Caribbean Nightmare

Horse veterinarian and one-time Navy SEAL Jack Lyttle witnesses a drug trafficking plane attack and shoot down a Drug Enforcement Agency aircraft. The traffickers come back for another run so Jack uses his deer rifle to fend off the drug plane. The shooter drops a cellphone loaded with images and information that Jack gives to the DEA. Several months later, Jack’s plane lands in Minneapolis and picks up what he thinks is his bag: it’s the right color, right shape and has his “J.L.” initials on it. He opens the bag—the combination is one number off—to discover it is filled with woman’s clothing. So begins an adventure that pits a vet and a medical sales rep against two murderous drug cartels. But is everything, and everyone, as they seem? Find out in Caribbean Nightmare.

In book three of the Mack and Carly Adventure Series the dream life they started on the pristine island of Dominica, where they first fell in love, is shattered. The drug smuggler, Juan, who chased them halfway around the world to Africa, accidentally discovers them and becomes obsessed again with recovering Don Emilio's treasure. This evil criminal is determined to use whatever means necessary to coerce the treasure from them to achieve his ambition. The cache of diamonds, gold and money they buried on the tiny island in the Iles des Saintes is not enough to satisfy Juan's demands. A struggle for survival ensues as other characters from the past join in the attempt to destroy Mack and Carly's life.

Positioning the Caribbean within the complexes of the world community, this collection uses the metaphor of the global Caribbean to discuss the multiple movements, identities, epistemologies and politics of the West Indies. Examining the processes of the transnational transport of peoples, languages, and literatures between the Caribbean, Africa, Europe, and North America, the essays look at the complexities of geographical, intellectual, and artistic migrations: at the ways Caribbean writers negotiate the construction of literary and political identities and the ways in which the Caribbean influenced writers and thinkers in North America or Europe. These kinds of reciprocal exchanges locate the islands of the Caribbean within a global context, as recipients of multi- and trans-national influence and as makers of transnational meaning. Building on the dynamic processes of globalization, this collection suggests that the Caribbean provides a perspective for thinking about multiple intercultural connections with the Caribbean that include antebellum New Englanders, the Jews of twentieth-century Europe, literary artists of seventeenth- and eighteenth-century England and France, and modern pleasure seekers. A culturally and linguistically rich region of the world, the Caribbean also provides a fascinating literature of its own that is complicated by its history of migration and colonization, as well as by its location between continents.

Meets the requirements of the Revised National Curriculum. Integrated and continuous assessment. Re-capping and reinforcement throughout. Homework and Assessment books that accompany the series contain guidance notes for assessments and provide photocopiable worksheets. Support for differentation. Up-to-date information.

This history for the first time charts the literature of the entire Caribbean, the islands as well as continental littoral, as one cultural region. It breaks new ground in establishing a common grid for reading literatures that have been kept separate by their linguistic frontiers. Readers will have access to the best current scholarship on the evolution of popular and literate cultures in the various regions since their earliest emergence."The History of Literature in the Caribbean" brings together the most distinguished team of literary Caribbeanists ever assembled, cutting across ideological commitments and critical methods. Differences in point of view between individual contributors are left intact here as the sign of the colonial inheritance of the region. Introductions and conclusions to the various sections of the History written by the respective subeditors, set them in proper perspective. The unique synoptic aspect of the History lies in its comprehensiveness and its range, which are unequaled."Contributors" A. James Arnold, Julio Rodriguez-Luis, H. Lopez Morales, Maria Elena Rodriguez Castro, Silvio Torres Saillant, Seymour Menton, Ian I. Smart, Efrain Barradas, Raquel Chang-Rodriguez, Carlos Alonso, Ivan A. Schulman, W.L. Siemens, William Luis, Gustavo Pellon, Emilio Bejel, Sandra M. Cypess, Peter Earle, Adriana Mndez Rodenas, J. Michael Dash, Ulrich Fleischmann, Maximilien Laroche, Rgis Antoine, Lon-Franois Hoffmann, Randolph Hezekiah, Bridget Jones, F.I. Case, Marie-Denise Shelton, Beverly Ormerod, J. Michael Dash, Jack Corzani, Anthea Morrison, Juris Silenieks, Frantz Fanon, Vere Knight.

Exhibiting Slavery examines the ways in which Caribbean postmodern historical novels about slavery written in Spanish, English, and French function as virtual museums, simultaneously showcasing and curating a collection of "primary documents" within their pages. As Vivian Nun Halloran attests, these novels highlight narrative "objects" extraneous to their plot—such as excerpts from the work of earlier writers, allusions to specific works of art, the uniforms of maroon armies assembled in preparation of a military offensive, and accounts of slavery's negative impact on the traditional family unit in Africa or the United States. In doing so, they demand that their readers go beyond the pages of the books to sort out fact from fiction and consider what relationship these featured "objects" have to slavery and to contemporary life. The self-referential function of these texts produces a "museum effect" that simultaneously teaches and entertains their readers, prompting them to continue their own research beyond and outside the text.

The panoramic story of how the horror genre transformed into one of the most incisive critiques of unchecked American imperial power The American empire emerged from the shadows of World War II. As the nation’s influence swept the globe with near impunity, a host of evil forces followed—from racism, exploitation, and military invasion to killer clowns, flying saucers, and monsters borne of a fear of the other. By viewing American imperial history through the prism of the horror genre, Dark Carnivals lays bare how the genre shaped us, distracted us, and gave form to a violence as American as apple pie. A carnival ride that connects the mushroom clouds of 1945 to the beaches of Amity Island, Charles Manson to the massacre at My Lai, and John Wayne to John Wayne Gacy, the new book by acclaimed historian W. Scott Poole reveals how horror films and fictions have followed the course of America’s military and cultural empire and explores how the shadow of our national sins can take on the form of mass entertainment.