Celtic Melodies For Fingerpicking Guitar

In these three audio lessons, Duck Baker, Stefan Grossman, and John Renbourn teach six Celtic fingerstyle guitar solos. The three compact discs offer three full hours of note-by-note, phrase-by-phrase instruction, and all of the arrangements appear in the book in notation and tablature. Lesson One, by Duck Baker, teaches Planxty Irwin in Drop D tuning and Hewlett in standard tuning. Lesson Two, by Stefan Grossman, introduces Open G minor tuning for Logan Water and Captain Magan. Lesson Three, by John Renbourn, continues G minor tuning with arrangements of Mist Covered Mountains and The Orphan. This lesson concludes with five bonus tracks featuring performances by Davey Graham and Dave Evans.

17 solo arrangements from the British Isles and beyond, in Orkney and other tunings, with standard notation, tablature, and performance notes

Forty beautiful Celtic melodies arranged for solo fingerstyle guitar. All the songs are arranged to be easily playable. Most of the songs are in standard tuning plus there is an additional section in DADGAD tuning. A CD is included featuring all the songs.

(Guitar Solo). A beautiful collection of 15 Celtic arrangements: The Ash Grove * Birniebouzle * Carrickfergus * Danny Boy * Loch Lomond * Mist Covered Mountains of Home * O My Love Is like a Red, Red Rose * Ned of the Hill * O'Carolan's Journey to Cashel * Scarborough Fair * Sheebeg and Sheemore (Si Bheag, Si Mhor) * The Skye Boat Song * Tarboulton Reel * Wild Mountain Thyme * Ye Banks and Braes O' Bonnie Doon.

(Guitar Solo). 15 favorites arranged for solo guitar in notes and tab, including: Down by the Salley Gardens * The Foggy Dew * The Galway Piper * The Gypsy Rover * Londonderry Air * Molly Malone * Sweet Rosie O'Grady * Water Is Wide * The Wearing of the Green * When Irish Eyes Are Smiling * Whiskey in the Jar * Wild Rover * and more.

This collection of traditional music from Ireland and Scotland arranged for solo guitar is the result of a passionate study of the tradition by some of the finest musicians playing in this genre. Compiled by Stefan Grossman, this book includes arrangements by Pierre Bensusan, El McMeen, Martin Simpson, Pat Kirtley, Duck Baker, Tom Long & Steve Baughman. Looking back less than a century you would find this music performed on fiddle, pipes, button accordion, flutes and whistles, in solo and ensemble settings, but never guitar, even in its basic role of providing rhythm. The challenge for those who attempt to translate Celtic traditional music for fingerstyle guitar is to preserve the unique qualities which are the essence of the style. The popularity of alternate tunings in this music tends to come from two different directions. One is in the desire for production of tonalities of droning instruments, ß la the bagpipes, and tunings such as DADGAD and EADEAE make this effect relatively easy. On the other hand, there are guitar tunings which lend themselves easily to the melodic steps and fullness found in the diatonic Celtic harp, such as DGDGBD (open G tuning) and the CGDGAD. DVD is region 0, playable worldwide.

The ancient Celtic repertoire offers the fingerstyle guitarist a tantalizingly wide range of moods and emotions from sad laments to lyrical ballads to vibrant dance rhythms. This collection presents a vast array of fingerpicking guitar solos settings on timeless airs, hornpipes, reels, planxties, set dances, jigs, slip jigs, marches, songs and compositions by the renowned 17th century blind Irish bard, Turlough O'Carolan. the solos are in varied guitar tunings and are presented in notation and tablature. Performance notes and suggested listening guides are also included. 27 songs from this book are on the CD.

In this unique solo fingerstyle guitar collection, Luke Edwards presents 17 melodies from the Celtic nation of Wales, The Land of Song, sheep and dragons and birthplace of Merlin the wizard. With arrangements derived from ancient to more modern traditional tunes, this book provides a glimpse into a fascinating musical culture. Often overlooked in comparison to neighboring Scotland and Ireland, the music of Wales is rich and multifaceted. This book covers a variety of traditional Welsh genres including hymns, lullabies, hornpipes, fiddle tunes, and even a selection from The Robert Ap Huw Manuscript of 1340, the oldest known example of harp music in the world. As all of the arrangements were made in guitar-friendly keys in either standard or drop-D tuning, they can be readily combined into sets for performance. Written in both standard notation and tablature, historical notes and complete right and left-hand fingerings are provided throughout. Recommended for the intermediate to advanced guitarist, the collection includes access to online audio.