Capturing The Light

Capturing the Light starts with a tiny scrap of purple-tinged paper, 176 years old and about the size of a postage stamp. On it you can just make out a tiny, ghostly image of a gothic window, an image so small and perfect that it 'might be supposed to be the work of some Lilliputian artist': the world's first photographic negative. This captivating book traces the lives of two very different men in the 1830s, both racing to be the first to solve one of the world's oldest problems: how to capture an image and keep it for ever. On the one hand there is Henry Fox Talbot: a quiet, solitary gentleman-amateur tinkering away on his farm in the English countryside. On the other Louis Daguerre, a flamboyant, charismatic French showman in search of fame and fortune. Only one question remains: who will get there first?

Contact With Beings of Light is truly an amazing tale of Dorothy Wilkinson-Izatt. Using an ordinary 8 mm movie camera she has filmed hundreds of sequences of unexplained, yet authenticated, pictures of UFOs, ETs, and anamolies.Dorothy Izatt is without peer anywhere on record in the world, even when compared to today's tabloid media with its endless loops of bizarre video footage from various places and people. Aside from the fact that electronically simulated video images aren't as yielding to analysis as the images in film photography, the obvious difference is that the footage derives from multiple sources. With Dorothy we have a credible, trustworthy, prolific source in one location - or in any location anywhere she chooses - willing to demonstrate the process for an observer.The author, Peter Guttilla has spent years sifting through photographs, movies, and taped interviews with Dorothy to produce an exceptional glimpse into her lifes work.

In almost all photography it’s the quality of light that makes or breaks the shot. For professional photographers, chasing the light, waiting for it, sometimes helping it, and finally capturing it is a constant preoccupation — and for some an obsession. Drawing on four decades of doing just this, Michael Freeman takes a simple but practical approach to reacting to, and capturing photography’s most important commodity. There are just three sections titled Waiting, Chasing, and Helping: Waiting explains the kinds of lighting that photographers can anticipate and plan for, while Chasing explores the transient, serendipitous light that photographers have to work quickly to exploit. Helping, the final and most technical section, focuses on the skills and techniques for enhancing, reducing, or otherwise controlling light, covering everything from in-the-field shooting choices to technical transformations to post-production.

Transform your paintings from ordinary to extraordinary - with light! Want to paint light-filled watercolors that reach out and draw viewers in? In this book, award-winning watercolorist and teacher Susan Bourdet shows you how. Through simple concepts and detailed step-by-step demonstrations, Susan demystifies the process of successfully depicting light in watercolor. You'll learn how to: • Create convincing light effects and rich shadows • Depict different light angles and times of day • Render light on a variety of subjects, from feathers and fur to flowers, water and textures • Take reference photos with exciting light and combine them into a believable composition that speaks to your viewers It's all the information you'll need to capture the magic of light in your watercolors! Includes 23 step-by-step demonstrations!

Showcases a collection of the author's photographs, capturing the light to perfection. This book is suitable for various photographers or photography enthusiast's libraries.

Although aimed at keen amateur photographers who wish to break into the professional market, the superb images and technical expertise offer something for all levels of skill and will also inspire those just becoming interested in photography and more established photographers who need to re-focus their photographic motivation. The book's primary goal is to draw the attention of readers to the absolute importance of light and how to make the best use of it, with an emphasis on being in the right place at the right time, anticipating fine light and ensuring that for the short duration that those qualities are present, they are successfully recorded to film or pixel. However, composition and technical expertise are also vitally important and Ian outlines the best field techniques for choosing the correct exposure, discusses depth of field, hyper-focal focusing, exposure bracketing and the use of appropriate filters.

One of the ground-breaking books on acrylics - new in paperback. Acrylics is now a very popular medium with artists of all abilities, especially with the advent of new and better acrylic paints. 'Capturing Light in Acrylics' (HB 07134 8863 8) was and still is one of the best books on the subject. John Hammond, a highly successful practising artist, shares his experiences and knowledge of this incredibly adaptable medium and offers helpful advice, instruction and inspiration. Particular attention is paid to the skilful interpretation of light to convey the mood and atmosphere of a place. The section on Practical Considerations includes details on materials, equipment and colour mixing; Interpreting Light reveals the secrets behind light and tone, shadows, changing light and weather conditions; the Subjects and Inspiration sections cover choosing subjects, composition, working on location, landscapes, city views, boats and beaches, Mediteranean light and figures; and Developing Ideas details working with sketches, photography and studio painting. Practical explanatory text and inspirational illustrations combine to make this a valuable addition to any artist's bookshelf.

The Handbook of Astrophotography is the first book dedicated to Astronomical Imaging through modest equipment, and the first to be published in India. It is a chronicle of the techniques learnt and employed by the author and by no means are proprietary. It is assumed that the reader is equipped with the basic knowledge to use a digital camera. After showing the many methods to capture the Cosmos, the book shows how to process these images. It is designed to be a handbook and not a user manual. The author hopes that the reader will be confident in astronomical imaging and develop his/her own techniques after reading the book.