Cambodia And Kent State

President Nixon's announcement on April 30, 1970, that US troops were invading neutral Cambodia as part of the ongoing Vietnam War campaign sparked a complicated series of events with tragic consequences on many fronts. In Cambodia, the invasion renewed calls for a government independent of western power and influence, eventually resulting in a civil war and the rise of the Khmer Rouge. Here at home, Nixon's expansion of the war galvanized the longstanding anti-Vietnam War movement, including at Kent State University, leading to the tragic shooting deaths of four students on May 4, 1970. This short book concisely contextualizes these events, filling a gap in the popular memory of the 1970 shootings and the wider conceptions of the war in Southeast Asia. In three brief chapters, James A. Tyner and Mindy Farmer provide background on the decade of activism around the United States that preceded the events on Kent State's campus, an overview of Cambodia's history and developments following the US incursion, and a closing section on historical memory--poignantly tying together the subject matter of the preceding chapters. As we grapple with the legacy of the Kent State shootings, Tyner and Farmer assert, we should also grapple with the larger context of the protests, of the decision to bomb and invade a neutral country, and the violence and genocide that followed.

From two-time National Book Award finalist Deborah Wiles, a masterpiece exploration of one of the darkest moments in our history, when American troops killed four American students protesting the Vietnam War. May 4, 1970. Kent State University. As protestors roil the campus, National Guardsmen are called in. In the chaos of what happens next, shots are fired and four students are killed. To this day, there is still argument of what happened and why. Told in multiple voices from a number of vantage points -- protestor, Guardsman, townie, student -- Deborah Wiles's Kent State gives a moving, terrifying, galvanizing picture of what happened that weekend in Ohio . . . an event that, even 50 years later, still resonates deeply.

At midday on May 4, 1970, after three days of protests, several thousand students and the Ohio National Guard faced off at opposite ends of the grassy campus Commons at Kent State University. At noon, the Guard moved out. Twenty-four minutes later, Guardsmen launched a 13-second, 67-shot barrage that left four students dead and nine wounded, one paralyzed for life. The story doesn't end there, though. A horror of far greater proportions was narrowly averted minutes later when the Guard and students reassembled on the Commons. The Kent State shootings were both unavoidable and preventable: unavoidable in that all the discordant forces of a turbulent decade flowed together on May 4, 1970, on one Ohio campus; preventable in that every party to the tragedy made the wrong choices at the wrong time in the wrong place. Using the university's recently available oral-history collection supplemented by extensive new interviewing, Means tells the story of this iconic American moment through the eyes and memories of those who were there, and skillfully situates it in the context of a tumultuous era.

This book offers a chronology of the events of the Kent State shootings on May 4, 1970.

A student journalist's photographic memoir of events surrounding the 1970 Kent State shootings Working as a photographer for the Kent State University student newspaper and yearbook, Howard Ruffner was a college sophomore when the tragic shootings of May 4, 1970, occurred--a tragedy that left four students dead and nine others wounded. Asked to serve as a stringer for Life magazine in the days leading up to May 4, as student protests against the Vietnam War intensified and National Guard troops arrived on campus, Ruffner became a witness and documentarian to this important piece of history. Several of his photographs, including one that appeared on the cover of Life, are etched into our collective consciousness when we think about civil unrest and the latter half of the 20th century. Here, in Moments of Truth: A Photographer's Experience of Kent State 1970, Ruffner not only reproduces a collection of nearly 150 of his photographs--many never before published--but also offers a stirring narrative in which he revisits his work and attempts to further examine these events and his own experience of them. It is, indeed, an intensely personal journey that he invites us to share. An epilogue details how Ruffner's images became critical evidence in the civil trials against the National Guard in 1975 and 1978, as he was the first witness called to take the stand. Ruffner also contemplates the words engraved on the path to what is now the May 4 Memorial Site, a place on the National Register of Historic Places: Inquire, Learn, Reflect. Ruffner's project affirms that we need to ask questions, we need to learn about our history, and we all need to reflect on the past so that our mistakes will not be repeated.

The Cost of Freedom: Voicing a Movement after Kent State 1970 is a multi-genre collection describing the May 4, 1970, shootings at Kent State University, the aftermath, and the impact on wider calls for peace and justice. Fifty years after the National Guard killed four unarmed students, Susan J. Erenrich has gathered moving stories of violence, peace, and reflection, demonstrating the continued resonance of the events and the need for sustained discussion. This anthology includes personal narratives, photographs, songs, poetry, and testimonies--some written by eyewitnesses to the day of the shootings--as well as speeches from recent commemoration events and items related to the designation of the site on the National Register of Historic Places in 2016. Erenrich, who came to Kent State in 1975 as a college freshman, became a member of the May 4 Task Force, a student organization that continues to the present as an organizing group for marking the anniversary each year. Her involvement with the task force led her to make the many connections with writers, artists, and memory-keepers that have built this collection of primary source material. While a number of books and articles over the years have treated the Kent State shootings and aftermath, this collection is unique in its focus on justice issues and its call for the future. The movement to seek justice, as Erenrich notes, is an ongoing one. These voices call to us to continue to move forward even as we learn from the past.

Minutes after midnight on May 15, 1970, white members of the Jackson city police and the Mississippi Highway Patrol opened fire on young people in front of a women's dormitory at Jackson State College, a historically black college in Jackson, Mississippi, discharging "buckshot, rifle slugs, a submachine gun, carbines with military ammunition, and two 30.06 rifles loaded with armor-piercing bullets." Twenty-eight seconds later two young people lay dead, another 12 injured. Taking place just ten days after the killings at Kent State, the attack at Jackson State never garnered the same level of national attention and was chronically misunderstood as similar in cause. This book reclaims this story and situates it in the broader history of the struggle for African American freedom in the civil rights and black power eras. The book explores the essential role of white supremacy in causing the shootings and shaping the aftermath. By 1970, even historically conservative campuses such as Jackson State, where an all-white Board of Trustees of Institutions of Higher Learning had long exercised its power to control student behavior, were beginning to feel the impact of the movements for African American freedom. Though most of the students at Jackson State remained focused not on activism but their educations, racial consciousness was taking hold. It was this campus police attacked. Acting on racial animus and with impunity, the shootings reflected both traditional patterns of repression and the new logic and rhetoric of "law and order," with its thinly veiled racial coding. In the aftermath, the victims and their survivors struggled unsuccessfully to find justice. Despite multiple investigative commissions, two grand juries and a civil suit brought by students and the families of the dead, the law and order narrative proved too powerful. No officers were charged, no restitution was paid, and no apologies were offered. The shootings were soon largely forgotten except among the local African American community, the injured victimized once more by historical amnesia born of the unwillingness to acknowledge the essential role of race in causing the violence.

"Cambodia: A Book For People Who Find Television Too Slow" is a ferociously brilliant book that challenges its readers to see the world with new eyes, in a new light. Through an arresting division of its pages-- thriteen wildly imaginative short stories at the top, and a passionate essay on colonialism and Southeast Asia at the bottom, running like a Mekong River footnote throughout the book-- Brian Fawcett startles, amuses, and infuriates his hooked readers with juxtaposed images and penetrating insights into the media jungle that defines our age. Like subtitles read in a foreign film, the pace of "Cambodia" accelerates, and the reader's eye quickens as the work unfolds. Soon, "Cambodia" is moving more swiftly than the images on the evening news, showing us that the book's title is not an enigma, but a realistic description of its remarkably interactive contents. Brian Fawcett's passion stirs us to resist the annihilation of memory and imagination in our society, lest we lose "our right to remember our pasts and envision new futures" in a violent world where "Cambodia is as near as your television set."