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National Review has always published letters from readers. In 1965 the magazine decided that certain letters merited different treatment, and William F. Buckley, the editor, began a column called ''Notes & Asides'' in which he personally replied to the most notable and outrageous correspondence. Culled from four decades of the column, Cancel Your Own God dam Subscription includes exchanges with such well-known figures as Ronald Reagan, Richard Nixon, John Kenneth Galbraith, A.M. Rosenthal, Auberon Waugh, Arthur Schlesinger Jr., and many others. There are also hilarious exchanges with ordinary readers, as well as letters from Buckley to various organizations and government agencies. Combative, brilliant, and uproariously funny, Cancel Your Own God dam Subscription represents Buckley at his mischievous best.

Richard Brookhiser wrote his first cover story for National Review at age fourteen, and became the magazine's youngest senior editor at twenty-three. William F. Buckley Jr. was Brookhiser's mentor, hero, and admirer; within a year of Brookhiser's arrival at the magazine, Buckley tapped him as his successor as editor-in-chief. But without warning, the relation ship soured—one day, Brookhiser returned to his desk to find a letter from Buckley unceremoniously informing him “you will no longer be my successor.” Brookhiser remained friends and colleagues with Buckley despite the breach, and in Right Time, Right Place he tells the story of that friendship with affection and clarity. At the same time, he provides a delightful account of the intellectual and political ferment of the conservative resurgence that Buckley nurtured and led. Witty and poignant, Right Time, Right Place tells the story of a young man and a political movement coming of age—and of the man who inspired them both.

One of the most gifted literary essayists of his generation defends stylistic boldness and intellectual daring in American letters. Over the last decade William Giraldi has established himself as a charismatic and uncompromising literary essayist, “a literature-besotted Midas of prose” (Cynthia Ozick). Now, American Audacity gathers a selection of his most powerful considerations of American writers and themes—a “gorgeous fury of language and sensibility” (Walter Kirn)—including an introductory call to arms for twenty-first-century American literature, and a new appreciation of James Baldwin’s genius for nonfiction. With potent insights into the storied tradition of American letters, and written with a “commitment to the dynamism and dimensions of language,” American Audacity considers giants from the past (Herman Melville, Edgar Allan Poe, Harper Lee, Denis Johnson), some of our most well-known living critics and novelists (Harold Bloom, Stanley Fish, Katie Roiphe, Cormac McCarthy, Allan Gurganus, Elizabeth Spencer), as well as those cultural-literary themes that have concerned Giraldi as an American novelist (bestsellers, the “problem” of Catholic fiction, the art of hate mail, and his viral essay on bibliophilia). Demanding that literature be audacious, and urgent in its convictions, American Audacity is itself an act of intellectual daring, a compendium shot through with Giraldi’s “emboldened and emboldening critical voice” (Sven Birkerts). At a time when literature is threatened by ceaseless electronic bombardment, Giraldi argues that literature “must do what literature has always done: facilitate those silent spaces, remain steadfastly itself in its employment of slowness, interiority, grace, and in its marshaling of aesthetic sophistication and complexity.” American Audacity is ultimately an assertion of intelligence and discernment from a maker of “perfectly paced prose” (The New Yorker), a book that reaffirms the pleasure and wisdom of the deepest literary values.

divCollege years—when ideas collide, literature intrigues and inspires, lasting passions are first fired—can stamp a young writer for life. This extraordinary book contains the work of dozens of writers whose experiences at Yale over the past three centuries exerted a powerful force on their writing lives. Formed and nurtured by the unique intellectual community of the university, writers as diverse as Noah Webster and Gloria Naylor emerged from Yale to make their own fresh contributions to our nation’s remarkable literary heritage. From the galaxy of authors Yale has produced, J. D. McClatchy selects a rich and varied sample. He includes sermons, essays, poems, short stories, and excerpts from novels. The book opens with a section devoted to the work of four great teachers of writing at Yale in recent decades: John Hersey, Robert Penn Warren, John Hollander, and Robert Stone. The middle and most generous section of the volume focuses on writers who have been working since the end of the Second World War. Each of these selections casts a strong light on its author and his or her work. In the final section, McClatchy draws on the work of earlier literary figures from James Fenimore Cooper to Thornton Wilder, in many cases retrieving little-known material. A stroll through the pages of this bountiful anthology, dazzling in the diversity of its offerings, will appeal to any reader. Each of the authors was challenged and inspired by Yale. In this volume, each in turn challenges and inspires us. Among the authors and poets in this volume: Jonathan Edwards, Sinclair Lewis, Cole Porter, Robert Penn Warren, Brendan Gill, Robert K. Massie, William F. Buckley, Jr., Calvin Trillin, Paul Monette, Garry B. Trudeau, Claire Messud, Chang-rae Lee /DIV

Here is a unique collection of fifty years of essays chosen to form an unconventional autobiography and capstone to his remarkable career as the conservative writer par excellence. Included are essays that capture Buckley's joyful boyhood and family life; his years as a conservative firebrand at Yale; the life of a young army officer; his love of wine and sailing; memories of his favourite friends; the great influences of music and religion; a life in politics; and exploring the beauty, diversity, and exactitude of the English language.

“I had more or less resolved not to write a book about my parents. But I’m a writer, and when the universe hands you material like this, not writing about it amounts either to waste or a conscious act of evasion.” So begins award-winning satirist Christopher Buckley in the most personal and transcendent work of his life, the tragicomic true story of the year in which both of his parents died. In twelve months between 2007 and 2008, Buckley coped with the passing of his father, William F. Buckley, the father of the modern conservative movement, and his mother, Patricia Taylor Buckley, one of New York’s most glamorous and colorful socialites. He was their only child and their relationship was close and complicated. Writes Buckley: “They were not — with respect to every other set of loving, wonderful parents in the world — your typical mom and dad.” As Buckley tells the story of their final year together, he takes readers on a surprisingly entertaining tour through hospitals, funeral homes, and memorial services, capturing the heartbreaking and disorienting feeling of becoming a fifty-five-year-old orphan. Buckley maintains his sense of humor by recalling the words of Oscar Wilde: “To lose one parent may be regarded as a misfortune. To lose both looks like carelessness.” Christopher Buckley offers consolation, wit, and warmth to those coping with the death of a parent, while telling a unique personal story of life with legends.

No two people were more important to American conservatism in the postwar era than William F. Buckley Jr. and Ronald Reagan. Buckley's writings provided the intellectual underpinnings, while Reagan brought the conservative movement into the White House. They met in 1961 when Reagan introduced a speech by Buckley. When nobody could turn on the microphone, Reagan climbed out a window, walked along a ledge to the locked control room, broke in, and flipped the correct switch. Buckley later described this moment as “a nifty allegory of Reagan's approach to foreign policy: the calm appraisal of a situation, the willingness to take risks, and then the decisive moment leading to lights and sound.” For over thirty years, the two men shared jokes and vacations, advised each other on politics, and counseled each other's children. The Reagan I Knew traces the evolution of an extraordinary friendship between two American political giants.

Long before Wikileaks and social media, the journalist Drew Pearson exposed to public view information that public officials tried to keep hidden. A self-professed "keyhole peeper", Pearson devoted himself to revealing what politicians were doing behind closed doors. From 1932 to 1969, his daily "Washington Merry-Go-Round" column and weekly radio and TV commentary broke secrets, revealed classified information, and passed along rumors based on sources high and low in the federal government, while intelligence agents searched fruitlessly for his sources. For forty years, this syndicated columnist and radio and television commentator called public officials to account and forced them to confront the facts. Pearson's daily column, published in more than 600 newspapers, and his weekly radio and television commentaries led to the censure of two US senators, sent four members of the House to prison, and undermined numerous political careers. Every president from Franklin Roosevelt to Richard Nixon--and a quorum of Congress--called him a liar. Pearson was sued for libel more than any other journalist, in the end winning all but one of the cases. Breaking secrets was the heartbeat of Pearson's column. His ability to reveal classified information, even during wartime, motivated foreign and domestic intelligence agents to pursue him. He played cat and mouse with the investigators who shadowed him, tapped his phone, read his mail, and planted agents among his friends. Yet they rarely learned his sources. The FBI found it so fruitless to track down leaks to the columnist that it advised agencies to simply do a better job of keeping their files secret. Drawing on Pearson's extensive correspondence, diaries, and oral histories, The Columnist reveals the mystery behind Pearson's leaks and the accuracy of his most controversial revelations.