Celluloid Soldiers

During the 1930s many Americans avoided thinking about war erupting in Europe, believing it of little relevance to their own lives. Yet, the Warner Bros. film studio embarked on a virtual crusade to alert Americans to the growing menace of Nazism. Polish-Jewish immigrants Harry and Jack Warner risked both reputation and fortune to inform the American public of the insidious threat Hitler's regime posed throughout the world. Through a score of films produced during the 1930s and early 1940s-including the pivotal Sergeant York-the Warner Bros. studio marshaled its forces to influence the American conscience and push toward intervention in World War II. Celluloid Soldiers offers a compelling historical look at Warner Bros.'s efforts as the only major studio to promote anti-Nazi activity before the outbreak of the Second World War.

During the 1930s many Americans avoided thinking about war erupting in Europe, believing it of little relevance to their own lives. Yet, the Warner Bros. film studio embarked on a virtual crusade to alert Americans to the growing menace of Nazism. Polish-Jewish immigrants Harry and Jack Warner risked both reputation and fortune to inform the American public of the insidious threat Hitler's regime posed throughout the world. Through a score of films produced during the 1930s and early 1940s-including the pivotal Sergeant York-the Warner Bros. studio marshaled its forces to influence the American conscience and push toward intervention in World War II. Celluloid Soldiers offers a compelling historical look at Warner Bros.'s efforts as the only major studio to promote anti-Nazi activity before the outbreak of the Second World War.

At the beginning of the twentieth century, Jewish immigrants upended Protestant control of vaudeville and the silent film industry. This book rejects the commonly held explanations for this shift: Jewish commercial acumen and their desire to assimilate. Instead, this book argues that the “pleasure principle”—a positive view of bodily pleasures and sexuality that Jewish immigrants held ––gave rise to the role of Jewish influence on popular culture, an influence still felt today. After discussing the pivotal ascendancy of Jews in vaudeville and silent films, Cherry explores the important role that Jewish performers and middlemen played in the evolution of popular culture throughout the century, from stage and the big screen to radio, television, and the music industry. He concludes with a broader discussion of Jewish values that helps explain the continued outsized role that Jews continue to play in American popular culture.

Winner of the Academy Award for best dramatic score in 1938, the score for The Adventures of Robin Hood is seen by many as the archetypal accompaniment to a Warner Brothers swashbuckler, and it established the score's composer, Erich Wolfgang Korngold, as one of the leading exponents of film score composition at a formative point in its history. In the newest addition to the Scarecrow Film Score Guides series, author Ben Winters uses manuscript and archival research to challenge preconceived notions about the score's composer and its authorship. Winters examines Korngold's career, his film scoring techniques, and his engagement with the Hollywood studio system; he examines the film's treatment of the Robin Hood legend, its historical and critical contexts, and its place within the swashbuckler genre and the studio's anti-fascist agenda.

On October 8, 1918, seventeen soldiers from the 82nd Division, American Expeditionary Force, led by acting Sgt. Bernard Early, flanked a German machine gun nest that had inundated their unit with withering fire. In this sneak attack, they successfully surprised and captured more than 80 German soldiers before an unseen machine gun suddenly opened fire and killed six men. Acting Cpl. Alvin York, a member of the patrol, received the credit for taking control of the squad and single-handedly killing 20 Germans, capturing 132 prisoners, and eliminating 35 machine guns, all before leading the men back to Allied lines. For this act of bravery, York not only received the Medal of Honor and was promoted to sergeant, but he also rose to fame and glory. The 1941 movie Sergeant York, starring Gary Cooper, solidified York as a legend and one of the most well-known military figures in American history. In Unraveling the Myth of Sgt. Alvin York, historian James P. Gregory Jr. tells the story of the other sixteen soldiers who took part in the battle, capture, and return before fading into relative obscurity in the shadow of Sergeant York. As the tale reached mythological proportions, the other survivors began to speak out, seeking recognition for their parts in the engagement, only to be stymied by improper investigations, cover-ups, and media misrepresentations. Here, Gregory recovers the story of these other men and the part they played alongside York while revealing the process of mythmaking in twentieth-century America.

Filmic constructions of war heroism have a profound impact on public perceptions of conflicts. Here, contributors examine the ways motifs of gender and heroism in war films are used to justify ideological positions, shape the understanding of the military conflicts, support political agendas and institutions, and influence collective memory.

A Los Angeles Times bestseller A New York Times Book Review “Editor’s Choice” Selection “Even the die-hardest Casablanca fan will find in this delightful book new ways to love the movie they were certain they could never love more.” —Sam Wasson, best-selling author of Fifth Avenue, 5 A.M. Casablanca is “not one movie,” Umberto Eco once quipped; “it is ‘movies.’” Film historian Noah Isenberg’s We’ll Always Have Casablanca offers a rich account of the film’s origins, the myths and realities behind its production, and the reasons it remains so revered today, over seventy-five years after its premiere.

This author's analytical approach will be appreciated by historians as well as film buffs. He examines Hollywood's response to the rise of fascism and the beginning of the Second World War. Welky traces the shifting motivations and arguments of the film industry, politicians, and the public as they negotiated how or whether the silver screen would portray certain wartime attributes.