Charred Lullabies

How does an ethnographer write about violence? How can he make sense of violent acts, for himself and for his readers, without compromising its sheer excess and its meaning-defying core? How can he remain a scholarly observer when the country of his birth is engulfed by terror? These are some of the questions that engage Valentine Daniel in this exploration of life and death in contemporary Sri Lanka. In 1983 Daniel "walked into the ashes and mortal residue" of the violence that had occurred in his homeland. His planned project--the study of women's folk songs as ethnohistory--was immediately displaced by the responsibility that he felt had been given to him, by surviving family members and friends of victims, to recount beyond Sri Lanka what he had seen and heard there. Trained to do fieldwork by staying in one place and educated to look for coherence and meaning in human behavior, what does an anthropologist do when he is forced by circumstances to keep moving, searching for reasons he never finds? How does he write an ethnography (or an anthropography, to use the author's term) without transforming it into a pornography of violence? In avoiding fattening the anthropography into prurience, how does he avoid flattening it with theory? The ways in which Daniel grapples with these questions, and their answers, instill this groundbreaking book with a rare sense of passion, purpose, and intellect.

If culture is suspect, what of cultural theory? At a moment when culture's traditional caretakers -- humanism, philosophy, anthropology, and the nation-state -- are undergoing crisis and mutation, this volume charts the tensions and contradictions in the development and deployment of the concept of culture. A genuinely interdisciplinary venture, In Near Ruins brings together respected writers from the fields of history, anthropology, literary criticism, and communications. Together their essays present an intriguing picture of "culture" at the edges of humanism, of the politics of critical inquiry amid current social transformations, of the status and practice of historical knowledge in an age of theory. Skeptical of the concept of culture but fascinated with cultural forms, the authors take up diverse topics, from debates over sexuality in the contemporary United States to relations between empire, capitalism, and gender in nineteenth-century Britain; from poverty in U.S. inner cities to violence in war-torn Sri Lanka; from the operation of nostalgia on cultural practices in Japan to anthropological forms of state power in Indonesia and the writing of history in India. Linked by a common urge to think through the aesthetics and politics of particular social relations amid a variety of globalizing forces -- revolution, colonialism, nationalism, and the disciplinary institutions of the academy itself -- these writers contribute to the ongoing work of remapping the terrain of cultural analysis and reevaluating the stakes in such a daunting effort.

Examines Hill's verse within the context of British and American reaction to the great literary modernists of the early 20th century

This collection intervenes in key areas of feminist scholarship and activism in contemporary South Asia, particularly India, Pakistan, Bangladesh, and Sri Lanka, while asking how this investigation might enrich feminist theorizing and practice globally.

'Violence' is virtually synonymous in the popular imagination with the period of the Later Roman Empire-a time when waves of barbarian invaders combined with urban mobs and religious zealots to bring an end to centuries of peace and serenity. All of these images come together in the Visigothic sack of the city of Rome in A.D. 410, a date commonly used for the fall of the entire empire. But was this period in fact as violent as it has been portrayed? A new generation of scholars in the field of Late Antiquity has called into question the standard narrative, pointing to evidence of cultural continuity and peaceful interaction between "barbarians" and Romans, Christians and pagans. To assess the state of this question, the fifth biennial 'Shifting Frontiers' conference was devoted to the theme of 'Violence in Late Antiquity'. Conferees addressed aspects of this question from standpoints as diverse as archaeology and rhetoric, anthropology and economics. A selection of the papers then delivered have been prepared for the present volume, along with others commissioned for the purpose and a concluding essay by Martin Zimmerman, reflecting on the theme of the book. The four sections on Defining Violence, 'Legitimate' Violence, Violence and Rhetoric, and Religious Violence are each introduced by a theme essay from a leading scholar in the field. While offering no definitive answer to the question of violence in Late Antiquity, the papers in this volume aim to stimulate a fresh look at this age-old problem.

Studies of genocide and mass atrocity most often focus on their causes and consequences, their aims and effects, and the number of people killed. But if the main goal is death, why is torture necessary? By understanding how and why mass violence occurs and the reasons for its variations, The Macabresque aims to explain why so many seemingly normal or "ordinary" people participate in mass atrocity across cultures and why such egregious violence occursrepeatedly through history.

In Insurgency and Counterinsurgency in Kenya, Hannah Whittaker offers an in-depth analysis of the Somali secessionist war in northern Kenya, 1963-68.