmer of the pearl has enticed Roman noblewomen, Mughal princes, Hollywood royalty, mavericks, and renegades, encoded in its surface is a history of human endeavor, abuse, and aspiration—pain locked in the layers of a gleaming gem.

Through the example of Central Pacific Railroad executives, Manufacturing the Modern Patron in Victorian California redirects attention from the usual art historical protagonists - artistic producers - and rewrites narratives of American art from the unfamiliar vantage of patrons and collectors. Neither denouncing, nor lionizing, nor dismissing its subjects, it demonstrates the benefits of taking art consumers seriously as active contributors to the cultural meanings of artwork. It explores the critical role of art patronage in the articulation of a new and distinctly modern elite class identity for newly ascendant corporate executives and financiers. These economic elites also sought to legitimate trends in industrial capitalism, such as mechanization, incorporation, and proletarianization, through their consumption of a diverse array of elite culture, including regional landscapes, panoramic and stop-motion photography, history paintings of the California Gold Rush, the architecture of Stanford University, and the design of domestic galleries. This book addresses not only readers in the art history and visual and material cultures of the United States, but also scholars of patronage studies, American Studies, and the sociology of culture. It tells a story still relevant to this new Gilded Age of the early 21st century, in which wealthy collectors dramatically shape contemporary art markets and institutions.

Before the Gold Rush of 1848-1858, Alta (Upper) California was an isolated cattle frontier--and home to a colorful group of Spanish-speaking, non-indigenous people known as Californios. Profiting from the forced labor of large numbers of local Indians, they carved out an almost feudal way of life, raising cattle along the California coast and valleys. Visitors described them as a good-looking, vibrant, improvident people. Many traces of their culture remain in California. Yet their prosperity rested entirely on undisputed ownership of large ranches. As they lost control of these in the wake of the Mexican War, they lost their high status and many were reduced to subsistence-level jobs or fell into abject poverty. Drawing on firsthand contemporary accounts, the authors chronicle the rise and fall of Californio men and women.

To winemakers, "terroir" evokes the mystical melding of light, water, soil, air, and human touch that creates a wine unique to its origin. The Art of Terroir explores this mysterious phenomenon through captivating photographs showcasing the seasonal beauty of the Northern California winecountry. James Beard Award-winning wine writer Rod Smith enhances this lovely portfolio of images with lyrical descriptions of the alchemy of terroir. The result is sure to appeal to wine enthusiasts the world over.