Caribbean Writers Les Auteurs Carib Ens

For review see: Sue N. Greene, in Nieuwe West-Indische Gids / New West Indian Guide, vol. 65, no. 1 & 2 (1991); p. 94-96; Jennifer Jackson, in The Caribbean Writer, vol. 5 (1991); p. 125-126; Stefanie Gehrke, in Caribbean writers = Les auteurs Caribéens, ed. by Marlies Glaser & Marion Pausch (1994); p. 226.

Details the lives and works of Caribbean authors in the context of Caribbean history and culture. This encyclopedia includes more than 700 alphabetically arranged entries written by more than 20 expert contributors. These entries cover authors, works, genres, historical and cultural figures, themes, and various topics.

This book will be of great interest to students and scholars of Caribbean and Latin American studies, social and cultural history, women and gender studies, and diasporic studies. In addition, given the transnational and transdisciplinary nature of the books themes, it will also attract the attention of academics whose research focuses more generally on ethnic, postcolonial and Atlantic studies. The volume complements existing Caribbean titles across linguistic borders. However, its distinguishing feature is the intertextual unity, quality and visual imagery of the essays. The book explores the ways in which Caribbean writers, artists and literary scholars explore in their narratives a historical process embedded in genocidal, spatial and ecocidal violence seared in their pasts and their present. It draws attention intertextually to the way history shapes the memories of Caribbean writers, literary critics and artists, and the inventive ways they have found to remember the afterlife of those practices.

Examines the literatures of the Caribbean from an ecocritical perspective in all language areas of the region. This book explores the ways in which the history of transplantation and settlement has provided unique challenges and opportunities for establishing a sense of place and an environmental ethic in the Caribbean.

Bringing together the most exciting recent archival work in anglophone, francophone, and hispanophone Caribbean studies, Raphael Dalleo constructs a new literary history of the region that is both comprehensive and innovative. He examines how changes in political, economic, and social structures have produced different sets of possibilities for writers to imagine their relationship to the institutions of the public sphere. In the process, he provides a new context for rereading such major writers as Mary Seacole, José Martí, Jacques Roumain, Claude McKay, Marie Chauvet, and George Lamming, while also drawing lesser-known figures into the story. Dalleo's comparative approach will be important to Caribbeanists from all of the region's linguistic traditions, and his book contributes even more broadly to debates in Latin American and postcolonial studies about postmodernity and globalization.