Chats On Old Silver Classic Reprint

Excerpt from Chats on Old Silver In dealing with the subject of old silver in a volume of this size sufficient details have been given to enable the collector to identify his silver if it be'in the main stream of silversmiths' work. On the whole, except where it is necessary in certain fields to illustrate the only examples, sumptuous specimens have been avoided in the illustrations as being outside the scope of this volume and the public to whom it is intended to appeal. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The study of old silver usually begins when the inquiring possessor of the family plate sets himself the task of ascertaining the date and the probable value of some piece long in his family and possibly lately bequeathed to him. With old china, and probably with old furniture, the taste for collecting is oftentimes an acquired one, but it is in the Englishman's blood to ruminate over his old plate, and the hallmarks of the assay offices in London and in the provinces, in Scotland and in Ireland, have been placed thereon with aforethought. The plate closet is cousin to the strong-box, inasmuch as the coin of the realm and gold and silver plate have been subjected to stringent laws extending over a period of five hundred years. The technical word "hallmark" has become a common term in the language synonymous with genuineness. The strictest supervision, under the parental eye of the law, has upheld the dignity of the silversmith's guarantees. Hence the pride of possession of old silver. Pictures and furniture and engravings whose ancestry is doubtful thrust themselves in the market without fear of the watchful official eye. But old silver bearing the hallmarks of ancient and honorable guilds of silversmiths, stamped at the accredited assay offices, is, with few exceptions, what it purports to be. It is a proud record and a splendid heritage. It is, therefore, the author's hope that this volume will stand as an authoritative outline history of the subject of which it treats, that it may point the way to possessors of old silver to arrive at sound conclusions as to their heirlooms, and that it may indicate to collectors the salient features of their hobby.

"Chats on Old Sheffield Plate" by Arthur Hayden is an informative and engaging exploration of the world of old Sheffield plate. Hayden's expertise shines as he engages readers in conversations about this historical form of silverware. The book provides valuable insights into the craftsmanship, history, and artistry behind Sheffield plate. It is an essential reference for collectors, antique enthusiasts, and anyone interested in the art of silversmithing and decorative arts.