Casablanca S Conscience

A new look at a beloved classic film that explores the philosophical dynamics of Casablanca Celebrating its eightieth anniversary this year, Casablanca remains one of the world’s most enduringly favorite movies. It won three Academy Awards for Best Picture, Best Director, and Best Adapted Screenplay. It is still commonly quoted: “We’ll always have Paris” and “Here’s looking at you, kid” And who can forget, “You must remember this...a kiss is just a kiss.” Yet no one expected much to come of this little film, certainly not its blockbuster stars or even the studio producing it. So how did this hastily cranked-out 1940s film, despite its many limitations, become one of the greatest films ever made? How is it that year after year, decade after decade, it continues to appear in the lists of the greatest movies ever produced? And why do audiences still weep when Rick and Ilsa part? The answer, according to Casablanca’s Conscience, is to paraphrase Rick, “It’s true.” Much has already been written about the film and the career-defining performances of Bogart and Bergman. Casablanca is an epic tale of love, betrayal, and sacrifice set against the backdrop of World War II. Yet decades later, it continues to capture the imagination of filmgoers. In Casablanca’s Conscience, author Robert Weldon Whalen explains why it still resonates so deeply. Applying a new lens to an old classic, Whalen focuses on the film’s timeless themes—Exile, Purgatory, Irony, Love, Resistance, and Memory. He then engages the fictional characters—Rick, Ilsa, and the others—against the philosophical and theological discourse of their real contemporaries, Hannah Arendt, Dietrich Bonhoeffer, and Albert Camus. The relationships between fictional and historical persons illuminate both the film’s era as well as perennial human concerns. Both the film and the work of the philosophers explore dimensions of the human experience, which, while extreme, are familiar to everyone. It’s the themes that resonate with the viewer, that have sustained it as an evergreen classic all these years.

In the classic film, "Casablanca", everyone fades into the fog and that is the end of the story. But actions have consequences, and in this sequel to "Return From Casablanca", an updated version of the film's story, the reader learns what happens to the main characters, Rick Grey, Ari Levy and Anya (Sharansky) Levy after they all "fade to black" and the credits roll. Ari Levy returns to the field and travels to the United States to track down and assassinate a terrorist, but is he ready for the mission? Ghosts of people he has killed haunt his conscience and his dreams, destroying his confidence. Reacting to the threat, Ari pushes hard against everything, and everyone, that he loves, including his wife Anya, who risked much to save him in Casablanca. Anya turns to the only person she trusts, former CIA operative Rick Grey, now retired. Rick has settled down in the mountains of Western Virginia. but now, he has to wrestle with his own feelings for Anya. He has sacrificed much in service to his country, and wants what he missed, what Anya may be offering.

In a searing takedown of the populist authoritarian vision of America, The Terror of the Unforeseen tackles the resurgence of fascism in the age of Donald Trump's presidency. Through the mendacious exchange of facts for "fake news," Henry A. Giroux examines the language of hatred that activates neoliberal fascism, complete with state-sanctioned racism, casino capitalism, and fear-mongering at federal and local levels. In this "age of disposability," Trump's rhetoric eschews reason and democratic principles in favor of impetuous politics rooted in bigotry, all to injuriously catastrophic effect. Through protests, strikes, and education, Giroux proposes an international social movement that joins together various modes of resistance to illuminate a democratic renewal, and proves himself once again as one of the great public intellectuals of our time.

Few American military figures are more revered than General John J. "Black Jack" Pershing (1860--1948), who is most famous for leading the American Expeditionary Forces in World War I. The only soldier besides George Washington to be promoted to the highest rank in the U.S. Army (General of the Armies), Pershing was a mentor to the generation of generals who led America's forces during the Second World War. Though Pershing published a two-volume memoir, My Experiences in the World War, and has been the subject of numerous biographies, few know that he spent many years drafting a memoir of his experiences prior to the First World War. In My Life Before the World War, 1860--1917, John T. Greenwood rescues this vital resource from obscurity, making Pershing's valuable insights into key events in history widely available for the first time. Pershing performed frontier duty against the Apaches and Sioux from 1886--1891, fought in Cuba in 1898, served three tours of duty in the Philippines, and was an observer with the Japanese Army in 1905 during the Russo-Japanese War. He also commanded the Mexican Punitive Expedition to capture Pancho Villa in 1916--1917. My Life Before the World War provides a rich personal account of events, people, and places as told by an observer at the center of the action. Carefully edited and annotated, this memoir is a significant contribution to our understanding of a legendary American soldier and the historic events in which he participated.

The essays in Explorations of Value are drawn from work first presented at the 20th Conference of Value Inquiry. They are not mere records of conference presentations. The authors have reflected on their initial presentations. They have re-thought arguments in light of discussions at the conference. They have revised their work. All of this has combined to bring fresh ideas on important issues into carefully considered discussions. The nineteen authors of the essays do not share a common viewpoint on all problems of value inquiry. They are certainly not in agreement in their conclusions. Their concerns, however, cluster around a recognizable body of questions. Several of the authors raise fundamental questions on the nature of values and the possibility of giving them an objective status. Some of the authors raise questions about where value inquiry becomes value advocacy. They are also ready to ask whether or not advocacy is in the legitimate purview of philosophers. A number of authors set out to examine conditions of moral practice and of harming or benefiting people in general. Other authors show a concern for juxtaposing moral values and aesthetic values, in some cases to observe similarities, in some, differences. Finally, a few authors focus on particular notions such as forgiveness, intimacy, and love that are central to our lives.

A Los Angeles Times bestseller A New York Times Book Review “Editor’s Choice” Selection “Even the die-hardest Casablanca fan will find in this delightful book new ways to love the movie they were certain they could never love more.” —Sam Wasson, best-selling author of Fifth Avenue, 5 A.M. Casablanca is “not one movie,” Umberto Eco once quipped; “it is ‘movies.’” Film historian Noah Isenberg’s We’ll Always Have Casablanca offers a rich account of the film’s origins, the myths and realities behind its production, and the reasons it remains so revered today, over seventy-five years after its premiere.

Hal Wallis might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced -- Casablanca, Jezebel, Now Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies) -- have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked and no full-length study has yet assessed his incredible career. A former office boy and salesman, Wallis first engaged with the business of film as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944. Bernard F. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.

The crisis of meaning is the issue of our time. The old beliefs that guided the West have faded, without credible replacement. Who lives well? What characterizes the good life? More particularly, what may we in the modern West claim about ourselves? And, ultimately, does how we live and what we do make any sense? Concerned for today's society and its problems as they relate to meaning, faith, belief, morale, moral attachment, and social direction, John Carroll surveys these questions in Ego and Soul. He examines how people in their ordinary and everyday lives grope unconsciously for direction, casting lines into the transcendent in the hope of a catch. He focuses on the main areas of modern life—work, sport, popular culture, family, friendship, intimacy, shopping, tourism, computers, cars, do–it–yourself renovation, our democratic temper, and the retreat into nature. He also examines high culture, the upper–middle–class elites, and the universities, tracing why they have lost their way and failed to provide a language that might help modern people understand their condition. Ego and Soul offers a surprising and compelling new look at the way we live today, and the way we try to make sense of our lives.