Carolina Gamble

Samuel Elwyn Biggs has fled the life-sucking poverty into which he was born the hard hammering fist of his drunkard of a father, and his religion-besotted mother. And now he must learn to survive on his own. The gaming halls of Petersburg beckon him. He finds he has a talent with games of chance. From a consumptive and dying old man who cares little for the things he spent a lifetime accruing, Sam wins undeveloped property in the piedmont of North Carolina. He leaves Petersburg behind and enters a world of conflict. And there, he encounters a mysterious and beautiful young woman named Rose. Sam and Rose wish to marry, but Rose continually delays the wedding. There are secrets that Sam must be told secrets that can ruin lives. Only Rose can tell Sam of her past. Wrongs must be righted and there are people who must die for the evil they have become.

Florida Book Awards, Bronze Medal for Florida Nonfiction Florida Historical Society Charlton Tebeau Award Beloved raconteur, environmentalist, and down-home philosopher, Gamble Rogers (1937–1991) ushered in a renaissance of folk music to a place and time that desperately needed it. In this book, Bruce Horovitz tells the story of how Rogers infused Florida's rapidly commercializing landscape with a refreshing dose of homegrown authenticity and how his distinctive music and personality touched the nation. As a college student, motivated by personal advice from William Faulkner to stay true to himself, Rogers broke away from his family's prestigious architecture business. Rogers was a skilled guitar player and storyteller who soon began performing extensively on the national folk music circuit alongside Pete Seeger, Doc Watson, and Jimmy Buffett. He discovered a special knack for public radio, appearing frequently as a guest commentator on NPR’s All Things Considered. Rogers was known across the country for his intricate fingerpicking guitar style and rapid-fire stage act. Audiences welcomed his humorous homespun tales set in the fictitious Oklawaha County, which was based on places from his own upbringing and populated by a cast of unforgettable characters. His stories evoked rural life in Florida, celebrated the state's natural resources, and called attention to life's many small ironies. As Florida was experiencing colossal growth embodied by the new Kennedy Space Center and Disney World, Rogers's folksy style cheered and reassured listeners in the state who worried that their traditional livelihoods and locales were disappearing. Horovitz shows that even beyond his genius as a performing artist, Rogers was loved for his compassion, integrity, connection with people, and courage. Rogers displayed these widely admired traits for the last time when—on a camping trip to the beach—he tried to save a drowning stranger despite back problems that made it almost impossible for him to swim. This heroic effort led to his untimely death. The life of Gamble Rogers is a window into an important creative subculture that continues to flourish today as contemporary folk artists take on roles similar to the one Rogers established for himself. A modern-day troubadour, Rogers delighted in entertaining audiences with what was familiar and real—by championing the ordinary people of his home community who were closest to his heart.

Inland sand dunes are widespread in North America and are found from the North Slope of Alaska to the Sonoran Desert in northern Mexico and from the Delmarva Peninsula in the east to Southern California in the west. In this edited book, we highlight recent research on areas of inland dunes that span a range from those that are actively accumulating in current conditions of climate and sediment supply to those that were formed in past conditions and are now degraded relict systems. This book will be of interest to researchers and scholars of physical geography, geomorphology, environmental sciences, and earth sciences. Contributions include detailed analyses of individual active dune systems at White Sands, New Mexico; Great Sand Dunes, Colorado; and the Laurentian Great Lakes; as well as the vegetation-stabilized dunes of the Nebraska Sand Hills and the Colorado Plateau. Additional chapters discuss the widespread partially vegetated dune systems of the central and southern Great Plains; the relict dunes of the Atlantic Coastal Plain of the eastern USA; and active and stabilized dunes of the Colorado Plateau and the southwestern deserts of the USA and northern Mexico.

Dorothy N. Gamble and Marie Weil differentiate among a range of intervention methods to provide a comprehensive and effective guide to working with communities. Presenting eight distinct models grounded in current practice and targeted toward specific goals, Gamble and Weil take an unusually inclusive step, combining their own extensive experience with numerous case and practice examples from talented practitioners in international and domestic settings. The authors open with a discussion of the theories for community work and the values of social justice and human rights, concerns that have guided the work of activists from Jane Addams and Martin Luther King Jr. to Cesar Chavez, Wangari Maathai, and Vandana Shiva. They survey the concepts, knowledge, and perspectives influencing community practice and evaluation strategies. Descriptions of eight practice models follow, incorporating real-life case examples from many parts of the world and demonstrating multiple applications for each model as well as the primary roles, competencies, and skills used by the practitioner. Complexities and variations encourage readers to determine, through comparative analysis, which model at which time best fits the goals of a community group or organization, given the context, culture, social, economic, and environmental issues and opportunities for change. An accompanying workbook stressing empowerment strategies and skills development is also available from Columbia University Press.

Here is history in the grand manner, a powerful narrative peopled with dozens of memorable portraits, telling this important story with skill and relish. Freehling highlights all the key moments on the road to war, including the violence in Bleeding Kansas, Preston Brooks's beating of Charles Sumner in the Senate chambers, the Dred Scott Decision, John Brown's raid on Harper's Ferry, and much more. As Freehling shows, the election of Abraham Lincoln sparked a political crisis, but at first most Southerners took a cautious approach, willing to wait and see what Lincoln would do--especially, whether he would take any antagonistic measures against the South. But at this moment, the extreme fringe in the South took charge, first in South Carolina and Mississippi, but then throughout the lower South, sounding the drum roll for secession. Indeed, The Road to Disunion is the first book to fully document how this decided minority of Southern hotspurs took hold of the secessionist issue and, aided by a series of fortuitous events, drove the South out of the Union. Freehling provides compelling profiles of the leaders of this movement--many of them members of the South Carolina elite. Throughout the narrative, he evokes a world of fascinating characters and places as he captures the drama of one of America's most important--and least understood--stories. The long-awaited sequel to the award-winning Secessionists at Bay, which was hailed as "the most important history of the Old South ever published," this volume concludes a major contribution to our understanding of the Civil War. A compelling, vivid portrait of the final years of the antebellum South, The Road to Disunion will stand as an important history of its subject. "This sure-to-be-lasting work--studded with pen portraits and consistently astute in its appraisal of the subtle cultural and geographic variations in the region--adds crucial layers to scholarship on the origins of America's bloodiest conflict." --The Atlantic Monthly "Splendid, painstaking account...and so a work of history reaches into the past to illuminate the present. It is light we need, and we owe Freehling a debt for shedding it." --Washington Post "A masterful, dramatic, breathtakingly detailed narrative." --The Baltimore Sun

Aesthetically seductive, yet socio politically charged; confrontational yet inviting, captivating and provocative are the artworks by Juan Logan. In a recent art journey, I came across his body of work at Logan Studios and became quickly intoxicated. Unlike encountering them in a museum space, an institution or a gallery; here I found myself entranced in a different type of aesthetic journey; one that would lead me to experience an understanding which I had not encountered before. Juan Logans body of work is fascinating; enchanting and challenging all at once, unapologetic and strong with hints of sarcasm and irony that serve to challenge the viewer into engaging with the heavy issues he addresses with every piece he produces.