Caspar David Friedrich To Ferdinand Hodler A Romantic Tradition

"This book accompanies an international exhibition of paintings and drawings from the Oskar Reinhart Foundation in Winterthur, one of the finest collections of German, Austrian and Swiss art in Europe." "Oskar Reinhart (1885 - 1965) presented his extraordinary collection of Northern Romantic and Realist art to the town of Winterthur, establishing a museum with over five hundred paintings and several thousand drawings. The collection opened to the public in 1951 but still remains little known outside Switzerland - paintings from the Foundation are lent only on rare occasions and the Reinhart collection has never been shown abroad." "With introductory essays and detailed texts on each artist, this book surveys a rich pictorial tradition, ranging from the quiet introspection of the Romantic era and the gentle charm of Biedermeier to the robust art of Realist and Symbolist painters at the end of the century. Paintings by major artists (including Friedrich, Runge, Menzel, Bocklin, Liebermann and Hodler) are discussed alongside works by less familiar figures whose work deserves greater recognition."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Sees a counter-French tradition in modern art arising from cultural and religious developments in Northern Europe and the United States.

During the first half of the nineteenth century, Danish and German artists studying in Paris and Rome brought back the concept of "plein air" painting and began to paint out-of-doors on their native soil. They introduced a whole new aesthetic that was sensitive to the light and atmospheric conditions peculiar to the north, especially during the long summer days. This beautiful book focuses on the painters and paintings of this period, particularly Caspar David Friedrich, who produced many fine works before he developed the romantic style for which he is better known. The book presents topographical landscapes, panoramas, and some group and individual portraits that often include a window from which light emanates. Essays by eminent authorities discuss various aspects of the Danish and North German open air movement. They note, for example, that the paintings reflect a direct view of nature devoid of the intellectual and moral overtones of the neoclassical paintings that preceded them. They also discuss the fact that Schleswig Holstein was closely allied with Denmark until 1848, and this favored many Hamburg and north German artists studying at the Academy in Copenhagen where painting out of doors was encouraged. In addition to the essays, the book presents 108 works by twenty-three artists, catalogue entries for each work, and a biography of each artist.

No century in modern European history has built monuments with more enthusiasm than the 19th. Of the hundreds of monuments erected, those which sprang from a nation-wide initiative and addressed themselves to a nation, rather than part of a nation, we may call national monuments. Nelson's Column in London or the Arc de Triomphe in Paris are obvious examples. In Germany the 19th century witnessed a veritable flood of monuments, many of which rank as national monuments. These reflected and contributed to a developing sense of national identity and the search for national unity; they also document an unsuccessful effort to create a «genuinely German» style. They constitute a historical record, quite apart from aesthetic appeal or ideological message. As this historical record is examined, German national monuments of the 19th century are described and interpreted against the background of the nationalism which gave birth to them.

Art and Mourning explores the relationship between creativity and the work of self-mourning in the lives of 20th century artists and thinkers. The role of artistic and creative endeavours is well-known within psychoanalytic circles in helping to heal in the face of personal loss, trauma, and mourning. In this book, Esther Dreifuss-Kattan, a psychoanalyst, art therapist and artist - analyses the work of major modernist and contemporary artists and thinkers through a psychoanalytic lens. In coming to terms with their own mortality, figures like Albert Einstein, Louise Bourgeois, Paul Klee, Eva Hesse and others were able to access previously unknown reserves of creative energy in their late works, as well as a new healing experience of time outside of the continuous temporality of everyday life. Dreifuss-Kattan explores what we can learn about using the creative process to face and work through traumatic and painful experiences of loss. Art and Mourning will inspire psychoanalysts and psychotherapists to understand the power of artistic expression in transforming loss and traumas into perseverance, survival and gain. Art and Mourning offers a new perspective on trauma and will appeal to psychoanalysts and psychotherapists, psychologists, clinical social workers and mental health workers, as well as artists and art historians.

Paul Gauguin (1848-1903) played a seminal role in Post-Impressionist France. In his writings and work, he favored emotional responses to nature over intellectual uses of lines, color, and composition. In 1888 he and Emile Bernard developed a new style called Synthetism. Three groups of Gauguin's symbolist followers—Pont Aven, Les Nabis, and Rose + Croix pursued and extended the Synthetist vision. This sourcebook focuses on the most prominent adherents of the three schools directly affected by Gauguin's symbolism. This is the first comprehensive, single-volume guide and bibliography of artists in these three important French avant-garde movements. This work covers the entire careers of 16 artists by providing biographical sketches, chronologies, citations to primary and secondary literature and exhibitions.