Canada S Hollywood

"The development of the feature film industry in Canada has been uncertain and difficult, with problems usually attributed to the country's small population and US domination of the movie industry. Ted Magder goes beyond these obvious influences in his examination of Canada's state policies as they affected the production of Canadian feature films from the First World War to the present. He presents a study focusing on the interplay between government policy and the dynamics of the industry, and undertakes an examination of cultural dependency in Canada. State policies, Magder points out, are related to domestic forces that impinge upon and set limits to policy decisions and their implementation." "In the immediate postwar period, the tone for much of Canada's cultural policies was set by the National Film Board and the recommendations of the Massey Commission. Members of both organizations expressed distaste for films designed to entertain and deemed feature filmmaking unworthy of support. A change of heart took place in the watershed year of 1967 with the passing of the Canadian Film Development Corporation Act, when Canadians finally entered the business of feature film production. Magder considers how this came to pass, what had changed within the industry itself to make feature film production viable, and why the state changed its position from one of neglect to one of support. In the last five chapters, he examines the contradictions and limitations that have bedevilled Canadian feature film production over the last two decades." "In his conclusion, Magder proposes that both the notion of cultural dependency and the goal of public support for cultural production to express national identity need to be re-examined."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

An examination of Canada's state policies as they affected the production of Canadian feature films from WWI to the present. Magder (director of the Mass Communication Program at York U.) focuses on the interplay between government policy and the dynamics of the industry, and undertakes an examination of cultural dependency in Canada. Paper edition (unseen), $22.95. Annotation copyright by Book News, Inc., Portland, OR

"You'll like Louis Mayer," Mary Pickford told Charles Foster in 1943. "He is from Canada, too." As Foster was soon to discover, Mayer was not alone: a great many of those who helped shape Hollywood into the movie capital of the world were Canadian. Stardust and Shadows brings together the stories of 18 Canadians who were celebrities during Hollywood's formative years. Most of those profiled were known to Foster, and stories they told him about Hollywood's early days, enhanced by many years of research and interviews with other living performers and directors from the silent movie era, reveal a never-before-seen look at what the movie industry was really like in those early days. This is Canadian history that has never been told, and many of the startling stories and secrets of Hollywood's past are revealed here for the first time. Celebrities profiled: May Irwin, Al and Charles Christie, Joe and Sam De Grasse, Marie Dressler, Allan Dwan, Florence La Badie, Florence Lawrence, Del Lord, Louis B. Mayer, Sidney Olcott, Jack Pickford, Mary Pickford, Marie Prevost, Mack Sennett, Douglas Shearer, Norma Shearer.

The tragic life of Frances Farmer, the raucous, idealistic, nonconforming movie star. Cast of 4 women and 4 men.

The first book to examine the role of Canada’s newspapers in perpetuating the myth of Native inferiority. Seeing Red is a groundbreaking study of how Canadian English-language newspapers have portrayed Aboriginal peoples from 1869 to the present day. It assesses a wide range of publications on topics that include the sale of Rupert’s Land, the signing of Treaty 3, the North-West Rebellion and Louis Riel, the death of Pauline Johnson, the outing of Grey Owl, the discussions surrounding Bill C-31, the “Bended Elbow” standoff at Kenora, Ontario, and the Oka Crisis. The authors uncover overwhelming evidence that the colonial imaginary not only thrives, but dominates depictions of Aboriginal peoples in mainstream newspapers. The colonial constructs ingrained in the news media perpetuate an imagined Native inferiority that contributes significantly to the marginalization of Indigenous people in Canada. That such imagery persists to this day suggests strongly that our country lives in denial, failing to live up to its cultural mosaic boosterism.

British Columbia’s billion-dollar film industry trails behind only those of California and New York. This book recounts the story of British Columbia’s rapid rise from relative obscurity in the film world to its current status as " Hollywood North." Gasher positions the industry as a model for commercial film production in the twenty-first century -- one strongly shaped by a perception of cinema as a medium, not of culture, but of regional industrial development. He addresses the specific economic and geographic factors that contribute to the province’s success, such as the low Canadian dollar and BC’s proximity to Los Angeles. Hollywood North is an important book that brings into focus the tension between globalization and localization in the film industry.

"Once a guarded cinematic secret, this definitive history reveals for the first time the art and craft of Hollywood's hand painted-backdrops, and pays homage to the scenic artists who brought them to the big screen." -- Slipcase.