Carnival On The Page

In the decades before the Civil War, American society witnessed the emergence of a new form of print culture, as penny papers, mammoth weeklies, giftbooks, fashion magazines, and other ephemeral printed materials brought exuberance and theatricality to public culture and made the practice of reading more controversial. For a short yet pivotal period, argues Isabelle Lehuu, the world of print was turned upside down. Unlike the printed works of the eighteenth century, produced to educate and refine, the new media aimed to entertain a widening yet diversified public of men and women. As they gained popularity among American readers, these new print forms provoked fierce reactions from cultural arbiters who considered them transgressive. No longer the manly art of intellectual pursuit, reading took on new meaning; reading for pleasure became an act with the power to silently disrupt the social order. Neither just an epilogue to an earlier age of scarce books and genteel culture nor merely a prologue to the late nineteenth century and its mass culture and commercial literature, the antebellum era marked a significant passage in the history of books and reading in the United States, Lehuu argues. Originally published 2000. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Enjoy the fun of the carnival in this fantastic interactive play book. With sliders, spinners, flaps, and tabs, plus early learning elements, this is the perfect addition to your child's playtime.

D is for dance! E is for emancipation! This rhyming alphabet book celebrates the UK's Notting Hill Carnival from A to Z. This engaging and educational book features a diverse cast of children in vibrant costumes as they 'play mas' while dancing to Soca and Calypso music. A glossary at the end makes it easy for readers, including parents and teachers, to review what they have learned.

Winner of the Quebec Writers' Federation Hugh MacLennan Prize for Fiction and shortlisted for the Rogers Writers' Trust Fiction Prize In the Carnival city there are two types of taxi drivers -- the spiders and the flies. The spiders patiently sit in their cars and wait for the calls to come. But the flies are wanderers - they roam the streets, looking for the raised hands of passengers among life's perpetual flux. Fly is a wanderer and a knower. Raised in the circus, the son of a golden-haired trapeze artist and a flying carpet pilot from the East, he is destined to drift and observe. From his taxi we see the world in all its carnivalesque beauty and ugliness. We meet criminals, prostitutes, madmen, magicians, and clowns of many kinds. We meet ordinary people going to extraordinary places, and revolutionaries trying to live ordinary lives. Hunger and injustice claw at the city, and books provide the only true shelter. And when the Carnival starts, all limits dissolve, and a gunshot goes off... With all of the beauty, truth, rage, and peripatetic storytelling that have made Cockroach and De Niro's Game international publishing sensations, Carnival gives us Rawi Hage at his searing best. Alternately laughing at absurdity and crying out at oppression, by turns outrageous, hilarious, sorrowful, and stirring, Carnival is a tour de force that will make all of life's passengers squirm in their comfortable, complacent backseats.

Cadenza is the City of Words, a city run by poets, its skyline dominated by the steepled towers of its libraries, its heart beating to the stamp and thrum of the printing presses in the Printing Quarter. Carlo Mazzoni, a young wordsmith arrives at the city gates intent on making his name as the bells ring out with the news of the death of the city’s poet-leader. Instead, he finds himself embroiled with the intrigues of a city in turmoil, the looming prospect of war with their rival Venice ever-present. A war that threatens not only to destroy Cadenza but remove it from history altogether…

Avidly collected and fetching high prices at auction, the Dartmouth Winter Carnival poster is a treasured and tangible artifact of one of the College's most cherished traditions. Here, presented for the first time, is Dartmouth College Library's definitive collection of Winter Carnival posters from 1911 to 2010, celebrating Dartmouth's seasonal bacchanal, sports fest, and social daze. In addition to their merit as markers of changing taste in graphic arts, the posters offer a fascinating glimpse into a century of intense cultural and institutional development. As a sustained collection the posters are nearly unrivaled, to the envy of ephemera collectors. Everything is here, from the high-end, design-informed style of the early years to the pop-culture and annual-theme inspired posters of more recent years. A constant element is the effervescence of those Dartmouth days, tinged with the glow of nostalgia: youth, energy, sex, sports, camaraderie, and dragons. This colorful and memory-evoking volume also includes a catalogue raisonn giving poster dimensions, artists' names, and other relevant information; charming artistic ephemera (dance cards and programs) from the missing (posterless?) years of 1912 to 1934; and rare photos of the poster selection process. In addition, the book includes an illustrated essay retelling the story of Budd Schulberg and F. Scott Fitzgerald's notorious trip to Winter Carnival; an essay about the art of the posters by noted graphic arts scholar Steven Heller; and a poignant piece by alumna and cultural observer Gina Barreca (class of '79) remembering the posters and the Winter Carnival experience from a student's point of view. This is a wonderful book for alumni, collectors of posters and ski posters, and anyone who has ever been touched by the magic of Winter Carnival.

A heist by the Serenity crew goes badly wrong in a captivating original Firefly tie-in novel from the award-winning series by Titan Books. City of sin Neapolis: a desert city on planet Bethel where all manner of entertainment can be found: high-stakes gambling, luxurious hotels, exclusive clubs and any form of diversion imaginable may be had for a price. It’s the eve of the annual carnival: three days of decadent revelry, and Serenity arrives to take a security job, guarding a costly shipment. An unattainable ransom Tragedy strikes: the shipment is stolen, and the wealthy owner kidnaps Zoë and Book, holding them to ransom for the lost shipment’s value. If Mal can’t find the enormous sum of five hundred platinum by the next evening, both of them will be killed. A race against time As the carnival begins the crew must attempt the impossible, calling on contacts, calling in favours, and revealing hidden talents to save their crewmates’ lives. Meanwhile, the hostages have their own plans…

A fun and interactive book packed with ideas and material for making collages. Create your own artworks and collages with this fantastic and fun book from print designer Lizzie Lees. Collage Carnival invites the reader to create a range of collage projects, from city scapes and travel journals using holiday snaps, to glitter-filled cards for friends. Mixed in with hints and tips for getting started are pages that can be coloured, cut out, customized, drawn on and embellished. There are pages filled with stickers and pages with gatefolds, allowing you to create your own collage masterpieces. Some pages are perforated so they can be pulled out and hung on the wall. Create your own collage carnival!