Warrior Art Of Wyoming S Green River Basin

A photographic and multidisciplinary study of one of America’s last undeveloped—and most endangered—landscapes, edited by a Pulitzer Prize–winning author. A vast expanse of rock formations, sand dunes, and sagebrush in central and southwest Wyoming, the little-known Red Desert is one of the last undeveloped landscapes in the United States, as well as one of the most endangered. It is a last refuge for many species of wildlife. Sitting atop one of North America's largest untapped reservoirs of natural gas, the Red Desert is a magnet for energy producers who are damaging its complex and fragile ecosystem in a headlong race to open a new domestic source of energy and reap the profits. To capture and preserve what makes the Red Desert both valuable and scientifically and historically interesting, writer Annie Proulx and photographer Martin Stupich enlisted a team of scientists and scholars to join them in exploring the Red Desert through many disciplines: geology, hydrology, paleontology, ornithology, zoology, entomology, botany, climatology, anthropology, archaeology, sociology, and history. Their essays reveal many fascinating, often previously unknown facts about the Red Desert—everything from the rich pocket habitats that support an amazing diversity of life to engrossing stories of the transcontinental migrations that began in prehistory and continue today on I-80—which bisects the Red Desert. Complemented by Martin Stupich’s photo-essay, which portrays both the beauty and the devastation that characterize the region today, Red Desert bears eloquent witness to a unique landscape in its final years as a wild place./

George Frison’s Prehistoric Hunters of the High Plains has been the standard text on plains prehistory since its first publication in 1978, influencing generations of archaeologists. Now, a third edition of this classic work is available for scholars, students, and avocational archaeologists. Thorough and comprehensive, extensively illustrated, the book provides an introduction to the archaeology of the more than 13,000 year long history of the western Plains and the adjacent Rocky Mountains. Reflecting the boom in recent archaeological data, it reports on studies at a wide array of sites from deep prehistory to recent times examining the variability in the archeological record as well as in field, analytical, and interpretive methods. The 3rd edition brings the book up to date in a number of significant areas, as well as addressing several topics inadequately developed in previous editions.

Plains Indian biographic rock art can be “read” by those knowledgeable in its lexicon. Presented is a lexicon of imagery, conventions, and symbols used by Plains Indians to communicate their warfare and social narratives. The reader is introduced to Plains Indian “warrior” art in all media, biographic art as picture writing is explained, and the lexicon is described, providing a pictographic “dictionary,” and explains conventions and connotations. Finally, it illustrates four key examples of how these narratives are read by the observer. Familiarity with the lexicon will enable interested scholars and laypersons to understand what are otherwise enigmatic rock art drawings found from Calgary, Alberta through ten U.S. states, and into the Mexican state of Coahuila.

The Great Plains has been central to academic and popular visions of Native American warfare, largely because the region’s well-documented violence was so central to the expansion of Euroamerican settlement. However, social violence has deep roots on the Plains beyond this post-Contact perception, and these roots have not been systematically examined through archaeology before. War was part, and perhaps an important part, of the process of ethnogenesis that helped to define tribal societies in the region, and it affected many other aspects of human lives there. In Archaeological Perspectives on Warfare on the Great Plains, anthropologists who study sites across the Plains critically examine regional themes of warfare from pre-Contact and post-Contact periods and assess how war shaped human societies of the region. Contributors to this volume offer a bird’s-eye view of warfare on the Great Plains, consider artistic evidence of the role of war in the lives of indigenous hunter-gatherers on the Plains prior to and during the period of Euroamerican expansion, provide archaeological discussions of fortification design and its implications, and offer archaeological and other information on the larger implications of war in human history. Bringing together research from across the region, this volume provides unprecedented evidence of the effects of war on tribal societies. Archaeological Perspectives on Warfare on the Great Plains is a valuable primer for regional warfare studies and the archaeology of the Great Plains as a whole. Contributors: Peter Bleed, Richard R. Drass, David H. Dye, John Greer, Mavis Greer, Eric Hollinger, Ashley Kendell, James D. Keyser, Albert M. LeBeau III, Mark D. Mitchell, Stephen M. Perkins, Bryon Schroeder, Douglas Scott, Linea Sundstrom, Susan C. Vehik

This scholarly collection explores the method and theory of the archaeological study of indigenous persistence and long-term colonial entanglement. Each contributor offers an examination of the complex ways that indigenous communities in the Americas have navigated the circumstances of colonial and postcolonial life, which in turn provides a clearer understanding of anthropological concepts of ethnogenesis and hybridity, survivance, persistence, and refusal. Indigenous Persistence in the Colonized Americas highlights the unique ability of historical anthropology to bring together various kinds of materials—including excavated objects, documents in archives, and print and oral histories—to provide more textured histories illuminated by the archaeological record. The work also extends the study of historical archaeology by tracing indigenous societies long after their initial entanglement with European settlers and colonial regimes. The contributors engage a geographic scope that spans Spanish, English, French, Dutch, and other models of colonization.

Spans at least 5,000 years, ranging from finely drawn polychrome shield-bearing warrior pictographs to crudely pecked abstract petroglyphs, including some of the most sophisticated portraiture ever done by native rock artists.