Catfish And Mandala

Winner of the Kiriyama Pacific Rim Book Prize A New York Times Notable Book of the Year Winner of the Whiting Writers' Award A Seattle Post-Intelligencer Best Book of the Year Catfish and Mandala is the story of an American odyssey—a solo bicycle voyage around the Pacific Rim to Vietnam—made by a young Vietnamese-American man in pursuit of both his adopted homeland and his forsaken fatherland. Intertwined with an often humorous travelogue spanning a year of discovery is a memoir of war, escape, and ultimately, family secrets. Andrew X. Pham was born in Vietnam and raised in California. His father had been a POW of the Vietcong; his family came to America as "boat people." Following the suicide of his sister, Pham quit his job, sold all of his possessions, and embarked on a year-long bicycle journey that took him through the Mexican desert; on a thousand-mile loop from Narita in South Korea to Kyoto in Japan; and, after five months and 2,357 miles, to Saigon, where he finds "nothing familiar in the bombed-out darkness." In Vietnam, he's taken for Japanese or Korean by his countrymen, except, of course, by his relatives, who doubt that as a Vietnamese he has the stamina to complete his journey ("Only Westerners can do it"); and in the United States he's considered anything but American. A vibrant, picaresque memoir written with narrative flair and an eye-opening sense of adventure, Catfish and Mandala is an unforgettable search for cultural identity.

Vietnamese-born Andrew Pham finally returns to Saigon, not as a success showering money and gifts onto his family, but as an emotional shipwreck, desperate to find out who he really is. When his sister, a post-operative transsexual, committed suicide, Pham sold all his possessions and embarked on a year-long bicycle journey that took him through the Mexican desert; around a thousand-mile loop from Narita to Kyoto in Japan; and, after five months and 2,357 miles, to Saigon, where he finds nothing familiar in the bombed-out darkness. At first meant to facilitate forgetfulness, Pham's travels turn into an unforgettable, eye-opening search for cultural identity which flashes back to his parent's courtship in Vietnam, his father's imprisonment by the Vietcong, and his family's nail-bitingly narrow escape as boat people. Lucid, witty and beautifully written,

A Vietnamese American returns to the land of his birth in a memoir of the consequences of war and the divide that still separates Asian Americans from the dominant culture

Teachers Rick Ayers and Amy Crawford always wanted to find a guide to the vast world of great books for teenagers-one that didn't talk down or moralize. When they couldn't find one, they set out to create it. An early prototype offered at Cody's Bookstore in Berkeley, California, was an instant success. Great Books for High School Kids is the culmination of their efforts. Collecting recommendations and essays from colleagues and advisers around the country, this is a rollicking, thoughtful, against-the-grain guide that challenges stodgy notions of what great books are and what kids are ready for. The book starts with seven essays by high school teachers about exciting, exemplary experiences they have had reading books with students in the classroom-from Dorothy Allison's Bastard Out of Carolina to Toni Morrison's Song of Solomon to Aeschylus's Oresteia trilogy. Augmented by an index of more than seventy subjects, the book also has an annotated list of hundreds of Recommended Great Books. The recommendations are playful and irreverent, ambitious and entertaining, and they go way beyond traditional reading lists. From classics to the unexpected, from literary novels to nonfiction, some drama, and even a little poetry, these are all books that teenagers have read with pleasure and can read on their own. Great Books for High School Kids is an invitation and a sourcebook for inspiring passionate, lifelong readers-a book that could seriously change the lives of teachers, of families, and of kids.

The contributors to Methods for Teaching Travel Literature and Writing: Exploring the World and Self discuss how and why they have integrated travel literature and writing into their courses. Subjects range from the study of travel literature granting insight into how travel authors, such as Bill Bryson and Paul Theroux, convince readers to "buy into" their worlds and reflect the readers' positions in society, to contemplating the meanings of the words "traveler" and "tourist." Other chapters examine how actual traveling can shape students' writing and vice versa, whereas still others address how the study of the genre and actually writing it promotes interdisciplinarity.

Cold War Friendships explores the plight of the Asian ally of the American wars in Korea and Vietnam. Enlisted into proxy warfare, this figure is not a friend but a "friendly," a wartime convenience enlisted to serve a superpower. It is through this deeply unequal relation, however, that the Cold War friendly secures her own integrity and insists upon her place in the neocolonial imperium. This study reads a set of highly enterprising wartime subjects who make their way to the US via difficult attachments. American forces ventured into newly postcolonial Korea and Vietnam, both plunged into civil wars, to draw the dividing line of the Cold War. The strange success of containment and militarization in Korea unraveled in Vietnam, but the friendly marks the significant continuity between these hot wars. In both cases, the friendly justified the fight: she was also a political necessity who redeployed cold war alliances, and, remarkably, made her way to America. As subjects in process--and indeed, proto-Americans--these figures are prime literary subjects, whose processes of becoming are on full display in Asian American novels and testimonies of these wars. Literary writings on both of these conflicts are presently burgeoning, and Cold War Friendships performs close analyses of key texts whose stylistic constraints and contradictions--shot through with political and historical nuance--present complex gestures of alliance.

Twentieth-century America reduced Vietnam to “’Nam”: the surreal site of a military nightmare. The early twenty-first century has seen the revision of this image to recognize the people and culture of Vietnam itself. Vietnamese Americans, both immigrants and the American children of immigrants, have participated in changing this perception, consistently presenting their side of the story in memoirs published since the 1960s. My Viet is the first anthology to provide a comprehensive overview of these memoirs and the historical picture they offer and to include Vietnamese writing that goes beyond memoir, revealing a new generation of Vietnamese American poetry, fiction, and drama. The narratives in Part 1, Tales of Witness, treat the major events of the Vietnamese diasapora: Vietnam’s resistance to French colonization, the “Vietnam War,” post-war Vietnamese life, immigration to and life in America, and reconnections with contemporary Vietnam. Part 2, Tales of Imagination, moves beyond the master narratives of war and immigration to survey exciting innovations in the work of Vietnamese American writers. The texts demonstrate the full flowering of Vietnamese American literature in English and are among the best contemporary writings of any category. My Viet presents a rich, varied, and provocative collection of literary work that explores Vietnam from many Vietnamese points of view, sees America through a specifically Vietnamese American lens, and broadens the scope of Vietnamese American literature to its fullest extent.