Cherokee Dragon

Few writers portray Native American life and history as richly, authentically, and insightfully as Robert J. Conley. Conley represents an important voice of the Cherokee past. The novels in his Real People series combine powerful characters, gripping plots, and vivid descriptions of tradition and mythology to preserve Cherokee culture and history. In Cherokee Dragon, the tenth novel in the series, Robert Conley explores the life if Dragging Canoe, the last great war chief of the united Cherokee tribe. In the late eighteenth century, as the English settlers begin steadily encroaching upon the Cherokee lands, the Nation divided among several towns and many chiefs?unites in a series of battles. But the united front is not one that lasts: Dragging Canoe’s belief that they must fight the settlers to preserve their lands and their culture is far from universal.

A Cherokee Encyclopedia is a quick reference guide for many of the people, places, and things connected to the United Keetoowah Band of Cherokees, as well as for the other officially recognized Cherokee groups, the Cherokee Nation and the Eastern Band of Cherokees. From A Cherokee Encyclopedia "Crowe, Amanda Amanda Crowe was born in 1928 in the Qualla Cherokee community in North Carolina. She was drawing and carving at the age of 4 and selling her work at age 8. She received her MFA from the Chicago Arts Institute in 1952 and then studied in Mexico at the Instituto Allende in San Miguel under a John Quincy Adams fellowship. She had been away from home for 12 years when the Cherokee Historical Association invited her back to teach art and woodcarving at the Cherokee High School. . . ." "Fields, Richard Richard Fields was Chief of the Texas Cherokees from 1821 until his death in 1827. Assisted by Bowl and others, he spent much time in Mexico City, first with the Spanish government and later with the government of Mexico, trying to acquire a clear title to their land. They also had to contend with rumors started by white Texans regarding their intended alliances with Comanches, Tawakonis, and other Indian tribes to attack San Antonio. . . ."

In twenty-two original essays, leading historians reveal the radical impulses at the founding of the American Republic. Here is a fresh, new reading of the American Revolution that gives voice and recognition to a generation of radical thinkers and doers whose revolutionary ideals outstripped those of the “Founding Fathers.” While the Founding Fathers advocated a break from Britain and espoused ideals of republican government, none proposed significant changes to the fabric of colonial society. Yet during this “revolutionary” period some people did believe that “liberty” meant “liberty for all” and that “equality” should be applied to political, economic, and religious spheres. Here are the stories of individuals and groups who exemplified the radical ideals of the American Revolution more in keeping with our own values today. This volume helps us to understand the social conflicts unleashed by the struggle for independence, the Revolution’s achievements, and the unfinished agenda it left to future generations to confront.

Once the most powerful indigenous nation in the southeastern United States, the Cherokees survive and thrive as a people nearly two centuries after the Trail of Tears and a hundred years after the allotment of Indian Territory. In Our Fire Survives the Storm, Daniel Heath Justice traces the expression of Cherokee identity in that nation’s literary tradition. Through cycles of war and peace, resistance and assimilation, trauma and regeneration, Cherokees have long debated what it means to be Cherokee through protest writings, memoirs, fiction, and retellings of traditional stories. Justice employs the Chickamauga consciousness of resistance and Beloved Path of engagement—theoretical approaches that have emerged out of Cherokee social history—to interpret diverse texts composed in English, a language embraced by many as a tool of both access and defiance. Justice’s analysis ultimately locates the Cherokees as a people of many perspectives, many bloods, mingled into a collective sense of nationhood. Just as the oral traditions of the Cherokee people reflect the living realities and concerns of those who share them, Justice concludes, so too is their literary tradition a textual testament to Cherokee endurance and vitality. Daniel Heath Justice is assistant professor of aboriginal literatures at the University of Toronto.

Weaving connections between indigenous modes of oral storytelling, visual depiction, and contemporary American Indian literature, Deep Waters demonstrates the continuing relationship between traditional and contemporary Native American systems of creative representation and signification. Christopher B. Teuton begins with a study of Mesoamerican writings, Diné sand paintings, and Haudenosaunee wampum belts. He proposes a theory of how and why indigenous oral and graphic means of recording thought are interdependent, their functions and purposes determined by social, political, and cultural contexts. The center of this book examines four key works of contemporary American Indian literature by N. Scott Momaday, Gerald Vizenor, Ray A. Young Bear, and Robert J. Conley. Through a textually grounded exploration of what Teuton calls the oral impulse, the graphic impulse, and the critical impulse, we see how and why various types of contemporary Native literary production are interrelated and draw from long-standing indigenous methods of creative representation. Teuton breaks down the disabling binary of orality and literacy, offering readers a cogent, historically informed theory of indigenous textuality that allows for deeper readings of Native American cultural and literary expression.

Unpapered is a collection of personal narratives by Indigenous writers exploring the meaning and limits of Native American identity beyond its legal margins. Native heritage is neither simple nor always clearly documented, and citizenship is a legal and political matter of sovereign nations determined by such criteria as blood quantum, tribal rolls, or community involvement. Those who claim a Native cultural identity often have family stories of tenuous ties dating back several generations. Given that tribal enrollment was part of a string of government programs and agreements calculated to quantify and dismiss Native populations, many writers who identify culturally and are recognized as Native Americans do not hold tribal citizenship. With essays by Trevino Brings Plenty, Deborah Miranda, Steve Russell, and Kimberly Wieser, among others, Unpapered charts how current exclusionary tactics began as a response to "pretendians"--non-indigenous people assuming a Native identity for job benefits--and have expanded to an intense patrolling of identity that divides Native communities and has resulted in attacks on peoples' professional, spiritual, emotional, and physical states. An essential addition to Native discourse, Unpapered shows how social and political ideologies have created barriers for Native people truthfully claiming identities while simultaneously upholding stereotypes.