Death Is But A Dream

The first book to validate the meaningful dreams and visions that bring comfort as death nears. Christopher Kerr is a hospice doctor. All of his patients die. Yet he has cared for thousands of patients who, in the face of death, speak of love and grace. Beyond the physical realities of dying are unseen processes that are remarkably life-affirming. These include dreams that are unlike any regular dream. Described as "more real than real," these end-of-life experiences resurrect past relationships, meaningful events and themes of love and forgiveness; they restore life's meaning and mark the transition from distress to comfort and acceptance. Drawing on interviews with over 1,400 patients and more than a decade of quantified data, Dr. Kerr reveals that pre-death dreams and visions are extraordinary occurrences that humanize the dying process. He shares how his patients' stories point to death as not solely about the end of life, but as the final chapter of humanity's transcendence. Kerr's book also illuminates the benefits of these phenomena for the bereaved, who find solace in seeing their loved ones pass with a sense of calm closure. Beautifully written, with astonishing real-life characters and stories, this book is at its heart a celebration of our power to reclaim the dying process as a deeply meaningful one. Death Is But a Dream is an important contribution to our understanding of medicine's and humanity's greatest mystery.

Say Yes gives you the mental and spiritual practices you need to enjoy your life again--and bring greater fullness than you could imagine before. "My life doesn't look anything like I wanted it to. How do I even keep going?" When the dreams for our life die, our vision of who we hoped to become often dies too. That's when The Voice of Giving Up appears. Visual artist and spiritual director Scott Erickson has had long midnight conversations with The Voice of Giving Up, and he knows how anxiety and depression make The Voice especially loud. But he's discovered that our darkest moments are sometimes doorways to a deeper, more joy-filled journey of recovering who we are, why we're here, and why the future bursts with possibilities if we are willing to say yes to life's brightest gifts. In Say Yes, Scott helps you learn how to reawaken your deepest desires, disempower your greatest fears, and identify the destructive narratives holding you back. Combined with Scott's beautiful, thought-provoking illustrations, this is a profound exploration of beginning again after: Disappointment at how life is turning out Suspecting we are not prepared or smart enough Losing hope that change is possible and that pain can have a purpose Take the first step to gain the gentle yet powerful tools you need, and say yes to what lies ahead today.

A BEAUTIFUL GIRL WITH AMBITIOUS DREAMS -- DID FOLLOWING HER HEART COST HER LIFE? Award-winning journalists from TV's 48 Hours Mystery go inside the case that shocked even jaded New Yorkers: the murder of aspiring dancer Catherine Woods. She was a gifted midwestern beauty, the daughter of Ohio State University's marching band director: to dance on Broadway. Soon after high school graduation, Catherine left Columbus for New York City, determined to be a star. Three years later, she was dead -- murdered in cold blood in her East Side apartment. The shocking revelations that emerged from the police investigation made tabloid headlines: few knew that the struggling artist paid her bills by dancing in a topless club. But there was another hidden facet to Catherine's life -- a shattering love triangle with two men, one of whom would ultimately be convicted of her brutal stabbing death. It's a chilling account of obsession, violence, and the surprising, minute evidence on which the entire case hinged. For a talented young woman reaching for the top, and the heartbroken family she left behind, it is truly the death of a dream.

"Might this be a dream?" In this book, distinguished philosopher J. J. Valberg approaches the familiar question about dream and reality by seeking to identify its subject matter: what is it that would be the dream if "this" were a dream? It turns out to be a subject matter that contains the whole of the world, space, and time but which, like consciousness for Sartre, is nothing "in itself." This subject matter, the "personal horizon," lies at the heart of the main topics--the first person, the self, and the self in time--explored at length in the book. The personal horizon is, Valberg contends, the subject matter whose center each of us occupies, and which for each of us ceases with death. This ceasing to be presents itself solipsistically not just as the end of everything "for me" but as the end of everything absolutely. Yet since it is the same for everyone, this cannot be. Death thus confronts us with an impossible fact: something that cannot be but will be. The puzzle about death is one of several extraphilosophical puzzles about the self that Valberg discusses, puzzles that can trouble everyday consciousness without any contribution from philosophy. Nor can philosophy resolve the puzzles. Its task is to get to the bottom of them, and in this respect to understand ourselves--a task philosophy has always set itself.

Paranormal warrior Jessica Walsh enlists the help of her psychic neighbor, Daisy Giordano, to help discover who or what is causing Nightshade, California, residents to die in their sleep with horrified looks on their faces.

Britain, years after the Debacle, and a new London has risen phoenix-like from near the ashes. Though Londoners have retained their physical purity through the ruthless destruction of generations of mutants, man is no longer the same, and society crueller. Cynicism and a whole-hearted recognition of the absolute power of money has replaced humanism, and a belief in reincarnation has replaced religion and the old moral code of 'doing unto others . . .' The individual can exist, has a right to exist, only if he is selfish. Death is a Dream is the story of three survivors from the twentieth century who awake from suspended animation in The Cradle to find themselves unemployable, and unfit to live by virtue of their commitments to out-dated ideals. As well as being an investigation of the form society may take after an atomic war, it is, by association, an indictment of society as it is now.

The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room. "By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times "So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time

On a remote Scottish island, American antiques dealer Kate Hamilton investigates a brutal killing, staged to recreate a centuries-old unsolved murder Autumn has come and gone on Scotland’s Isle of Glenroth, and the islanders gather for the Tartan Ball, the annual end-of-tourist-season gala. Spirits are high until an unexpected turn of events takes the floor. A recently published novel about island history has brought hordes of tourists to the small Hebridean resort community. On the guest list is American antiques dealer Kate Hamilton. Kate returns reluctantly to the island where her husband died, determined to repair her relationship with his sister, proprietor of the island’s luxe country house hotel, famous for its connection with Bonnie Prince Charlie. Kate has hardly unpacked when the next morning a body is found, murdered in a reenactment of an infamous unsolved murder described in the novel—and the only clue to the killer’s identity lies in a curiously embellished antique casket. The Scottish police discount the historical connection, but when a much-loved local handyman is arrested, Kate teams up with a vacationing detective inspector from Suffolk, England, to unmask a killer determined to rewrite island history—and Kate’s future.