Charlemagne And The Paladins

Amidst the chaos and violence of Europe in the eighth century, Charlemagne became king of the Franks and established a large empire. As Charlemange's power grew, so did the stories attached to his name. This book explores the myths and legends of the great king Charlemagne, from the stories about his mother, Bertha Bigfoot, and his youthful adventures with the thief, Basin, to his fantastical journeys to Jerusalem and Constantinople. It also retells the stories of his most famous knights, the Paladins. These brave warriors were all heroes in their own right, and included many famous names such as Roland, Ogier the Dane, Oliver, Archbishop Turpin, and Guy of Burgundy. Together with his Paladins, Charlemagne established a court to rival Camelot and led the Christian kingdoms of Europe in their ongoing struggles with the armies of the East. Although this great ruler eventually passed away, quietly in his bed, the legends say that he now sits on his golden throne beneath the mountain, waiting until the need of his people calls him forth again.

A familiar and dynamic historical period for game campaigns is detailed in this sourcebook. Charlemagne was the last of the barbarian kings of Europe, and his leadership unified much of the continent into the Holy Roman Empire. This sourcebook provides a lively and heroic background for game players. Map.

"Does it seem reasonable to you that a Regency continues—into an Emperor's thirtieth year " "No, m'lord," Shoka said. "Not to us, either. Not to many of us. We were ready to make that objection—when lord Gitu overran Yijang and Hua.... Assassinations, elsewhere. Hired killers. Bands of mercenaries traveling under imperial orders. The Emperor'sseal, and the Regent's orders. How do we stop such a thing How do we prevent it—when every lord able to lead is apprehended, assassinated, when they strip us of men, even boys out of the fields—go to Saukendar, some said. Go to Saukendar. They urged me to send to you. This time he has to listen, they said. But if I had sent—and Ghita had known—you understand—" Reidi gave an uncomfortable twitch of the shoulders. His horse shifted again. "I had no true hope that you'd come. You'd indicated to the villagers—that you had no wish to hear from anyone. That you would refuse any such petitions—" "You were watching me." "It's my village, m'lord—as the Regent pointed out to me again and again, and threatened my life should you leave that mountain. Of course the word came to me. I tried to get a messenger down the road to you when I knew you'd left Mon.... We believed you'd come back to deal with Ghita and his partisans." Shoka felt cold, cold all the way to the bones. "There are men ready to follow you, lord Saukendar. There are men who've committed their lives to this— We didn't know the hour. We only believed. Now you've come back ..." "It's gripping drama, tightly focussed and inexorable as Taizu herself. Read The Paladin and you'll never settle for another ordinary sword-wielding female." —Faren Miller LOCUS At the publisher's request, this title is sold without DRM (Digital Rights Management)

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The first full-length examination of the medieval Charlemagne tradition in the literature and culture of medieval England, from the Chanson de Roland to Caxton.

"The different cultures from which the middle ages drew its inspiration are represented: Cu Cuchulainn from the Celtic world, Apollonius of Tyre from Greek romance, Attila the Hun and Theodoric the Ostrogoth from the struggle of the Roman empire against the Barbarians. Each entry gives an outline of the story, how it spread through Europe, its modern retelling and appearances in art, and a selective bibliography."--Jacket.

Medieval Europe offers a pageant of almost incredible richness: King Arthur and his round table, demons and cathedrals, Charlemagne and his paladins. The Carolingian culture of the late eighth to late tenth centuries (in what is now France, Belgium, Germany, the Netherlands, Switzerland, and northern Italy) offers more than its fair share of achievements. This heavily illustrated study examines one revealing legacy of Charlemagne's heirs and his people--the Carolingian gems of rock crystal, jet, and agate engraved with complex figural scenes, which have never before been studied as a group. These objects have been largely ignored in the scholarship of medieval art, partly because of the difficulty of access. Genevra Kornbluth assembles for the first time all twenty surviving gems, from small seal matrices to the forty-one-figure "Susanna crystal" in London, along with information about lost works. The unique features of each gem are made visible in over 200 detailed black-and-white photographs, often highly magnified and produced using new techniques developed to record transparent engraving. Kornbluth fully analyzes the techniques of manufacture, style, chronology, iconography, and patronage of each gem and examines their social functions, the organization and status of the artisans who created them, and relations between media. The gems are presented as evidence of the rich diversity of the Carolingian culture, rather than as reflections of an artistic program dictated by the imperial courts; they are also seen to be essentially new creations, drawing on earlier visual traditions but adapting their sources to address contemporary concerns.