Carmel By The Sea The Early Years 1903 1913

Carmel-by-the-Sea, The Early Years (1903-1913) describes the establishment of Carmel-by-the-Sea, California, along with an overview of the history of the Carmel Mission and the Monterey Peninsula. The book's emphasis is on the development of Carmel as a Bohemian artists' and writers' colony at the start of the 20th century. The town's first decade of existence is described: the businesses and services offered, and the residential architecture. There are biographies of the well-known Bohemian artists, writers, poets, builders, and other notable residents and visitors in the early 1900's. This original group of settlers, the majority of whom came from Northern California's Bay Area, were distinctive individuals, who were drawn to the coastal village by its scenic beauty and the inspiration it provided for their intellectual pursuits. They set the tone that made Carmel-by-the-Sea a Bohemian enclave on the West Coast, and distinguished it as a unique place. These early residents and visitors left a significant and lasting impact on the future of the seaside town, which in turn attracted other creative talents to the area, through the years and still to this day. Carmel-by-the-Sea, The Early Years (1903-1913), preserves the literary, artistic, cultural, and architectural heritage of Carmel and the Monterey Peninsula region.

In this innovative and insightful book, Elizabeth Engelhardt argues that modern American food, business, caretaking, politics, sex, travel, writing, and restaurants all owe a debt to boardinghouse women in the South. From the eighteenth century well into the twentieth, entrepreneurial women ran boardinghouses throughout the South; some also carried the institution to far-flung places like California, New York, and London. Owned and operated by Black, Jewish, Native American, and white women, rich and poor, immigrant and native-born, these lodgings were often hubs of business innovation and engines of financial independence for their owners. Within their walls, boardinghouse residents and owners developed the region's earliest printed cookbooks, created space for making music and writing literary works, formed ad hoc communities of support, tested boundaries of race and sexuality, and more. Engelhardt draws on a vast archive to recover boardinghouse women's stories, revealing what happened in the kitchens, bedrooms, hallways, back stairs, and front porches as well as behind closed doors—legacies still with us today.

“A book so gripping it can scarcely be put down. . . . Superb.”— New York Times Book Review "WESTWARD HO! FOR OREGON AND CALIFORNIA!" In the eerily warm spring of 1846, George Donner placed this advertisement in a local newspaper as he and a restless caravan prepared for what they hoped would be the most rewarding journey of a lifetime. But in eagerly pursuing what would a century later become known as the "American dream," this optimistic-yet-motley crew of emigrants was met with a chilling nightmare; in the following months, their jingoistic excitement would be replaced by desperate cries for help that would fall silent in the deadly snow-covered mountains of the Sierra Nevada. We know these early pioneers as the Donner Party, a name that has elicited horror since the late 1840s. With The Best Land Under Heaven, Wallis has penned what critics agree is “destined to become the standard account” (Washington Post) of the notorious saga. Cutting through 160 years of myth-making, the “expert storyteller” (True West) compellingly recounts how the unlikely band of early pioneers met their fate. Interweaving information from hundreds of newly uncovered documents, Wallis illuminates how a combination of greed and recklessness led to one of America’s most calamitous and sensationalized catastrophes. The result is a “fascinating, horrifying, and inspiring” (Oklahoman) examination of the darkest side of Manifest Destiny.

Homes in Carmel, California's residential district, which contains many of the country's most charming but rarely seen cottages, are seen more advantageously in this collection of more than 250 photographs that show the uniqueness of the local architecture. Color photos.

Historic Homes and Inns of Carmel-by-the-Sea showcases the creativity, talent, and originality of the town's residents, designers, and builders over a span of 80 years, from the pioneering days of the 1880s through the more contemporary ones of the 1960s. One-of-a-kind creations by top-name architects Frank Lloyd Wright, Julia Morgan, Charles Greene, Albert Farr, Gardner Dailey, Henry Hill, and Mark Mills are featured. The designs by the three most influential people who shaped Carmel-by-the-Sea architecturally in its first half-century are well-represented: M.J. Murphy, who literally built the town, with hundreds of homes and buildings to his credit; Hugh Comstock, who defined it with his storybook cottages that gave the village its fairy-tale charm; and Jon Konigshofer, who modernized it through his trademarked, postwar Hillside House. Throughout its history, Carmel-by-the-Sea, California, has attracted unique, spirited, and sometimes eclectic individuals, and this is reflected in its architecture. In combination with the breathtaking beauty, remarkable scenery, and coastal setting, these historic homes and inns give the village its distinct look and make it unlike any place else.

A local poet once described Carmel-by-the-Sea, with its haunting pines, fog, and white sand, as "our inevitable place." The area had been inhabited for more than 3,000 years when Fr. Junipero Serra chose the site for his mission headquarters in 1771. The romantic name, Carmel-by-the-Sea, was the gift of a group of women real estate developers, later used in advertising lots for "brain workers at in-door employment." Many Stanford and UC Berkeley professors, artists, writers, and musicians left a lasting legacy here in their art and in their rejection of largescale commercial development. Although impoverished artists may no longer afford to live here, many residents and millions of sojourners still consider the lovely village packed with galleries and eateries their "inevitable place."

Carmel is a microcosm of California's architectural heritage, sited at one of the most scenic meetings of land and sea in the world. Mission San Carlos Borromeo became a root building for California's first regional building style, the Mission Revival. "Carmel City," as it was called in the 1880s, was marketed as a seaside resort for Catholics. Its pine-studded sand dunes survived the imposition of a standard American gridiron street pattern, with a Western, false-front main street, to become "Carmel-by-the-Sea." Artists, academics, and writers embraced the arts-and-crafts aesthetic of handcrafted homes built from native materials, informally sited in the landscape. In the mid-1920s, Tudor Revival and Spanish Romantic Revival styles enhanced the storybook quality of the community. Carmel's architectural character is primarily the product of working builders. Its design traditions have been interpreted and modified for modern times by noted architects, building designers, and craftsmen. Individual expression continues as an ongoing aesthetic theme.