Charlemagne In Italy

An exploration of the many depictions of Charlemagne in the Italian tradition of chivalric narratives in verse and prose. Chivalric tales and narratives concerning Charlemagne were composed and circulated in Italy from the early fourteenth to the mid-sixteenth century (and indeed subsequently flourished in forms of popular theatre which continue today). But are they history or fiction? Myth or fact? Cultural memory or deliberate appropriation? Elite culture or popular entertainment? Oral or written, performed or read? This book explores the many depictions of the Emperor in the Italian tradition of chivalric narratives in verse and prose. Beginning in the age of Dante with the earliest tales composed for Italians in the hybrid language of Franco-Italian, which draw inspiration from the French tradition of Charlemagne narratives, the volume considers the compositions of anonymous reciters of cantari and the prose versions of the Florentine Andrea da Barberino, before discussing the major literary contributions to the genre by Luigi Pulci, Matteo Maria Boiardo and Ludovico Ariosto. The focus throughout is on the ways in which the portrait of Charlemagne, seen as both Emperor and King of France, is persistently ambiguous, affected by the contemporary political situation and historical events such as invasion and warfare. He emerges through these texts in myriad guises, from positive and admirable to negative and despised.

Offers new perspectives on the fascinating but neglected history of ninth-century Italy and the impact of Carolingian culture.

This book offers an overview of the archaeological and structural evidence for one of the most vital periods of Italian history, spanning the late Roman and early medieval periods. The chronological scope covers the adoption of Christianity and the emergence of Rome as the seat of Western Christendom, the break-up of the Roman west in the face of internal decay and the settlement of non-Romans and Germanic groups, the impact of Germanic and Byzantine rule on Italy until the rise of Charlemagne and of a Papal State in the later eighth century. Presenting a detailed review and analysis of recent discoveries by archaeologists, historians, art historians, numismatists and architectural historians, Neil Christie identifies the changes brought about by the Church in town and country, the level of change within Italy under Rome before and after occupation by Ostrogoths, Byzantines and Lombards, and reviews wider changes in urbanism, rural exploitation and defence. The emphasis is on human settlement on its varied levels - town, country, fort, refuge - and the assessment of how these evolved and the changes that impacted on them. Too long neglected as a 'Dark Age', this book helps to further illuminate this fascinating and dynamic period of European history.

Discusses the social and economic development of Italy

Franks and Lombards in Italian Carolingian Texts examines how historians of Carolingian Italy portrayed the history of the Lombards, Charlemagne’s conquest of the Lombard kingdom, and the presence of the Franks in the Italian Ppeninsula. The different contexts and periods in which these writers composed their works allows readers to focus on various aspects of this period and to highlight the different ways the vanquished remembered Carolingian rule in Italy. The ‘"memories’" of these authors are organized by topic, ranging from the origin of the Lombards to the conflicts that broke out among the Carolingians after Louis II died in 875. Besides presenting the English translation and the original Latin text of the excerpts from the Italian Carolingian historical works, the volume also contains the English translations of the same events recorded in Frankish and papal narrative texts. In this way it is possible to compare different memories about the same episode or topic. The book will appeal to scholars and students of the Lombards and Carolingians, as well as all those interested in medieval Europe.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.