Cartographies Of Diaspora

By addressing questions of culture, identity and politics, Cartographies of Diaspora throws new light on discussions about `difference' and `diversity', informed by feminism and post-structuralism. It examines these themes by exploring the intersections of `race', gender, class, sexuality, ethnicity, generation and nationalism in different discourses, practices and political contexts. The first three chapters map the emergence of `Asian' as a racialized category in post-war British popular and political discourse and state practices. It documents Asian cultural and political responses paying particular attention to the role of gender and generation. The remaining six chapters analyse the debate on `difference', `diversity' and `diaspora' across different sites, but mainly within feminism, anti-racism, and post-structuralism.

By addressing questions of culture, identity and politics, Cartographies of Diaspora throws new light on discussions about `difference' and `diversity', informed by feminism and post-structuralism. It examines these themes by exploring the intersections of `race', gender, class, sexuality, ethnicity, generation and nationalism in different discourses, practices and political contexts. The first three chapters map the emergence of `Asian' as a racialized category in post-war British popular and political discourse and state practices. It documents Asian cultural and political responses paying particular attention to the role of gender and generation. The remaining six chapters analyse the debate on `difference', `diversity' and `diaspora' across different sites, but mainly within feminism, anti-racism, and post-structuralism.

Cartographies of Diaspora provides an innovative theoretical framework for the study of 'difference', 'diversity' and 'commonality' which links them to the analyses of 'diaspora', 'border' and 'location'. In relating these questions to contemporary migrations of people, capital and cultures, it offers fresh insights into thinking about late twentieth-century social and cultural formations.

In Unruly Visions Gayatri Gopinath brings queer studies to bear on investigations of diaspora and visuality, tracing the interrelation of affect, archive, region, and aesthetics through an examination of a wide range of contemporary queer visual culture. Spanning film, fine art, poetry, and photography, these cultural forms—which Gopinath conceptualizes as aesthetic practices of queer diaspora—reveal the intimacies of seemingly disparate histories of (post)colonial dwelling and displacement and are a product of diasporic trajectories. Countering standard formulations of diaspora that inevitably foreground the nation-state, as well as familiar formulations of queerness that ignore regional gender and sexual formations, she stages unexpected encounters between works by South Asian, Middle Eastern, African, Australian, and Latinx artists such as Tracey Moffatt, Akram Zaatari, and Allan deSouza. Gopinath shows how their art functions as regional queer archives that express alternative understandings of time, space, and relationality. The queer optics produced by these visual practices creates South-to-South, region-to-region, and diaspora-to-region cartographies that profoundly challenge disciplinary and area studies rubrics. Gopinath thereby provides new critical perspectives on settler colonialism, empire, military occupation, racialization, and diasporic dislocation as they indelibly mark both bodies and landscapes.

Focusing on the return of the diasporic second generation to Greece, primarily in the first decade of the twenty-first century, Counter-Diaspora examines migration experiences of Greek-Americans and Greek-Germans growing up in the Greek diasporic setting, motivations for the counter-diasporic return, and evolving notions of the homeland.

A multidisciplinary, authoritative outline of the current intellectual landscape of the field. Over the past three decades, the term ‘diaspora’ has been featured in many research studies and in wider theoretical debates in areas such as communications, the humanities, social sciences, politics, and international relations. The Handbook of Diasporas, Media, and Culture explores new dimensions of human mobility and connectivity—presenting state-of-the-art research and key debates on the intersection of media, cultural, and diasporic studies This innovative and timely book helps readers to understand diasporic cultures and their impact on the globalized world. The Handbook presents contributions from internationally-recognized scholars and researchers to strengthen understanding of diasporas and diasporic cultures, diasporic media and cultural resources, and the various forms of diasporic organization, expression, production, distribution, and consumption. Divided into seven sections, this wide-ranging volume covers topics such as methodological challenges and innovations in diasporic research, the construction of diasporic identity, the politics of diasporic integration, the intersection of gender and generation with the diasporic condition, new technologies in media, and many others. A much-needed resource for anyone with interest diasporic studies, this book: Presents new and original theory, research, and essays Employs unique methodological and conceptual debates Offers contributions from a multidisciplinary team of scholars and researchers Explores new and emerging trends in the study of diasporas and media Applies a wide-ranging, international perspective to the subject Due to its international perspective, interdisciplinary approach, and wide range of authors from around the world, The Handbook of Diasporas, Media, and Culture is ideal for undergraduate and graduate students, teachers, lecturers, and researchers in areas that focus on the relationship of media and society, ethnic identity, race, class and gender, globalization and immigration, and other relevant fields.

On the impulse behind Cartographies, Marjorie Agosín writes, "I have always wanted to understand the meaning of displacement and the quest or longing for home." In these lyrical meditations in prose and poetry, Agosín evokes the many places on four continents she has visited or called home. Recording personal and spiritual voyages, the author opens herself to follow the ambiguous, secret map of her memory, which "does not betray." Agosín's journey begins in Chile, where she spent her childhood before her family left in the early days of the Pinochet dictatorship. Of Santiago Agosín writes, "Day and night I think about my city. I dream the dream of all exiles." Agosín also travels to Prague and Vienna, ancestral homes of her grandparents, and to Valparaíso in Chile, which received them as immigrants. Kneeling among the yellow mounds at the Terezin concentration camp, where twenty-two of her relatives died, Agosín places "small stones, shrubs, the stuff of life on graves I did not recognize." And then on through the Middle East, the Mediterranean, Europe, and the Americas . . . Everywhere, she is drawn to women in whose devotion and creativity she sees a deep vein of hope--from Julia, keeper of the synagogue at Rhodes, to the women potters in the Chilean town of Pomaire. Agosín writes of diaspora, exile, and oppression, yet only to highlight the dignity and valor of those who find refuge in their humanity and their art, in community and tradition. Cartographies shows us what can be found when we journey with openness, as approachable to strangers as we are to ourselves.

Diaspora & transnationalism are widely used concepts in academic & political discourses. Although originally referring to quite different phenomena, they increasingly overlap today. Such inflation of meanings goes hand in hand with a danger of essentialising collective identities. This book analyses this topic.