Catholics And American Culture

While in the early years of the century Catholics in America were for the most part distrusted outsiders with respect to the dominant culture, by the 1960s the mainstream of American Catholicism was in many ways "the culture's loudest and most uncritical cheerleader." Mark Massa explores the rich irony in this postwar transition, by examining key figures in American culture in the last century.

A fascinating portrayal of a crucial turning point for the Catholic Church in America--when it was finally accepted into the U.S. cultural mainstream.

A sweeping history of American Catholicism from the arrival of the first Spanish missionaries to the present This comprehensive survey of Catholic history in what became the United States spans nearly five hundred years, from the arrival of the first Spanish missionaries to the present. Distinguished historian Leslie Tentler explores lay religious practice and the impact of clergy on Catholic life and culture as she seeks to answer the question, What did it mean to be a “good Catholic” at particular times and in particular places? In its focus on Catholics' participation in American politics and Catholic intellectual life, this book includes in-depth discussions of Catholics, race, and the Civil War; Catholics and public life in the twentieth century; and Catholic education and intellectual life. Shedding light on topics of recent interest such as the role of Catholic women in parish and community life, Catholic reproductive ethics regarding birth control, and the Catholic church sex abuse crisis, this engaging history provides an up-to-date account of the history of American Catholicism.

With its historical consciousness, emphasis on institutionalized structures and combination of scepticism and assurance of grace, Catholicism seems to embody the opposite of the American cultural principle. This text re-examines notions of how Catholicism integrated with populist American culture.

Essays by scholars, journalists, lawyers, business and labor leaders, church administrators and lobbyists, novelists, activists, policymakers and politicians address the most critical issues facing the Catholic Church in the United States.

Who are American Catholics and what do they believe and practice? How has American Catholicism influenced and been influenced by American culture and society? This book examines the history of American Catholics from the colonial era to the present, with an emphasis on changes and challenges in the contemporary church. Chester Gillis chronicles America Catholics: where they have come from, how they have integrated into American society, and how the church has influenced their lives. He highlights key events and people, examines data on Catholics and their relationship to the church, and considers the church’s positions and actions on politics, education, and gender and sexuality in the context of its history and doctrines. This second edition of Roman Catholicism in America pays particular attention to the tumultuous past twenty years and points toward the future of the religion in the United States. It examines the unprecedented crisis of sexual abuse by priests—the legal, moral, financial, and institutional repercussions of which continue to this day—and the bishops’ role in it. Gillis also discusses the election of Pope Francis and the controversial role Catholic leadership has played in American politics.

Until the close of the Second Vatican Council in 1965, the stance of the Roman Catholic Church toward the social, cultural, economic, and political developments of the twentieth century was largely antagonistic. Naturally opposed to secularization, skeptical of capitalist markets indifferent to questions of justice, confused and appalled by new forms of high and low culture, and resistant to the social and economic freedom of women—in all of these ways the Catholic Church set itself up as a thoroughly anti-modern institution. Yet, in and through the period from World War I to Vatican II, the Church did engage with, react to, and even accommodate various aspects of modernity. In All Good Books Are Catholic Books, Una M. Cadegan shows how the Church’s official position on literary culture developed over this crucial period.The Catholic Church in the United States maintained an Index of Prohibited Books and the National Legion of Decency (founded in 1933) lobbied Hollywood to edit or ban movies, pulp magazines, and comic books that were morally suspect. These regulations posed an obstacle for the self-understanding of Catholic American readers, writers, and scholars. But as Cadegan finds, Catholics developed a rationale by which they could both respect the laws of the Church as it sought to protect the integrity of doctrine and also engage the culture of artistic and commercial freedom in which they operated as Americans. Catholic literary figures including Flannery O’Connor and Thomas Merton are important to Cadegan’s argument, particularly as their careers and the reception of their work demonstrate shifts in the relationship between Catholicism and literary culture. Cadegan trains her attention on American critics, editors, and university professors and administrators who mediated the relationship among the Church, parishioners, and the culture at large.

Sheed & Ward, in partnership with Commonweal magazine, presents the second of two volumes in the groundbreaking series, American Catholics in the Public Square, a project funded by The Pew Charitable Trusts. Essays by scholars, journalists, lawyers, business and labor leaders, church administrators and lobbyists, novelists, activists, policy makers and politicians address the most critical issues facing the Catholic Church in the United States. Volume 2, American Catholics, American Culture: Tradition and Resistance, is introduced by Peter Steinfels and Robert Royal. Part One, "Against the Grain," explores the philosophical and practical differences between Catholicism and American culture on issues in sexuality, marriage, abortion, stem cell research, women's rights, and physician-assisted suicide. The essays attempt to mediate the divide between Catholicism's communal and personalist view of the human person and the American preference for autonomy and pluralism. Part Two, "Popular Culture & Literature," confronts the role and interaction of the Church in popular culture and explores the identity of the "Catholic" writer on the literary page and in the media. Part Three, "Anti-Catholicism: The Last Acceptable Prejudice?" endeavors to define what anti-Catholicism is, where it is found in North American culture, what it means for maintaining group identity, and how it can be interpreted as an American or religious phenomenon.