Capital Punishment In Popular Culture Toys Games And Nursery Rhymes

Art generally imitates life. This book highlights how the death penalty and murder have influenced toy making, pop culture, art, and music. It also addresses issues of equality and injustice involved in death sentencing. Many toys and dolls are illustrated and discussed, including those representing royalty, famous trials and murderers. Included are a brief guide for reading legal cases, an actual United States Supreme Court case, and a brief history of capital punishment theories, exercises and more. Librarians, historians, legal practitioners, museum curators, law professors, criminologists, doll and toy collectors and students alike will find this book useful. Given how often capital punishment appears in everyday life, general readers will find it interesting and engaging.

Art generally imitates life. This book highlights how the death penalty and murder have influenced toy making, pop culture, art, and music. It also addresses issues of equality and injustice involved in death sentencing. Many toys and dolls are illustrated and discussed, including those representing royalty, famous trials and murderers. Included are a brief guide for reading legal cases, an actual United States Supreme Court case, and a brief history of capital punishment theories, exercises and more. Librarians, historians, legal practitioners, museum curators, law professors, criminologists, doll and toy collectors and students alike will find this book useful. Given how often capital punishment appears in everyday life, general readers will find it interesting and engaging.

The Supreme Court has looked to «evolving standards of decency» in determining whether the death penalty violates the Eighth Amendment to the Constitution, which prohibits cruel and unusual punishment. Evolving Standards of Decency examines the ways in which popular culture portrays the death penalty. By analyzing literature and film, Atwell argues that capital punishment becomes much more complex when both offenders and victims are presented as fully developed individuals. Numerous books and films from the last several decades expose flaws in the criminal justice system and provide audiences with stories that raise questions about race, class, and actual innocence in the administration of the ultimate punishment. Although most people will not read legal briefs supporting or challenging the death penalty, many will see films or read novels that raise issues about its fairness. Themes and images gathered through popular culture may ultimately influence whether Americans continue to believe that capital punishment conforms to their evolving standards of decency and justice. Those studying justice issues, corrections, or capital punishment will find this an accessible and provocative work that places the stories read in novels or seen in movies in the context of the legal system that has the power of life and death.

Spine-chilling tales set in the Worlds of Warhammer. On the capital world of Potence, young enforcer cadet Rudgard Howe is caught up in a bitter internecine feud to inherit his father’s position of Chief Enforcer. As the tithe fleets approach, he is sent on his first mission to ensure that the planet’s distant agri-facilities fulfil their quotas to the God-Emperor. Farmed with serfs and managed by ex-Militarum soldiers, the agri-facilities are places of shocking brutality and hopelessness. But when he is sent to the outlying farmstead of Thorsarbour, Rudgard discovers a community where the crops are left to rot as the inhabitants indulge in the bloody ecstasy of a sanguinary cult. As Rudgard imposes the strict Lex Imperialis upon the farmstead, he begins to uncover a place where sanity is rapidly slipping. But he is just one step along this nightmarish mission when a series of cruel deaths threatens to dismantle everything he has ever known about the Imperium, his faith in the Emperor, and the strength of his very soul.

A reader on children's culture

A Finalist for the 2019 Kirkus Prize in Nonfiction "Nayeri combines her own experience with those of refugees she meets as an adult, telling their stories with tenderness and reverence.” —The New York Times Book Review "Nayeri weaves her empowering personal story with those of the ‘feared swarms’ . . . Her family’s escape from Isfahan to Oklahoma, which involved waiting in Dubai and Italy, is wildly fascinating . . . Using energetic prose, Nayeri is an excellent conduit for these heart–rending stories, eschewing judgment and employing care in threading the stories in with her own . . . This is a memoir laced with stimulus and plenty of heart at a time when the latter has grown elusive.” —Star–Tribune (Minneapolis) Aged eight, Dina Nayeri fled Iran along with her mother and brother and lived in the crumbling shell of an Italian hotel–turned–refugee camp. Eventually she was granted asylum in America. She settled in Oklahoma, then made her way to Princeton University. In this book, Nayeri weaves together her own vivid story with the stories of other refugees and asylum seekers in recent years, bringing us inside their daily lives and taking us through the different stages of their journeys, from escape to asylum to resettlement. In these pages, a couple fall in love over the phone, and women gather to prepare the noodles that remind them of home. A closeted queer man tries to make his case truthfully as he seeks asylum, and a translator attempts to help new arrivals present their stories to officials. Nayeri confronts notions like “the swarm,” and, on the other hand, “good” immigrants. She calls attention to the harmful way in which Western governments privilege certain dangers over others. With surprising and provocative questions, The Ungrateful Refugee challenges us to rethink how we talk about the refugee crisis. “A writer who confronts issues that are key to the refugee experience.” —Viet Thanh Nguyen, Pulitzer Prize–winning author of The Sympathizer and The Refugees