Castration

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Racial Castration, the first book to bring together the fields of Asian American studies and psychoanalytic theory, explores the role of sexuality in racial formation and the place of race in sexual identity. David L. Eng examines images—literary, visual, and filmic—that configure past as well as contemporary perceptions of Asian American men as emasculated, homosexualized, or queer. Eng juxtaposes theortical discussions of Freud, Lacan, and Fanon with critical readings of works by Frank Chin, Maxine Hong Kingston, Lonny Kaneko, David Henry Hwang, Louie Chu, David Wong Louie, Ang Lee, and R. Zamora Linmark. While situating these literary and cultural productions in relation to both psychoanalytic theory and historical events of particular significance for Asian Americans, Eng presents a sustained analysis of dreamwork and photography, the mirror stage and the primal scene, and fetishism and hysteria. In the process, he offers startlingly new interpretations of Asian American masculinity in its connections to immigration exclusion, the building of the transcontinental railroad, the wartime internment of Japanese Americans, multiculturalism, and the model minority myth. After demonstrating the many ways in which Asian American males are haunted and constrained by enduring domestic norms of sexuality and race, Eng analyzes the relationship between Asian American male subjectivity and the larger transnational Asian diaspora. Challenging more conventional understandings of diaspora as organized by race, he instead reconceptualizes it in terms of sexuality and queerness.

Essays exploring medieval castration, as reflected in archaeology, law, historical record, and literary motifs. Castration and castrati have always been facets of western culture, from myth and legend to law and theology, from eunuchs guarding harems to the seventeenth- and eighteenth-century castrati singers. Metaphoric castration pervadesa number of medieval literary genres, particularly the Old French fabliaux - exchanges of power predicated upon the exchange or absence of sexual desire signified by genitalia - but the plain, literal act of castration and its implications are often overlooked. This collection explores this often taboo subject and its implications for cultural mores and custom in Western Europe, seeking to demystify and demythologize castration. Its subjects includearchaeological studies of eunuchs; historical accounts of castration in trials of combat; the mutilation of political rivals in medieval Wales; Anglo-Saxon and Frisian legal and literary examples of castration as punishment; castration as comedy in the Old French fabliaux; the prohibition against genital mutilation in hagiography; and early-modern anxieties about punitive castration enacted on the Elizabethan stage. The introduction reflects on these topics in the context of arguably the most well-known victim of castration in the middle ages, Abelard. LARISSA TRACY is Associate Professor of Medieval Literature at Longwood University. Contributors: Larissa Tracy, Kathryn Reusch, Shaun Tougher, Jack Collins, Rolf H. Bremmer Jr, Jay Paul Gates, Charlene M. Eska, Mary A. Valante, Anthony Adams, Mary E. Leech, Jed Chandler, Ellen Lorraine Friedrich, Robert L.A. Clark, Karin Sellberg, LenaWånggren

Of the many sects that broke from the official Russian Orthodox church in the eighteenth century, one was universally despised. Its members were peasants from the Russian heartland skilled in the arts of animal husbandry who turned their knives on themselves to become "eunuchs for the kingdom of heaven's sake." Convinced that salvation came only with the literal excision of the instruments of sin, they were known as Skoptsy (the self-castrated). Their community thrived well into the twentieth century, when it was destroyed in the Stalinist Terror.In a major feat of historical reconstruction, Laura Engelstein tells the sect's astonishing tale. She describes the horrified reactions to the sect by outsiders, including outraged bureaucrats, physicians, and theologians. More important, she allows the Skoptsy a say in defining the contours of their history and the meaning behind their sacrifice. Her deft handling of their letters and notebooks lends her book unusual depth and pathos, and she provides a heartbreaking account of willing exile and of religious belief so strong that its adherents accepted terrible pain and the denial of a basic human experience. Although the Skoptsy express joy at their salvation, the words of even the most fervent believers reveal the psychological suffering of life on society's margins.No foreign tribe or exotic import, the sect drew its members from the larger peasant society where marriage was expected and adulthood began with the wedding night. Set apart by the very act that guaranteed their redemption, these "lambs of God" became adept at concealing their sectarian identity as they interacted with their Orthodox neighbors. Interaction was necessary, Engelstein explains, since the survival of the Skoptsy depended upon recruitment of new members and on success in agriculture and trade.Realizing that some prejudices have changed little over the centuries, Engelstein cautions that "we must not cast the shadow of our own distress on the story of the Skoptsy. Their physical suffering was something they willingly embraced." In Castration and the Heavenly Kingdom, she has produced a remarkable history that also illuminates the mysteries of the human heart.

Of the many sects that broke from the official Russian Orthodox church in the eighteenth century, one was universally despised. Its members were peasants from the Russian heartland skilled in the arts of animal husbandry who turned their knives on themselves to become "eunuchs for the kingdom of heaven's sake." Convinced that salvation came only with the literal excision of the instruments of sin, they were known as Skoptsy (the self-castrated). Their community thrived well into the twentieth century, when it was destroyed in the Stalinist Terror.In a major feat of historical reconstruction, Laura Engelstein tells the sect's astonishing tale. She describes the horrified reactions to the sect by outsiders, including outraged bureaucrats, physicians, and theologians. More important, she allows the Skoptsy a say in defining the contours of their history and the meaning behind their sacrifice. Her deft handling of their letters and notebooks lends her book unusual depth and pathos, and she provides a heartbreaking account of willing exile and of religious belief so strong that its adherents accepted terrible pain and the denial of a basic human experience. Although the Skoptsy express joy at their salvation, the words of even the most fervent believers reveal the psychological suffering of life on society's margins.No foreign tribe or exotic import, the sect drew its members from the larger peasant society where marriage was expected and adulthood began with the wedding night. Set apart by the very act that guaranteed their redemption, these "lambs of God" became adept at concealing their sectarian identity as they interacted with their Orthodox neighbors. Interaction was necessary, Engelstein explains, since the survival of the Skoptsy depended upon recruitment of new members and on success in agriculture and trade.Realizing that some prejudices have changed little over the centuries, Engelstein cautions that "we must not cast the shadow of our own distress on the story of the Skoptsy. Their physical suffering was something they willingly embraced." In Castration and the Heavenly Kingdom, she has produced a remarkable history that also illuminates the mysteries of the human heart.

Theorizes an alternative form of masculinity in global literature that is less egocentric and more sustainable, both in terms of gendered and environmental power dynamics. Contemporary novelists and filmmakers like Kazuo Ishiguro (Japanese-British), Emma Donoghue (Irish-Canadian), Michael Ondaatje (Sri Lankan-Canadian), Bong Joon-ho (South Korean) and J.M. Coetzee (South African-Australian) are emblematic of a transnational phenomenon that Robinson Murphy calls “castration desire.” That is, these artists present privileged characters who nonetheless pursue their own diminishment. In promulgating through their characters a less egocentric mode of thinking and acting, these artists offer a blueprint for engendering a more other-oriented global relationality. Murphy proposes that, in addition to being an ethical prerogative, castration desire's “less is more” model of relationality would make life livable where veritable suicide is our species' otherwise potential fate. “Castration desire” thus offers an antidote to rapacious extractivism, with the ambition of instilling a sustainable model for thinking and acting on an imminently eco-apocalyptic earth. In providing a fresh optic through which to read a diversity of text-types, Castration Desire helps define where literary criticism is now and where it is headed. Castration Desire additionally extends and develops a zeitgeist currently unfolding in critical theory. It brings Leo Bersani's concept “psychic utopia” together with Judith Butler's “radical egalitarianism,” but transports their shared critique of phallic individualization into the environmental humanities. In doing so, this book builds a new framework for how gender studies intersects with environmental studies.

This book illustrates that the Castration Complex and the question of the distinction between the sexes are enmeshed in psychoanalytic theories. The subjective negotiation of this distinction impacts the future sexual positions taken up (or not) by the subject, indicating that human sexuality is by no means a given or a natural occurrence in psychoanalysis. Engagement with the psychoanalytic theory of castration provides the reader with a different perspective on the current society’s insistence on gradually dissolving the differences between the sexes. For Freud, castration complex is the key to understanding the psychical consequences of the anatomical distinction between the sexes. For Lacan, castration introduces the subject to his/her very existence as a sexed being. Mou Sultana illustrates how these two revolutionary theorists came to such conclusions by close reading of the core texts, interpreting them and highlighting their relevance both within and outside the clinic of modern times.