Ceremonies In Augusta Georgia

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Excerpt from Ceremonies in Augusta, Georgia, Laying the Corner Stone of the Confederate Monument: With Oration by Gen. Clement An. Evans, April 26, 1875, and the Unveiling and Dedication of the Monument, With Oration by Col. Charles C. Jones, Jr., October 31, 1878 The 'french Benevolent Society, under the leadership of vice-president Rival, and numbering 14 members, was in line. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Gender is the last vantage point from which the Civil War has yet to be examined in-depth, says LeeAnn Whites. Gender concepts and constructions, Whites says, deeply influenced the beliefs underpinning both the Confederacy and its vestiges to which white southerners clung for decades after the Confederacy's defeat. Whites's arguments and observations, which center on the effects of the conflict on the South's gender hierarchy, will challenge our understanding of the war and our acceptance of its historiography. The ordering principle of gender roles and relations in the antebellum South, says Whites, was a form of privileged white male identity against which others in that society were measured and accorded worth and meaning--women, wives, children, and slaves. Over the course of the Civil War the power of these men to so arbitrarily construct their world all but vanished, owing to a succession of hardships that culminated in defeat and the end of slavery. At the same time, Confederate women were steadily--and ambivalently--empowered. Drawn out of their domestic sphere, these women labored and sacrificed to prop up an apparently hollow notion of essential manliness that rested in part on an assumption of female docility and weakness. Whites focuses on Augusta, Georgia, to follow these events as they were played out in the lives of actual men and women. An antebellum cotton trading center, Augusta was central to the Confederacy's supply network and later became an exemplary New South manufacturing city. Drawing on primary sources from private family papers to census data, Whites traces the interplay of power and subordination, self-interest and loyalty, as she discusses topics related to the gender crisis in Augusta, including female kin networks, women's volunteer organizations, class and race divisions, emancipation, Sherman's invasion of Georgia, veteran aid societies, rural migration to cities, and the postwar employment of white women and children in industry. Whites concludes with an account of how elite white Augustans "reconstructed" themselves in the postwar years. By memorializing their dead and mythologizing their history in a way that presented the war as a valiant defense of antebellum domesticity, these Augustans sought to restore a patriarchy--however attenuated--that would deflect the class strains of industrial development while maintaining what it could of the old Southern gender and racial order. Inherent in this effort, as during the war, was an unspoken admission by the white men of Augusta of their dependency upon white women. A pioneering volume in Civil War history, this important study opens new debates and avenues of inquiry in culture and gender studies.

This richly illustrated collection of fourteen essays examines the ways in which Confederate memorials - from Monument Avenue to Stone Mountain - and the public rituals surrounding them testify to the tenets of the Lost Cause, a romanticized narrative of the war. Several essays highlight the creative leading role played by women's groups in memorialization, while others explore the alternative ways in which people outside white southern culture wrote their very different histories on the southern landscape. The authors - who include Richard Guy Wilson, Catherine W. Bishir, W. Fitzhugh Brundage, and William M.S. Ramussen - trace the origins, objectives, and changing consequences of Confederate monuments over time and the dynamics of individuals and organizations that sponsored them. Thus these essays extend the growing literature on the rhetoric of the Lost Cause by shifting the focus to the realm of the visual. They are especially relevant in the present day when Confederate symbols and monuments continue to play a central role in a public - and often emotionally charged - debate about how the South's past should be remembered. The editors: Art Historian Cynthia Mills, a specialist in nineteenth-century public sculpture, is executive editor of American Art, the scholarly journal of the Smithsonian American Art Museum. Pamela H. Simpson is the Ernest Williams II Professor of Art History at Washington and Lee University. She is the coauthor of The Architecture of Historic Lexington.

When it comes to Confederate monuments, there is no common ground. Polarizing debates over their meaning have intensified into legislative maneuvering to preserve the statues, legal battles to remove them, and rowdy crowds taking matters into their own hands. These conflicts have raged for well over a century--but they've never been as intense as they are today. In this eye-opening narrative of the efforts to raise, preserve, protest, and remove Confederate monuments, Karen L. Cox depicts what these statues meant to those who erected them and how a movement arose to force a reckoning. She lucidly shows the forces that drove white southerners to construct beacons of white supremacy, as well as the ways that antimonument sentiment, largely stifled during the Jim Crow era, returned with the civil rights movement and gathered momentum in the decades after the Voting Rights Act of 1965. Monument defenders responded with gerrymandering and "heritage" laws intended to block efforts to remove these statues, but hard as they worked to preserve the Lost Cause vision of southern history, civil rights activists, Black elected officials, and movements of ordinary people fought harder to take the story back. Timely, accessible, and essential, No Common Ground is the story of the seemingly invincible stone sentinels that are just beginning to fall from their pedestals.

The historical memory of the Civil War and Reconstruction has earned increasing attention from scholars. Only recently, however, have historians begun to explore African American efforts to interpret those events. With Defining Moments, Kathleen Clark shines new light on African American commemorative traditions in the South, where events such as Emancipation Day and Fourth of July ceremonies served as opportunities for African Americans to assert their own understandings of slavery, the Civil War, and Emancipation--efforts that were vital to the struggles to define, assert, and defend African American freedom and citizenship. Focusing on urban celebrations that drew crowds from surrounding rural areas, Clark finds that commemorations served as critical forums for African Americans to define themselves collectively. As they struggled to assert their freedom and citizenship, African Americans wrestled with issues such as the content and meaning of black history, class-inflected ideas of respectability and progress, and gendered notions of citizenship. Clark's examination of the people and events that shaped complex struggles over public self-representation in African American communities brings new understanding of southern black political culture in the decades following Emancipation and provides a more complete picture of historical memory in the South.