Celestial Matters

A thousand years after Alexander the Great, the Greek Empire has expanded over the world with the help of advanced technology. Its plans for Total Domination of the entire planet will be complete once the war with the empire of the middle kingdom has been won. The scientist Aias, commander of the celestial ship Chandra's Tear, prepares to embark on a secret mission to the sun, to steal a piece of the purest elemental fire. This ultimate piece of celestial matter will form the basis for a weapon capable of decisively ending the war with the Taoists of the Far East.

A unique look at how classical notions of ascent and flight preoccupied early modern British writers and artists Between the late sixteenth century and early nineteenth century, the British imagination—poetic, political, intellectual, spiritual and religious—displayed a pronounced fascination with images of ascent and flight to the heavens. Celestial Aspirations explores how British literature and art during that period exploited classical representations of these soaring themes—through philosophical, scientific and poetic flights of the mind; the ascension of the disembodied soul; and the celestial glorification of the ruler. From textual reachings for the heavens in Spenser, Marlowe, Shakespeare, Donne and Cowley, to the ceiling paintings of Rubens, Verrio and Thornhill, Philip Hardie focuses on the ways that the history, ideologies and aesthetics of the postclassical world received and transformed the ideas of antiquity. In England, narratives of ascent appear on the grandest scale in Milton’s Paradise Lost, an epic built around a Christian plot of falling and rising, and one of the most intensely classicizing works of English poetry. Examining the reception of flight up to the Romanticism of Wordsworth and Tennyson, Hardie considers the Whig sublime, as well as the works of Alexander Pope and Edward Young. Throughout, he looks at motivations both public and private for aspiring to the heavens—as a reward for political and military achievement on the one hand, and as a goal of individual intellectual and spiritual exertion on the other. Celestial Aspirations offers an intriguing look at how creative minds reworked ancient visions of time and space in the early modern era.

Celestial phenomena were often harnessed for use by clerics in early modern Germany. Kurihara examines how and why interest in these events grew in this period, how the clergy exploited these beliefs and the role of sectarianism in Germany at this time.

Articles on masterpieces of European religious music, from the middle ages to Stravinsky and Tavener. The late Wilfrid Mellers, who occupies a special place among music critics, described himself as a non-believer; but his preference for music that "displays a sense of the numinous" (in his words) will strike a chord with many wholisten to religious music nowadays, and who share his view that music that confronts first and last things is likely to offer more than music that evades them. The essays form five groups, which together offer a survey of religious music from around the first millennium to the beginning of the second, in the context of the difficult issues of what religious music is, and, for good measure, what is religion? The parts are: The Ages of Christian Faith; The Re-birth of a Re-birth: From Renaissance to High Baroque; From Enlightenment to Doubt; From "the Death of God" to "the Unanswered Question"; and The Ancient Law and the Modern Mind. Musical discussion, with copious examples, is conducted throughout the book in a context that is also religious - and indeed philosophical, social, and political, with the open-endedness that such an approach demands in the presentation of ideas aboutmusic's most fundamental nature and purposes. COMPOSERS: Hildegard of Bingen; Perotin; Machaut; Dunstable, Dufay; William Corniyshes father and son; Tallis; Byrd; Monteverdi; Schutz; J.S. Bach; Couperin; Handel; Haydn;Mozart; Beethoven; Schubert; Bruckner; Berlioz, Faure; Verdi, Brahms; Elgar, Delius; Holst, Vaughan Williams, Howells; Britten; Janacek; Messiaen, Poulenc; Rachmaninov; Stravinsky; Part, Tavener, Gorecki, Macmillan, Finnissy; Copland.

The Foundations of Celestial Reckoning gives the reader direct access to the foundational documents of the tradition of calculation created by astronomers of the early Chinese empire between the late second century BCE and the third century CE. The paradigm they established was to shape East Asian thought and practice in the field of mathematical astronomy for centuries to come. It was in many ways radically different from better known traditions of astronomy in other parts of the ancient world. This book includes full English translations of the first three systems of mathematical astronomy adopted for use by imperial astronomical officials, together with introductory material explaining the origin and nature of each system, and a general introduction to the work as a whole. The translations, which are accompanied by the original Chinese text, give a consistent rendering of all technical terms, and include detailed explanatory notes. The text in which the second of the three systems is found also includes a unique collection of documents compiled around 178 CE by two experts in the field, one of whom was the author of the third system translated in this book. Using material transcribed from government archives of the two preceding centuries, these scholars carefully document and review controversies and large-scale official debates on astronomical matters up to their own time. Nothing equivalent in detail and clarity has survived from any other ancient culture. The availability of the totality of this material in English opens new perspectives to all historians of pre-modern astronomy.

Until about the middle of this century philosophers and scientists commonly held that science showed an accumulation of a body of objective knowledge. This view has been very widely challenged over recent years; but in this study Dr Jardine offers a defence.The discussion involves consideration of many controversial issues concerning truth in science, interpretation of past theories, and grounds of scientific method. The author writes with a careful appreciation of the complexities involved and argues for a distinctive point of view with skill andclarity.