Cheyenne Warrior Ii

An original screenplay by Michael B. Druxman, CHEYENNE WARRIOR was produced by Roger Corman's Concorde/New Horizons Pictures and released in 1994. Mark Griffiths directed the film, which starred Kelly Preston, Dan Haggerty, Bo Hopkins and Pato Hoffmann.CHEYENNE WARRIOR was a critical and financial success, and through home video and cable television, achieved a worldwide fan following that persists to the present day.CHEYENNE WARRIOR II and HAWK are Druxman's two diverse versions of a long awaited sequel to that original film, each following "Soars Life a Hawk," the character played by Pato Hoffmann, as he and his Cheyenne brothers seek revenge for the bloody 1864 Sand Creek Massacre, in which the Colorado Militia slaughtered over one hundred peaceful Cheyenne men, women and children. With both the U.S. Army and ruthless bounty hunters on his trail, Hawk becomes a hunted fugitive, determined to reunite with his people and his destiny.The epic historical saga continues....

Written as an elegant realistic western surrounding the forbidden inter-racial relationship between a young pregnant pioneer woman, and a Cheyenne warrior chief wounded by buffalo hunters, this story has action, humor and an unforgettable love story.

Brave Eagle grows to manhood amid the constant changes and turmoil on the Plains. Now, in a world full of choices, Brave Eagle must make many decisions, some for his survival. This period is a time of exploration, discovery, and settlement in the West; intervention and treaties with the U. S. Government; leadership issues between the peace chief Black Kettle and the war leader Roman Nose, the Dog Soldiers, the Sand Creek Massacre, the Massacre at Washita. Is Brave Eagle to be a man of war or a man of peace? *Is he to be a fierce frightening warrior or a wise peacemaker? Can he learn to adapt to the white man's world, or would he be able to hold on to the rich traditions of the grandfathers? In the middle 1800's, the white man's world collides with the world of the Native Americans. How would this affect the people of the Plains? Where will this life journey take Brave Eagle?

Montana's era of "Indian Wars" consisted of nearly a century of skirmishes, battles, and large-scale wars between the U.S. military and native nations, including Blackfeet, Sioux, Northern Cheyennes, Arapahos, Gros Ventres, and Nez Perces -- and the army's Crow and Shoshone allies. These battlegrounds remain today, a testament to the clash of cultures that defined the region in the nineteenth century. Author Barbara Fifer takes readers on a historic journey to the solemn sites of Montana's most fascinating and storied battles, from Two Medicine Creek to the Little Bighorn and on to the Sweetgrass Hills, revealing engaging tale -- from fighters and witnesses on both sides.

F R A N C I S C O R O N D O N lives in upstate New York. He has three daughters. Born in Puerto Rico he came to the United States at a young age and has lived here since. His inspiration for writing comes from his daughters.

The author invites you .... To embark on a journey to the native country of Cheyenne Indians .... To hear the colorful descendants of some of the oldest inhabitants of America, tell stories of battles, the hunt, spiritual experiences, and origins of Cheyenne culture. To meet the members of six Cheyenne families, whose lives are intertwined in dependent and independent relationships and observe the important role that the grandmother cultivates.

George Amos Dorsey was an U.S. ethnographer of Indigenous peoples of the Americas, with a special focus on Caddoan and Siouan tribes. He received a Bachelor of Arts degree from Denison University in 1888, then a second Bachelor's Degree in anthropology in 1890 at Harvard university, and finally PhD in 1894, the first PhD in anthropology from Harvard, and the second ever awarded in the United States. The following account of the Cheyenne social organisation was obtained as part of Dorsey's studies of the Cheyenne Sun-Dance, which, in turn, are part of a comparative study on this ceremony among the Plains Tribes he began in 1901. The Cheyenne Sun-Dance forms the subject of Part II. The accounts of the societies, the myths of the origin of the same, and the story of the medicine-arrows are given, with but slight changes, as they were obtained through Richard Davis, a full blood Cheyenne.