Chandigarh Redux

Chandigarh, built in the 1950s to a scheme by Le Corbusier and Pierre Jeanneret with their team of international and Indian architects, until the present day is regarded an icon of modernist urban design. Austrian artist Werner Feiersinger has recently travelled to the legendary capital of India s federal state Punjab. Inspired by Ernst Scheidegger s book "Chandigarh 1956"," " he has put together a vast pictorial account of the city s famous architecture today. This new book features some 300 of Feiersinger s photographs. With the artist s view and based on his own creative experience as a sculptor, he shows the expressive sculptural qualities of the buildings. He captures the place s vivid atmosphere and virtuosity and illustrates its continuous topicality. This artistic approach clearly distinguishes this book from previous publications on Chandigarh, most of which are of merely documentary character. The essay by Austrian architect Andreas Vass reflects on Chandigarh s history, its architectural qualities, and its future development. The title "Chandigarh Redux "refers to Francis Ford Coppola s Apocalypse Now Redux, the 2001 extended version of his epic war film of 1979. "

This unparalleled and wide-ranging book surveys the history of applied arts and industrial design from the eighteenth century to the present day, exploring the dynamic relationship between design and manufacturing, and the technological, social and commercial contexts in which this relationship has developed. In this extensively revised and expanded third edition, David Raizman addresses international questions more fully with the addition of six Global Inspiration sections that examine the contributions of non-Western traditions, rendering the very notion of a 'national' design debatable. The text also pays closer attention to issues of gender, race, and climate change, and their impact on design. With over 580 illustrations, mostly in colour, History of Modern Design is an inclusive, well-balanced introduction to a field of increasing scholarly and interdisciplinary research, and provides students in design with historical perspectives of their chosen fields of study.

This anthology collects developing scholarship that outlines a new decentred history of global modernism in architecture using postcolonial and other related theoretical frameworks. By both revisiting the canons of modernism and seeking to decolonize and globalize those canons, the volume explores what a genuinely "global" history of architectural modernism might begin to look like. Its chapters explore the historiography and weaknesses of modernism's normative interpretations and propose alternatives to them. The collection offers essays that interrogate transnationalism in new ways, reconsiders the agency of the subaltern and the roles played by infrastructures, materials, and global institutions in propagating a diversity of modernisms internationally. Issues such as colonial modernism, architectural pedagogy, cultural imperialism, and spirituality are engaged. With essays from both established scholars and up-and-coming researchers, this is an important reference for a new understanding of this crucial and developing topic.

Initiated in 1949, Chandigarh is the most visible example of a planned city in India. Here, Kalia provides a history of its planning and development, focusing on the major figures involved. This updated edition features a new introduction and a new epilogue which relate the aims of the Indian government's original plans, and the vision and design of Le Corbusier, to present-day Chandigarh. The book remains the leading study of the growth and development of this fascinating city.

First published in 2004, this book is the inaugural volume of the Indian Ocean Research Group (IORG) and is based on a selection of papers presented at the IORG launch in Chandigarh in November 2002. The volume emphasizes the complexity and historical and contemporary geopolitical significance of the Indian Ocean Region (IOR). It also propagates the necessity for increased intra-regional cooperation, especially in terms of economic and environmental security, maritime boundaries, sea lane security and ocean management, in the spirit of open regionalism, in order to ensure a more secure IOR. In addition, the volume initiates an agenda for future social science policy-orientated research. The book should be of particular interest to policy-makers, business people and academics, as well as citizens of the IOR.

First things first. This is a book about Chandigarh, but this is not a book about architecture. This is a collection of articles published as part of a column branded 'By The Way' in the Hindustan Times between 2013 and 2017. The writer, Aarish Chhabra, is a journalist since 2008, and has worked for The Indian Express too. His column deals with an array of topics, from politics to people to the general trivialities of life, all connected somehow to life in Chandigarh or how life looks from here. But life in this city can seem so beautiful, at times, that it becomes perfectly drab. This book aims not to be like that. Because it does not take itself too seriously. You are free to do that, though -- take yourself and this book seriously, that is!

Interrogates the explosive potential of revolutionary anti-colonial 'afterlives' in contemporary Indian politics and society.