Can You Hear The Nightbird Call

Longlisted for the IMPAC Dublin Literary Award Anita Rau Badami's acclaimed novel Can You Hear the Nightbird Call? chronicles the stories of three women, linked in love and tragedy, over a span of fifty years, sweeping from the partition of India and Pakistan in 1947 to the explosion of Air India flight 182 off the coast of Ireland in 1985. Alive with Badami's warmth and humanity, and brimming with the daily sights and sounds of both Canada and India, this novel brilliantly conveys the tumultuous effects of the past on new immigrants, and the ways in which memory and myth, the personal and the political, become heartrendingly connected.

After the release of Anita Rau Badami's critically acclaimed first novel, Tamarind Mem, it was evident a promising new talent had joined the Canadian literary community. Her dazzling literary follow-up is The Hero's Walk, a novel teeming with the author's trademark tumble of the haphazard beauty, wreckage and folly of ordinary lives. Set in the dusty seaside town of Toturpuram on the Bay of Bengal, The Hero's Walk traces the terrain of family and forgiveness through the lives of an exuberant cast of characters bewildered by the rapid pace of change in today's India. Each member of the Rao family pits his or her chance at personal fulfillment against the conventions of a crumbling caste and class system. Anita Rau Badami explains that "The Hero's Walk is a novel about so many things: loss, disappointment, choices and the importance of coming to terms with yourself and the circumstances of your life without losing the dignity embedded in all of us. At one level it is about heroism - not the hero of the classic epic, those enormous god-sized heroes - but my fascination with the day-to-day heroes and the heroism that's needed to survive all the unexpected disasters and pitfalls of life."

A beautiful and brilliant portrait of two generations of women. Set in India’s railway colonies, this is the story of Kamini and her mother Saroja, nicknamed Tamarind Mem due to her sour tongue. While in Canada beginning her graduate studies, Kamini receives a postcard from her mother saying she has sold their home and is travelling through India. Both are forced into the past to confront their dreams and losses and to explore the love that binds mothers and daughters everywhere.

Anu Krishnan, seeking refuge from city life, becomes a tenant of the seemingly happy, tightly-knit Dharma family in a small northern town in B.C. But the Dharma family holds secrets which begin to spill out, brought on by Anu's presence, and leading to tragic consequences.!

WHERE DO YOU BEGIN TELLING SOMEONE THEIR WORLD IS NOT THE ONLY ONE? While Stacey, a 17-year-old Native girl, struggles to save her family and community from a devastating influenza epidemic, a white classmate’s suicide hints that the village is threatened by forces more sinister and powerful than the epidemic itself. Ravensong, the first novel of celebrated author Lee Maracle, tells an extraordinary story about a young woman’s quest for answers, combining both tragedy and joy in its unforgettable depiction of an urban Native community in the 1950s. Maracle speaks unflinchingly of the gulf between two cultures: a gulf that Raven says must be bridged. Evocative and prescient, filled with oral traditions, humour, and deep insight, Ravensong is more than just a novel—it is a necessary story for our time.

Introducing an eloquent, sensual new Canadian voice that rings out in a first novel that is exquisitely rich and stunningly original. Roop is a sixteen-year-old village girl in the Punjab region of undivided India in 1937 whose family is respectable but poor -- her father is deep in debt and her mother is dead. Innocent and lovely, yet afraid she may not marry well, she is elated when she learns she is to become the second wife of a wealthy Sikh landowner, Sardarji, whose first wife, Satya, has failed to bear him any children. Roop trusts that the strong-willed Satya will treat her as a sister, but their relationship becomes far more ominous and complicated than expected. Roop's tale draws the reader immediately into her world, making the exotic familiar and the family's story startlingly universal, but What the Body Remembers is also very much Satya's story. She is mortified and angry when Sardarji takes Roop for a wife, a woman whose low status Satya takes as an affront to her position, and she adopts desperate measures to maintain her place in society and in her husband's heart. Yet it is also Sardarji's story, as the India he knows and understands -- the temples, cities, villages and countryside, all so vividly evoked -- begins to change. The escalating tensions in his personal life reflect those between Hindu and Muslim that lead to the cleaving of India and trap the Sikhs in a horrifying middle ground. Deeply imbued with the languages, customs and layered history of colonial India, What the Body Remembers is an absolute triumph of storytelling. Never before has a novel of love and partition been told from the point of view of the Sikh minority, never before through Sikh women's eyes. This is a novel to read, treasure and admire that, like its two compelling heroines, resists all efforts to be put aside.

Amid the grandeur of the remote Pacific Northwest stands Kingcome, a village so ancient that, according to Kwakiutl myth, it was founded by the two brothers left on earth after the great flood. The Native Americans who still live there call it Quee, a place of such incredible natural richness that hunting and fishing remain primary food sources. But the old culture of totems and potlatch is being replaces by a new culture of prefab housing and alcoholism. Kingcome's younger generation is disenchanted and alienated from its heritage. And now, coming upriver is a young vicar, Mark Brian, on a journey of discovery that can teach him—and us—about life, death, and the transforming power of love.

Growing up in India, Kamini often found herself struggling to be noticed: noticed by her beloved, storytelling father, whose position as a railway officer took him away from home for long stretches of time; and noticed by her distant, distracted mother, Saroja, whose biting remarks earned her the nickname Tamarind Woman—and whose frequent disappearances while her husband was away led to whispers of dalliances and affairs. Now Kamini is grown, living in Canada in a sort of self-imposed exile from her eccentric family and all the turmoil they represent. After her father’s death, her mother embarks upon a solo journey across India by train— because what is the use of a lifetime railway pass if she doesn’t use it? The trip brings the past rushing back for Saroja and Kamini—as both are forced to confront their dreams, disappointments, and long-guarded secrets.