Ceramics In America 2021

The 2021 volume of Ceramics in America features new discoveries about ceramics used in the American context. Topics include American stoneware, Chinese export porcelain, and commemorative historical and political wares. Of special interest are ca. 1790-1810 slip-decorated earthenwares from the manufactory of Enoch Wood and James Caldwell.

Listen to the artists of the Brazilian Northeast. Their work, they say, comes of continuity and creativity. Continuity runs along lines of learning toward social coherence. Creativity brings challenges and deep personal satisfaction. What they say and do in Brazil aligns with ethnographic evidence from New Mexico and North Carolina; from Ireland, Portugal, and Italy; from Nigeria, Turkey, India, and Bangladesh; from China and Japan. This book is about that, about folk art as a sign of human unity.

This book is an introductory work on the broad topics included in Materials Science. It encompasses a number of different materials classes and properties with a focus on the structure-property relationships between them. Each class of materials will include and discuss recycling techniques and other green methods of production. Materials Chemistry: For Scientists and Engineers is ideal for all newcomers to the fi eld as well as for those seeking a knowledge of solid state chemistry.

A diverse range of essays, new discoveries, and book reviews on the latest research of interest to ceramics scholars.

In this issue of Dental Clinics, guest editors Drs. Jack L. Ferracane, Luiz E. Bertassoni, and Carmem S. Pfeifer bring their considerable expertise to the topic of Dental Biomaterials. Dental biomaterials have received recent attention in terms of exhibiting excellent performance, as well as increased migration and proliferation of cells involved in the osseointegration of implants. This issue offers up-to-date, expert coverage of adhesives, cements, composites, ceramics, scaffold materials, and implants, as well as light curing and safety of dental materials. Contains 11 practice-oriented topics including dental adhesives: surface modifications of tooth structure for stable bonding; resin-based composites: materials for direct and indirect applications; new technologies for restorative dentistry; advances in ceramics for dental applications; cements and protocols for bonded dental ceramics; and more. Provides in-depth clinical reviews on dental biomaterials, offering actionable insights for clinical practice. Presents the latest information on this timely, focused topic under the leadership of experienced editors in the field. Authors synthesize and distill the latest research and practice guidelines to create clinically significant, topic-based reviews.

This book broadens the discussion of pottery and china in the Victorian era by situating them in the national, imperial, design reform, and domestic debates between 1840 and 1890. Largely ignored in recent scholarship, Ceramics in the Victorian Era: Meanings and Metaphors in Painting and Literature argues that the signification of a pot, a jug, or a tableware pattern can be more fully discerned in written and painted representations. Across five case studies, the book explores a rhetoric and set of conventions that developed within the representation of ceramics, emerging in the late-18th century, and continuing in the Victorian period. Each case study begins with a textual passage exemplifying the outlined theme and closes with an object analysis to demonstrate how the fusing of text, image, and object are critical to attaining the period eye in order to better understand the metaphorical meanings of ceramics. Essential reading not only for ceramics scholars, but also those of material culture, the book mines the rich and diverse archive of Victorian painting and literature, from the avant-garde to the sentimental, from the well-known to the more obscure, to shed light on the at once complex and simple implications of ceramics' agencies at this time.

For the first time, color photographs of the known nineteen surviving objects from this important American porcelain factory are presented.Accompanying essays provide the historical context for the rise and fall of the factory along with exploration of porcelain technology and classification of parallel British porcelain. Important new evidence is presented for an even earlier porcelain manufactory near Charleston, South Carolina that of emigrant Staffordshire potter John Bartlam.