Canadian Short Stories Third Series

A survey of Canada's leading writers features forty-seven stories, with new pieces by writers in the original Oxford Book of Canadian Short Stories. Included are short stories by W. P. Kinsella, Morley Callaghan, Timothy Findlay, Matt Cohen, Alice Munro and Margaret Atwood.

This stunning collection of 60 stories--over a century's worth of the best Canadian literature by an extraordinary array of our finest writers--has been selected and is introduced by award-winning writer Jane Urquhart. Urquhart's selection includes stories by major literary figures such as Mavis Gallant, Carol Shields, Alistair MacLeod, and Margaret Atwood, and wonderful stories by younger writers, including Dennis Bock, Joseph Boyden, and Madeleine Thien. This collection is uniquely organized into five parts: the immigrant experience, urban life, family drama, fantasy and metaphor, and celebrating the past.

This selection concentrates on writers whose work belongs to the 1950s and 1960s.

Arranged chronologically with forty stories in all, the book provides an excellent survey of Canada's leading writers, including a story by Atwood herself ("The Sin Eater"), as well as stories by Morley Callaghan ("Last Spring They Came Over"), Mordecai Richler ("The Summer My Grandmother Was Supposed to Die"), and Stephen Leacock ("The Marine Excursion of the Knights of Pythias"). The book features biographical notes and an index of authors.

“The right story, at the right time, if you happen to be open to it ... can perhaps move you so far outside of yourself that you will not consider going back.” “Like meeting a stranger, much of the pleasure of a story is its unknown power,” writes Best Canadian Stories 2020 guest editor Paige Cooper. “The right story, at the right time, if you happen to be open to it ... can perhaps move you so far outside of yourself that you will not consider going back.” From Festival du Voyageur to the shores of Lake Erie, Tbilisi to Toronto, the Amisk River to a hotel-turned-hospital in the midst of a mysterious pandemic, this wide-ranging anthology brings together the real and the speculative, small towns and big cities, grief and humour, introducing readers to stories that startle us into new understanding—of ourselves and each other, the worlds we inhabit and the ones they help us to imagine. Featuring work by: Maxime Raymond Bock • Lynn Coady • Kristyn Dunnion • Omar El Akkad • Camilla Grudova • Conor Kerr • Alex Leslie • Thea Lim • Madeleine Maillet • Cassidy McFadzean • Michael Melgaard • Jeff Noh • Casey Plett • Eden Robinson • Naben Ruthnum • Pablo Strauss • Souvankham Thammavongsa

Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Carol Shields, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism and theory has been devoted to the Canadian short story. This collection redresses that imbalance by providing the first collection of critical interpretations of a range of thirty well-known and often-anthologized Canadian short stories from the genre's beginnings through the twentieth century. A historical survey of the genre introduces the volume and a timeline comparing the genre's development in Canada, the US, and Great Britain via representative examples completes it. The collection is geared both to specialists in and to students of Canadian literature. For the latter it is of particular benefit that the volume provides not only a collection of interpretations, but a comprehensive introduction to the history of the Canadian short story. Reingard M. Nischik is professor and chair of American Literature at the University of Constance, Germany.